The world is cold, and the military gate is full of smoke.
Going high every year will not be sad.
The ninth day in the poem, that is, the ninth day of the ninth lunar month, is the traditional Double Ninth Festival in China.
The first two sentences of the poem, "The mountains and rivers in the world are dangerous, and the military gates are deep in smoke", ostensibly describe the scene before us: the roads on the ground, the ups and downs of mountains and rivers, and the dangers of hovering; Looking at Dongting Lake in the distance, it is foggy and confused. However, the poet's words are close at hand and far away. The era in which the poet lived coincided with the separatist regime in the buffer region, and the separatist situation was ready to emerge. Looking at the rise and fall of the world and recalling my bumpy life course, isn't the road to life as steep as the mountains and rivers in front of me, and the road to official career as vacant as looking forward? So this "road to the world" seems to refer to the road ahead, but actually refers to the road of life; This "military gate" seems to refer to the mountain gate overlooking the eyes, but in fact it refers to the gate of official career. The word "risk" is shocking; This word "deep" makes people worry about the future. This couplet "expresses emotion with the psychology of writing scenery, then the metaphor of body and mind is slight and light." (Wang Fuzhi's "Jiang Zhai Shi Hua") has reached the realm of scene blending.
The last two sentences, "Go up to the heights every year, don't save or be sad", are between the lines, meaning outside the poem. "Climbing high" echoes the topic of "climbing high". This is something that ancient poets like. From this point of view, "Yu Ran shares the same wind with the poet." Climbing to the top of the mountain and looking into the distance naturally causes endless thoughts: family happiness, feelings of life experience, sadness of home country, countless disappointments, almost indescribable. If we are the same wind as the poet, it is inevitable that the poet will miss his relatives and friends when he stays in other places. But this is not the whole meaning of the poet. He has always opposed separatism and actively participated in political innovation. However, his ambition has not been rewarded. Seeing the war year after year, the people lost their lives and the country was in danger, how can this not make the poet "sad"? Therefore, this poem not only expresses the poet and his personal feelings, but also contains the profound meaning of the poet expressing his will through poetry. This is a higher realm than ordinary climbing poems.
Look at Wang Dongting again:
The lake and the moon blend together,
There is no wind on the pool surface, and the mirror is not polished.
Looking at Dongting,
Green snail in a silver plate.
Dongting: The name of the lake is in the north of Hunan Province today.
Looking at Dongting Lake was written by Liu Yuxi when he went to Hezhou as a secretariat and passed through Dongting Lake in the autumn of the fourth year of Changqing in Tang Muzong (AD 824). In 20 years, Liu Yuxi was exiled to the south and went to Dongting. According to the literature, there are about six times. Among them, only the state is transferred, this time, in autumn. And this poem is a vivid record of this trip.
This poem describes the beautiful scenery of Dongting Lake in the moonlight on an autumn night. Microwave is quiet, calm, beautiful and particularly pleasant. The poet's imagination flies, vividly depicts the hazy beauty of Dongting Lake in a fresh style, and draws a beautiful landscape map of Dongting Lake, showing the poet's love for nature, magnificent bearing and lofty and wonderful feelings.
The first sentence, "The lake blends with the moon", describes the crystal-clear lake water and the green light of the plain moon, just like the meeting in Qiongtian, which is an ethereal, ethereal, quiet and harmonious realm. It shows a harmonious picture of Tianshui and Yuyu without dust. The word "harmony" has been refined, showing a harmonious picture of water and sky, jade and dust-free, and it seems to convey the rhythm of a water town night-the rhythm of rippling moonlight and lake water.
The second sentence describes that there is no wind on the lake, and the lake covered with mist is like an unpolished bronze mirror. The word "the mirror is not polished" vividly and aptly shows the calm, peaceful and gentle scene of a thousand miles of Dongting, which has a hazy beauty in the moonlight. Because only "there is no wind on the pool surface", the water waves are calm, and the lake and the moon can be coordinated. Otherwise, the lake is noisy and the waves are empty, and the lake light and autumn moon are not interesting, so there will be no "two-phase harmony".
The third and fourth sentences focus the poet's attention on Junshan from the overall picture of the vast lake and moonlight. In Yin Hui under the bright moon, Dongting Mountain is greener, Dongting water is clearer and the mountains and rivers are integrated. It looks like a small green snail in a carved silver plate, which is very attractive. The autumn moon Dongting described by the poet has become a fine treasure of arts and crafts, giving people great artistic enjoyment. "Green snail in a silver plate" is really an incredible punch line. The advantage of this sentence is not only reflected in the accurate warning of metaphor, but also in the poet's magnanimity and lofty feelings. In the poet's eyes, a thousand miles of Dongting is just a mirror and a cup and plate on the case. It is very rare to lift weights lightly, be indifferent and natural, and be neither arrogant nor impetuous.
