A poem describing the road ahead that is confusing but still moving forward.

1. Poems about the road ahead

2. Poems about the road ahead

Poems about the road ahead 1. What are the ancient poems that describe one's own future

Poems that describe one's own future are:

1. I fling aside my food-sticks and cup, I cannot eat nor drink, I pull out my dagger, I peer four ways in vain: The source of The Whole Tang Poetry is written by Li Bai. Vernacular translation: I am so worried that I put down a cup of chopsticks and don't want to eat. Pulled out his sword and looked around, feeling at a loss.

2. it is hard to go! Journeying is hard Duoqi Road, where is Ann now? : Source "All Tang Poems" by Li Bai. Vernacular translation: How difficult the road of life is, how difficult it is, and where is the real avenue?

3. the way is broad like the blue sky, but no way out before my eye: The source is The Whole Tang Poetry, written by Li Bai. Vernacular translation: Although the avenue is as wide as the sky, there is no way out for me.

4. sober men of olden days and sages are forgotten, and only the great drinkers are famous for all time: The source is The Whole Tang Poetry, written by Li Bai. Vernacular translation: the sage and the benevolent have been silent since ancient times, and only those who are good at drinking leave a good name.

5. I ask myself and always answer, what can be better than coming home?: The source is The Whole Tang Poetry, written by Wang Wei. Vernacular translation: I think there is no brilliant strategy to serve my country, but I just want to retire to the mountains and forests of my hometown.

References: Three Poems by it is hard to go (Poems Composed by Li Bai)-Baidu Encyclopedia

2. Poems about Confusion

1. If you keep cutting, you will feel sad, especially the general taste in your heart

2. If life is just like the first time, what is the west wind painting a fan?

3. You can't eat a toast, I pull out my dagger, I peer four ways in vain.

4. Mochow has no bosom friend in the road ahead, and no one in the world knows a gentleman.

5. I wonder why my inlaid harp has fifty strings, each with its flower-like fret an interval of youth.

the sage Chuangzi is day-dreaming, bewitched by butterflies, the spring-heart of Emperor Wang is crying in a cuckoo.

mermen weep their pearly tears down a moon-green sea, blue fields are breathing their jade to the sun.

and a moment that ought to have lasted for ever, but they were disconsolate at that time.

5. And men of affairs are not our kind. You should only be lonely, I will close the gate of my old garden.

6. Now you are dead and buried, you don't know when you will be buried. According to the person who buried the flowers today, who will be buried tomorrow?

7. if only my art might bring me fame? The official took a sick leave. flitting, flitting, what am I like? But a sand-snipe in the wide, wide world!.

8. since the world can in no way answer our craving, I will loosen my hair tomorrow and take to a fishingboat.

9. but I look toward home, and twilight grows dark? With a mist of grief on the river waves.

1. Teenagers don't know the taste of sorrow, and they fall in love with floors and floors, and they insist on expressing sorrow for assigning new words; Now, I know what I'm worried about, and I want to say it's a rest. I want to say it's a rest, but it's a cool autumn.

11. I fling aside my food-sticks and cup, I cannot eat nor drink, I pull out my dagger, I peer four ways in vain.

12. I turned my heart to the bright moon, but the bright moon shines on the ditch.

13. I would cross the Yellow River, but ice chokes the ferry will climb the Taihang Mountains with snow.

14. I ask myself and always answer, what can be better than coming home?. < p Good wine in the cup, less trees in the setting sun.

2. The flowers are falling and the flowers are blooming. There is no heart in the forest, and the dragons and phoenixes are singing together. Yesterday and tonight, there is a single sad shadow.

3. The cold wind blows with coolness, and everything is silent. In the past, I smiled and paid water, but now words are better than ice.

4. I compared my heart to the bright moon, but the bright moon illuminates the canal.

5. Going to the West Building alone without words, the moon is like a hook, and the lonely phoenix tree deep courtyard locks the clear autumn.

6. build house is surrounded by people, and there is no traffic.

7, a curtain of autumn rain, maple leaves all over the city, lonely pillow sleepless.

