Bitter and bitter,
Wen Qi is very elegant.
Beauty thinks of ancient ideas skillfully,
It's just the golden hook dancing.
Yang Shi's Note: Painter Gan, stage name. He is good at flowers and figures, and his lines are old and spicy.
The first sentence: "black ink and ink" reflects a state of hard work, indicating that the painter is very hard. Among them, the bitterness of self-knowledge is self-knowledge. The second sentence is about the style characteristics of the work. The third sentence praised the artist's ingenious conception and full of breath in the picture. The fourth sentence: praise the artist's skill! At the beginning of painting a few branches and leaves, it has already revealed a clear and agile charm!
This is a poem that hides the beginning and the end. It's hard to write naturally and appropriately. If you don't remind me, the average reader probably can't see the hidden head and the hidden tail. If the Tibetan poem is read naturally as a poem, it will be considered a success. On the other hand, the smell of oil is too strong for poetry.
The form of hiding the head and tail:
Tibetan-headed poems, also known as Tibetan-headed poems, are a kind of miscellaneous poems with three forms.
Tibetan tail poem: a kind of poetry. In particular, the last word of each poem gives some contents that need to be expressed in turn, which corresponds to Tibetan poems.
One is that the six sentences of the first couplet and the second couplet all contain scenery and do not reveal the meaning of the topic, and it is not until the couplet that the theme is pointed out;
The second is to hide the first sentence of the poem in the last word;
The third is to hide what is said at the beginning of the poem. The third type is common now. Reading the first word of each sentence together can convey the author's unique ideas. Therefore, since its birth, Tibetan poems have been marked with both playfulness and practicality.