It is a reflection of the poet's character, sentiment and aesthetic taste to express the relationship between man and nature so cordially and to describe the lakes, mountains and mountains so broadly and clearly. Without the boldness and persistence of the thought in Mustard Seed, without the exciting and lasting embrace of Nirvana, there would be no romantic imagination.
Look at the autumn wind:
Where is the autumn wind? Xiao Xiao sent the goose.
When the morning light enters the courtyard, lonely guests smell it first.
Introduction: one of the genres of literature or music, the meaning of orderly performance, that is, introduction, begins.
Liu Yuxi once lived in the far south for a long time. This poem was written during the period of being demoted. Because the autumn wind and the geese flying south touched the hearts of the lonely guests and felt it.
The poem is titled "Autumn Wind", and the first sentence "Where does the autumn wind come from?" asks questions on the topic, swaying and posing. Through this abrupt and erratic question, it also shows the characteristics that the autumn wind comes suddenly and unexpectedly. Further exploration and thinking also implies resentment against autumn, which is similar to "Spring breeze, since I dare not know you, why should I separate the silk curtains beside my bed?" Li Bai's thoughts in spring. The arrival of autumn wind is invisible and ubiquitous. There is no doubt about where it comes from and where it comes from. Although it is expressed in interrogative language here, the poet's real meaning is not at the bottom of the matter, and then he put down his pen.
Whistle the Wild Goose, which is about the rustling wind and the geese coming with the wind. Turn the invisible wind into an audible scene, thus vividly writing the autumn wind without knowing where I am into a poem. Wei's poem Yan Wen can be combined with these two poems: "Where is my hometown?" It's leisurely to think about it. On autumn night in Huainan, the geese came from Gaozhai. "However, Wei's poems are based on my feelings and feelings, first writing" Homesickness "and then writing" Yan Wen ". Shen Deqian pointed out in the anthology of Tang poems that writing in this way is "deeply emotional", and if it is "inverted", it will become an ordinary work that ordinary people can write. The first two sentences of this preface to autumn wind write that the autumn wind first arrives and Hongyan comes to the south, which is exactly the content of the last two sentences of Wei's poem, just the opposite of Wei's poem. It is a dream in the distance, a pen in the air, written from the opposite side of the person who thinks of Wen Yansi's return, and the idea of sending geese in the autumn wind is established. As for the contents of the first two sentences of Wei's poems, they are written at the end of the article.
"Lonely guests smell first when they enter the courtyard tree in the morning", and the brushwork moves from the "wild goose" in the autumn sky to the "courtyard tree" on the ground, and then focuses on the "Chuke" who is homesick alone in a foreign land. From far to near, the scenery changes step by step. The sentence "Chaolai" follows not only the autumn wind in the first sentence, but also the rustling sound in the second sentence. This is not an answer but seems to answer the question at the end of the article. It shows that although the autumn wind comes and goes nowhere to be found, it is attached to other things and is everywhere. At the moment, trees and leaves are rustling, and the invisible autumn wind is clearly near the courtyard and is introduced to the ears.
Poem written here, as the title of the poem "autumn wind" has been written enough. The people in the poem haven't appeared yet, and the feelings in the scene haven't been pointed out. "Lonely guests smell first" is the crowning touch, saying that the autumn wind has been "smelled" by "lonely guests". Here, if you contact another poem by the author, "The First Smell of Autumn Wind", the phrase "Sleeping five nights before sleeping, coming to the mirror for a year" can be used as a supplementary explanation of "smelling". Of course, as an "orphan", he will not only be sad for the passage of time because of the change of his appearance, but also his travel and homesickness can be imagined.
This poem mainly expresses the feelings of wandering and homesickness, but the beauty lies in not writing from the front, but always making a fuss about the autumn wind. At the end of the article, although the "lone guest" was introduced, he only wrote that he "smelled" the autumn wind. As for his homesickness, it is implied by the word "first". It stands to reason that the autumn wind blows to the courtyard tree and everyone can hear it at the same time. There should be no priority. But DuGuKe "for the first time" heard, it is conceivable that he is particularly sensitive to time series and phenology. And he is so sensitive. This is the explanation of "first smell". These comments are full of twists and turns on this sentence, with endless implications and full of praise for the readers' intriguing depth. Judging from the whole poem, in order to integrate with its desolate and generous artistic conception and vigorous and powerful style, it has to be said that it is "inaudible". The two sentences are similar in content, one with a curved pen and the other with a straight pen, but each has its own advantages. In contrast, you can appreciate the poetic method.
This poem borrows scenery to express feelings, mainly expressing feelings of wandering and homesickness. It shows that although the autumn wind comes and goes nowhere to be found, it is attached to other things everywhere. The wind rustles the leaves of trees, and the invisible autumn wind is clearly near the courtyard and is introduced to the ears.