8, people say that the sunset is the end of the world, and you can't see home when you look at the end of the world.

9. earth endures, heaven endures; some time both shall end, while this unending sorrow goes on and on for ever.

1, thousands of miles away in a lonely grave, there is nowhere to talk bleak.

4. Ask poems about the confusion of life

Am I happy?

The answer is almost always negative

Ask your heart

I always see a gray and lonely desolation

I can't bear to ask again

I can't break the glacier of life

I don't know when this life will start

I'm anxious about passing away in a hurry. P > always looking forward to

always looking forward to

another spring

another summer

but I never thought that

it was just slowly approaching my own death and melting

I shouldn't have

wasted time like water

I shouldn't have sighed in my youth. Suffering

disappears in the midnight dream

Maybe I am really decadent

The life that once had a simple belief

is no longer there

Beautiful

Sad

Everything

is far away

Breaking my inner utopia

There is no place to avoid Qin in the world < P > It's like a car on a journey

bumping

bumping

until life is bumpy and empty

but leaving a lonely shadow

under the night light

being blown into the nothingness of fate by the autumn wind

It's another winter

It's another winter

Cold smoke and desert leaves rustling

.

the sage Chuangzi is day-dreaming, bewitched by butterflies, the spring-heart of Emperor Wang is crying in a cuckoo. Mermen weep their pearly tears down a moon-green sea, blue fields are breathing their jade to the sun.

and a moment that ought to have lasted for ever, has come and gone before I knew. This song "Jinse" is Li Shangyin's masterpiece, and all those who love poetry are happy and happy, which is the most famous. However, it is the most difficult poem to explain.

since the song and yuan dynasties, there have been many speculations. The poem "Jinse" uses the first two words of the first sentence.

In the old saying, it was originally thought to be a poem about objects, but recently, it seems that all the annotators claim that this poem has nothing to do with the theme of the instrument, but it is actually an "untitled" work by using the instrument to hide the theme. In my opinion, it is really different from ordinary chanting objects, but it is not just an untitled poem that simply "intercepts the first two words" to start with a metaphor and has nothing to do with the literal.

The events it wrote are clearly related to Joseph. There are many misunderstandings in the couplet, thinking that according to this, the poet has been "fifty years old" or "nearly fifty years old", so he is so happy.

actually, it is not. "unprovoked" means "unprovoked" and "unprovoked".

the poet's idiotic words are also. Jinse has so many strings, which is not "wrong" or "wrong"; The poet stubbornly complained about it: Jinse, why do you have so many strings? In fact, there is no need to "textual research" on how many strings existed in the original and how many strings actually existed in Li Shangyin's time. The poet just used words to see the meaning.

According to records, the ancient instrument has fifty strings, so Yuxi often uses the number of "fifty" when writing instruments, such as "Rain hits the fifty strings of Xiangling" and "Because of fifty strings, the middle road divides the palace sign", which can prove that this has no special purpose in the original poet. The key to "each with its flower-like fret an interval of youth" lies in the word "Chinese New Year".

one string and one column is still a sound. The stringed instrument has fifty strings, and the syllables are the most abundant and knowable, and its numerous sounds promote the festival, which often makes it difficult for listeners to be pregnant.

The poet never meant to make people die and pick "numbers". He said: listen to the complicated strings of Jinse and think about the past of China; The sound is complicated and confused, and it is hard to say.

The 5 strings are designed to "create an atmosphere", so as to see how heavy the past is and how sentimental it is. If you want to appreciate Yuxi's poem, you should first understand the purport, but you should not stick to the column and drum the instrument.

He Zhu, a poet of the Song Dynasty, said, "Who is the degree of Jin Sehua?" (The Jade Case) Yuan Hao, a poet of the Yuan Dynasty, asked, "The beautiful woman Jinse resents the Chinese New Year!" ("On Thirty Poems") Chinese New Year means beautiful youth. The most important "main eye" of Yuxi's poem lies in the splendor of the Chinese New Year, so it is just a pedantry to recall the saying of "forty-nine years" by "fifty years of travel".

since the intention of the alliance is clear, let's see how he undertakes it below. In the last sentence of Zhuan Lian, an allegorical allusion from Zhuangzi was used, which said that Zhuang Zhou dreamed that he was a butterfly and flew vividly ... He forgot that he was "Zhuang Zhou". Later, when I woke up, my family was still Zhuang Zhou, and I didn't know where the butterfly had gone.

