My opinion on Chaozhou Opera is 700 words.

Chaozhou opera is an ancient opera art flower that grows in Chaoshan, a land with profound cultural accumulation. It embodies the essence of Chaoshan culture and is deeply loved by Chaoshan people. According to research, Chaozhou Opera originated from Southern Opera in Song and Yuan Dynasties and was formed in Ming Dynasty. During Hongzhi and Zhengde years in Ming Dynasty, it was popular to play Southern Opera with local accent, which was the manifestation of the localization of Southern Opera in Chaoshan and the beginning of Chaozhou Opera. In Chaoshan area, there are local dramas such as Li Jingji, Golden Flower Girl and Su six niang, and some of them are directly labeled as "Chaodiao", which shows that the Southern Opera has begun to evolve into a local drama at that time. Later, Tide Tune absorbed nutrients from Yiyang, Qingyang, Kunshan and Xiqin, and made great strides towards localization, especially among the Chaoshan people. It has a long history and a long history, which is a foregone conclusion in academic circles. Looking back on the historical process of its formation and development from the perspective of observation, we can clearly see several enlightening features in the system reform: First, the long formation and development process of Chaozhou Opera is always historic, covering the language, customs and fashion of Chaoshan, with a long humanistic tradition, folk psychology and aesthetic taste, and it is also fluid. It's always evolving. From the beginning of performing southern opera with "local accent", to singing local stories with "super strength", and then to collecting Bona extensively, it has become a unique local opera. From the Chaozhou accent in the Ming Dynasty to the name of Chaozhou Opera after the founding of New China, it is a "dynamic" situation, with a steady stream of water flowing upward step by step. With the development of business, frequent exchanges and the introduction of capitalist culture, Chaozhou opera is still "moving" to adapt to the new situation, especially absorbing a large number of artistic achievements such as various brother operas, movies and pop songs, which makes the voice and performance constantly change and develop, and the scenery of Taiwanese opera, civilized opera and system is completely new. This kind of "movement" not only conforms to the trend, but also constantly absorbs Chaoshan. Many of them are absorbed and melted from the long-term popular Buddhist songs, temple music, Daqu and eight-tone gongs and drums in Chaoshan. It is said that the three-step, three-step and three-step platform of Chaozhou opera are absorbed from the egg boat song and dance, and the mechanical footwork of Chaozhou opera is derived from the paper movies and puppets in Chaoshan, while the singing and refrain of Chaozhou opera are similar to Chaozhou songs. An example of the development towards localism. In the history of Chaozhou Opera, while covering Chaoshan culture and absorbing Chaoshan folk art, it has constantly formed regional characteristics, and at the same time has always maintained the characteristics of popularization and popularization, making it widely sung among the people and becoming a local accent in chaozhou people. Its combination with Chaoshan folk activities is even more obvious. Especially since the Qing Dynasty, "all the townships have taken action and played the role of Taiwan Province Pavilion." The existing county and township records all record the plays performed by Chaoshan in folk activities such as festivals, god-wandering competitions, weddings and funerals. , as big as to greet God, thank God, worship ancestors, celebrate birthdays, have children, get married, seal officials, get promoted, move, build temples, and even formulate and implement the customs of Zhang and Xiang. People's appreciation of drama has become a common practice, which is conducive to development. Shantou has become a trading port, with developed economy, more Chaozhou opera clubs and expanded performance area. During the Guangxu period of Qing Dynasty, there were more than 200 classes of Chaozhou music, which not only performed in Chaoshan area, but also extended their footprints to Huizhou, Meizhou, Qiongzhou, Quanzhou, Zhangzhou, Longyan, Shanghai and Fuzhou in Fujian, as well as Southeast Asia, Hong Kong, Macau, Kaohsiung and Tainan in Taiwan Province Province.