Five Dynasties: Li Yu
The wind returns to the yard, and the spring scenery continues. With the silence of the diaphragm for a long time, the sound of bamboo is still like a crescent moon.
The ice on the surface of the pool is melting before the song is over. The candle is bright and fragrant, the painting hall is deep, and the temples are covered with green frost and snow.
Thank you for seeing Hua Chunhong.
Five Dynasties: Li Yu
Hua Lin thanked Chunhong and left in a hurry. Helpless, cold rain comes early and wind comes late.
Cochineal tears, stay drunk, when heavy. Naturally, people hate water when they grow up. (Leave one work each: leave one person)
Two poems in late spring, the first part
Tang dynasty: Han Yu
Flowers and trees know that spring is about to pass, and they want to keep the pace of spring and pay more attention. (Grass Tree Works: Vegetation)
Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.
Yi Jiangnan Jiangnan Hao
Tang Dynasty: Bai Juyi
The scenery in Jiangnan is very beautiful, and the picturesque scenery has long been familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?
Appreciate:
Enjoy 1:
This is a work that expresses homesickness for hurting spring. Judging from the whole poem, it is full of sadness about the past, which should be Li Yu's later works, so some people call it the second poem of my late master's last words.
Tracing back to the source, this word embodies the author's deep resentment and pain for the vibrant and exciting spring scenery, and also contains the author's unbearable regret for his nostalgia and nostalgia for the past. Zhou commented: "It is painful and thick, and it is extremely resistant to swallowing. Literati who play seriously can know many things and express their deep meaning, and are not moved by the words that are screaming and drifting. "
Appreciation 2:
Here, it seems that it only personifies the beauty of late spring. In fact, it also implies that people should seize the opportunity to make progress and create valuable things. However, it is worth mentioning that, despite the lack of vegetation "talent", Populus davidiana is not so ignorant, but adds a landscape to late spring. Although it is not beautiful, it has made great efforts, and this spirit is commendable.
Appreciation 3:
This kind of words in the late Tang Dynasty are short poems, which can be understood naturally without analysis. What he "relies on" is not whitewashing, wriggling and carving, which he did not intend to do; It's just based on a strong and straightforward feeling. His pen is also natural and beautiful. If you don't use force, just write casually These belong to the purpose. See Synonyms at purpose. But it is a joke to think that his "convenience" is arbitrary "nonsense" and that literary creation is a "good field". That is, like the first sentence, "flowers in the forest" appeared first, but after all, I didn't know what flowers there were in Lin He, and then I said, "Thank you, Chunhong", but I knew it was the safflower of Chunlin, which had withered. It can be seen that this so-called "random" and "direct writing", like the calligrapher's "twists and turns", are "natural" and "unadorned", meaning "literary talent" and sincerity in dreams.
Appreciation 4
It's not easy to sum up the spring scenery in Jiangnan in a dozen words, but Bai Juyi skillfully did it. Instead of describing the flowers and warblers commonly used in the south of the Yangtze River, he began to write with the river as the center, showing the bright and dazzling spring scenery in the south of the Yangtze River through the contrast between "red wins fire" and "green as blue". In the poems of the great poet Du Fu, we can often see descriptions in different tones, such as "two orioles singing green willows, a row of egrets soaring into the sky" and "Jiang Niao is too white, and the mountains are green and the waters are white". Two different colors set each other off to make the poem bright and picturesque. Bai Juyi took the same road, which can also be seen from his poems, such as "The sunset glow burns red, the clear sky is bluer than blue", "Spring grass is more dreamy when it is green, and the sunset glow is red near Chang 'an", "The green waves are east and west, and the red column is 390 bridges". Therefore, in Bai Juyi's works, the spring scenery in the south of the Yangtze River has been colored since the first day, and the flowers and rivers in the river have formed people's imaginary pictures because of the way of drying, dyeing and setting off. The colors are gorgeous and eye-catching, and there is no need to add more associations. Spring scenery in the south of the Yangtze River has come to my face.
The following is a brief introduction of some authors:
Bai Juyi:
Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, Lotte, Xiangshan, and drunk. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu".
Bai Juyi's poems have a wide range of themes, various forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on.
Li Wei:
Li Yu (937-978), the sixth son of Li Jing, the ruler of the Southern Tang Dynasty, was originally named Jia Cong, whose name was Chongguang, and whose name was Zhong Yin and Lian Feng lay. Born in Pengcheng (now tongshan district, Xuzhou, Jiangsu), he was the last monarch in the Southern Tang Dynasty. ?
In the second year of Jianlong in the Northern Song Dynasty (96 1), Li Yu succeeded to the throne, respected the orthodoxy of the Song Dynasty, and paid tribute at the age of 20 to protect peace. In October of the fourth year of Kaibao (97 1), Song Taizu destroyed the Southern Han Dynasty, and Li Yu changed his name to "Jiangnan Master" except the Tang Dynasty. The following year, he derogated from the ritual system and removed the kiss from the rostrum in Jinling (now Nanjing) to show his respect for Song Ting. In the eighth year of Kaibao (975), when he attacked Jinling, Li Yu was forced to land in the Song Dynasty and was captured in Bianjing (now Kaifeng). He was named General Wei and disobeyed orders. On July 7th, the third year of Taiping and Xingguo (978), Li Yu died in Bianjing, known in history as Li Houzhu, Queen of Southern Tang Dynasty. Li Yu is proficient in calligraphy, painting, melody and poetry, especially in ci. Li Yu's ci has inherited the tradition of Huajian poets such as Wen and Wei Zhuang since the late Tang Dynasty, and has been influenced by Li Jing and Feng Yansi. Its language is bright, vivid, sincere and distinctive. After the national subjugation, his ci was characterized by a wide range of themes and profound meanings, and it was unique among the five pronouns in the late Tang Dynasty, which had a far-reaching influence on the later ci circles.