Yuxi wrote this sentence: A beautiful woman, a beautiful instrument, a complicated string, awakened the poet's dream and stopped sleeping. Lost, gone, not equal.

Let's see what he said in "Thoughts on Autumn Evening": "Sleeping on a butterfly in a cold place", that is, leaving and passing away, that is, his so-called fans are. Xiao Meng Butterfly, although born in Zhuang Sheng, has been more than a "lifelike" problem once it is used in Yuxi, which vaguely contains a beautiful situation, but it is also an illusory dream.

The Emperor Wangdi in the next sentence of this couplet is the legendary monarch of Shu in the late Zhou Dynasty, whose name is Du Yu. Later, the Zen position retired, unfortunately, the country died, and the soul turned into a bird after death. As for the bleeding in the mouth, its voice was sad and touching, and it was named Du Fu.

Du Yu Tichun, what does this have to do with Jinse? It turned out that the complicated strings of the Jin instrument and the plaintive songs caused the poet's infinite sadness, and his unspeakable grievances, such as the plaintive sounds of Du Fu, sent him home in spring. The word "trust" not only wrote Du Yuzhi's trust in the cuckoo, but also wrote that the beauty's trust in the brocade, the hand waving and watching, the interest of flowers falling into the water, and the poet's wonderful writing, which has reached a climax.

It seems that Yuxi's "Spring Hearts Trust the Rhododendron" refers to grievances, while the word "resentment" put forward by "Beauty Jinse resents the Chinese New Year" is just right. Yuxi's poem eulogizes the golden harp, which is extraordinary and carefree, and there is a strange feeling that I deeply hate.

after the couplet was written, it was time to turn the pen. When the pen arrived here, the situation in front of it had reached a small level, which seemed to be knotted but not knotted, and the meaning was to be applied. Below this, touch the pen and ink, as if to "get up" again.

His brushwork is either like a strange peak protruding, or like a broken thread, or pushing the pen down, or bright and slow, dark and tight ... The technique can be different, but the spiritual context is turning and always focused. At this time, Yuxi wrote the famous sentence "mermen weep their pearly tears down a moon-green sea".

Beads are born in mussels, and mussels are in the sea. Whenever the moon is bright and quiet, mussels will open to the moon to raise their pearls, and the pearls will get the moonlight, and the aurora will shine. This is a beautiful folk tradition.

The moon is a pearl in the sky, like a bright moon in water; Tears are like pearls, which is natural since ancient times. Jiao Ren wept tears and became pearls, which is also a strange scene in the sea. In this way, the bright moon falls between the seas, and the pearl bathes in the boundary of tears. The moon, the pearl and the tears are three yeses and one yese. One into three? Three is one? In the poet's pen, it has formed an indistinguishable wonderland.

When we read poems of the Tang Dynasty, it is rare for us to have such rich connotations and wonderful associations. Then, is there any connection between Haiyue, Tears and Jinse? Didn't Qian Qi's famous ode to the harp say, "Twenty-five strings play jathyapple, but you can't clear your grievances but fly"? Therefore, it is appropriate to have a moonlit night, and the grievances are particularly deep.

So, can't sea moon's territory be snooped on? For the poet Yuxi, the realm of sea moon has special deep feelings. Once, due to illness, he couldn't bow to Hedong Gong's "Happy Camp to Buy Wine" meeting, so he wrote the sentence of "only taking the sea and the moon, pressing the red city."

In this way, on the one hand, he is very appreciative of this situation, and on the other hand, he is very sad and lonely: a complex and unspeakable feeling of disappointment is beyond words. Si Kongtu, a poet in the late Tang Dynasty, quoted a passage from Dai Shulun, who was earlier than him: "The beauty of a poet, such as the warmth of Lantian and the fine jade, cannot be placed before us."

