Whether there is such a "skill" is unknown. However, understanding the meaning and sustenance of this word is quite enlightening. A peach born in a strange place, alone in the depths of the chaotic mountains, can not be rewarded, which is a symbol of the fate of beauty.
"Peach is planted and exposed in the sky, not the number of flowers." Gao Chan, a poet in the Tang Dynasty, wrote in the first sentence: "Peach dew seeds are in the sky, and apricots are planted on clouds in the sun." Sound, elegant and rich. That's a peach only found in the Heavenly Palace! It is also planted in a peaceful way, and it is even more vivid and charming. So gorgeous, naturally not the number of embryos of ordinary flowers and plants. The poet praised it from both positive and negative aspects. The word "no" is quite intriguing. Poets often emphasize the achievement of China's poetry without copula, and think that this achievement is due to the absence of copula. In fact, this is not entirely correct. From the grammatical point of view, the appearance of copula only expresses the equivalence between two words, but when it is used in China's classical poems, it conveys some contradictory meanings. In other words, "yes" means "no" or "maybe not", and "no" means "already yes" or "however yes", which realizes a meaning with its inherent fuzziness. The more firmly the sentence "not every flower" is said, the more people feel that there is an unacceptable reality. Exactly: "water lingers in the depths of the chaotic mountain." A "chaos" and a "depth" indicate that it is out of place. Although it is still picturesque by the lingering stream, "it's a pity that a picturesque one is for who?" No one appreciates it, no one asks, what is beauty? Maybe I can still keep that noble and reserved, but I have always hated it! Therefore, it shows peach's unsatisfied experience and unbearable loneliness. Du Fu said, "A cluster of peach blossoms has no owner. Lovely scarlet loves light red? " Lu you has a "broken bridge outside the post, lonely open." The implication is slightly similar to this one, except that this chant is too deep. Du Fu's poems and Lu Ci both point out the "ownerless" of flowers, while Qin Ci only uses the inquiring tone of "for whom" to express "ownerless", and its voice and emotion are even more swaying.
In the last film, the flower symbolizes beauty, but the pen is in the flower. The noble and extraordinary body has no choice but to rely on the barren hills. Yingying is just lonely and open, and it is difficult to restrain her sadness. This is a wonderful pen that can convey both form and spirit.
The next movie starts with beauty. The first two sentences show his longing for spring. Spring is slightly cold and drizzling, and this picturesque peach blossom is even more affectionate. However, perhaps the heroine's mind was too deep, and the pleasant scenery of spring soon slipped from her sad eyes. Finally, she let out a sigh that "it's hard to manage without saying anything about spring". Yes, but I can't leave spring without being sent away. It's already "lonely and unloved" Who will love? Will it still "laugh at the spring breeze" at this time next year? Sigh, pity, hurt. Injury to spring is also self-injury. It is so beautiful, so bright, youth is always hard to stay, and years are fleeting! Write farewell at the end of the sentence. "What's wrong with being drunk for you?" It is natural that you should say goodbye in a hurry, be happy for the newspaper and get drunk, not to mention trying to dispel your concerns. Drunk trance may reduce the desolation of the separation rope! But then I thought, "I'm afraid I'll break someone's intestines when I wake up." It's easy to get drunk now, but what about after waking up? Isn't it more heartbreaking that the beloved is gone? No, you can't get drunk, even if it's just a short parting time together! The contradiction between being intoxicated and not being intoxicated is euphemistically expressed by the word "I'm afraid". "Why not" is for him, "I'm afraid" is also because of him, and the feeling of parting is deep.
The emotional development of the whole word is full of profound meanings. The feelings of words have also advanced and retreated, and there have also been twists and turns. Every emotion closely follows its negation: "not the number of flowers" but the life of each flower; Deep in the chaotic mountain, "a picturesque branch" is still unappreciated; "Light cold drizzle", pleasant scenery, and hate to stay in spring; I was drunk and blushed without hesitation, but I was afraid that I would be more worried after waking up, so I had to let my worry torture her. Finally, in the sigh of "breaking people's intestines", the love of words came to an abrupt end and received the artistic effect of sadness.
In artistic expression, Ci uses the traditional metaphor of vanilla beauty. Flowers are a symbol of beauty. In beauty, it is not difficult to see the shadow of the poet himself. Flowers are also beautiful and poets. The poet was originally a talented person who was "less heroic and generous in words" (Biography of the History of the Song Dynasty and Qin Guan), but he was not used by the world and his official career was introverted. Naturally, he is full of grievances. However, in a society where talents are buried, to whom should this injustice be told? What's the use of talking? I had to "borrow someone else's cup and pour a piece into my chest." So when the poet sighs deeply for the fate of beauty, he is actually expressing his life experience and his embrace. It is also the infiltration of the poet's sense of life experience that makes the meaning of this word far beyond this "skill". Tie the words to your heart and nail them deeply, which is a very successful application of vanilla beauty. The whole word is interlocking everywhere, without trace, extremely subtle and euphemistic, showing exquisite artistic skill. Readers can know the law of Sao style fu, "clothes are words, not generations."