The eight words used for metaphor here are exactly the same as the seven words in the next sentence of this poem, which shows that this metaphor has another root, but it is a pity.

6. Poems that describe being at a loss if you don't know the road ahead

Poems that describe being at a loss if you don't know the road ahead include: Looking at the south of the Yangtze River (crossing the watershed), Li Gang's fourth feeling, Chen Ziang's Qingpingle, [máng rán]'s March 3rd in Guizhou, Song Zhiwen's Farewell to Zhang Luan's trip to Shu, and Li Wei.

means boundless appearance; Describe a look of complete ignorance. See Ming Zonglun's poem "Journey to Huai": "Soochow is thousands of miles away, and it is still at a loss.

"The above poems are as follows: (1)" Looking at the South of the Yangtze River (Crossing the Watershed) "Li Gangzheng rode a long way and traveled thousands of miles to Shayang. Pan Bizhai is next to Ningcui Pavilion, and the Yin Xin Hall in Qiyun Temple.

looking back is vague. Watershed, misty rain is bleak.

In the south, Oumin is connected with the Bohai Bay, and in the north, it belongs to wuyue River-crossing Township. The clouds are long at dusk.

(2) "Experience 4" Every time Chen Ziang doesn't return during the day. When the sun is green, it is dusk.

I don't know what to think. The view of forest lying has no beginning.

it's a bad time for all the fragrant committees. The thrush sings sadly.

the vast wilderness has fallen. Who knows who lives in the nest?

(3) Zhang Yan spends a single leaf in Qingpingle, which is different than before. There is nowhere to talk about the smoke and water, cooling the West Lake and the waning moon.

Zhenfang only lives in the deep mountains, and it's irrelevant when the world is red. Leave a lot of clear shadows, and the fragrance is less than the world.

(4) "March 3rd in Guangxi" was written in Jinghua Li, Song Zhiwen, and went to the enchanting hometown. I can't look at the heights, and the sea of clouds is boundless.

yi Xi was once admired for his hope. The two dynasties gave color, and the second generation accompanied the feast.

Kunming Yusu served as a dragon intermediary, and Yi Que Tianquan returned several times. Xixia Yellow River Water Sword, Eastern Zhou Dynasty Qing Luo Feather Cup.

the fallen flowers in the garden are still swept together, but the weeping willows on the riverside can't be parted. Thousands of years of spring and longevity make more fun, and Bai Liang and Ge Pan Rui make it.

Give gold and silk to serve grace, and the wind lifts clouds and shakes them into the purple. In the morning, I went to the north, and I went out of the Nangong at night to return the candle.

After many years as a scholar, wuyue was assisted by Wenchang. The mountains and seas are high and deep, and Xinglai is everywhere.

Yonghe was stabbed in Haijun for nine years, and drunk in Shanyin in late spring and March. Fools say that it's as long as it used to be, and it's as long as it is today without words.

At the beginning, it was a prosperous old custom to drink the whole city boiling Jiangqu. The master's silk tube is clear and sad, and the guest's liver is heartbroken.

Lipu has a high reputation for Wan Li, but Luoyang must not be neglected. Today, the homeland should be worried, and how can the meandering water be removed?

Who cares for Hepu leaves? Do you want to eat Guijiang fish? I don't want a gift from the Chinese ambassador, I want a beautiful book.

(5) "Seeing Zhang Luan off to Shu" When Li Jie went out, he became a guest, disconsolate and sad. All over the world, where do you want to go?

after going through the mountains and going through the water, you will worry about everything you hate. Jiange Wangliangzhou is where you are heartbroken.

the lonely cloud hurts the guest's heart, and the sunset feels deep. In the dream, there is a bamboo grove, and the orange pomelo forest on the horizon.

the Shu river is unpredictable, and the Shu road is hard to find. There is no acacia, but apes are full of sorrow.

don't hide from the foolish mountain; it's not near. You can come back to your hometown and see the beauty run out.

Poems about being confused about the road ahead 1. Describe ancient poems that are confused about their future.