The moon is like frost.
Whose wound did it fall on?
Moon phobia and moon mania
The season of generation, moonlight.
Ghost of the sun, ghost of the sun
The reflection of the back light on the death star's face
Moon mania and moon phobia
Cherish the cat and the sea.
Pale beauty.
Under the moon, night is the boundary of death.
Smuggling dream, smuggling cloud
Modern far, ancient near.
Moon phobia and moon mania
The counterfeit money of the sun is cast in two profiles.
Tonight, the sea is gestating in the distance
The black cat is chanting on the tile.
Moon mania and moon phobia
Pale beauty
Face with big eyes, stuck to the window.
I was busy all night, too, putting the moonlight
Put it in the palm of your hand and put it in the bottle.
Composition of analytical chemistry
Analyze memory, analyze sadness
Moon phobia and moon phobia, moonlight
Using the method of singing in chorus, the imagination is strange and novel, and arsenic and ghosts are used to compare the sun and the moon, and the realm is strange. The images of "sun", "moon", "black cat" and "beauty" are abstract and implicit, revealing a modern sadness and a luxurious loneliness.
Moonlight is a well-known nursery rhyme in Taiwan Province Province, which is based on nursery rhymes in Taiwan Province Province. Almost all people in Taiwan Province Province in southern Fujian will hum a few words about "The moonlight shines on the moon and rises in the middle of the field" that they learned when they were children. In fact, there are many kinds of moonlight ballads in Taiwan Province. Undoubtedly, Zhu Tianwen's novels, Yu Guangzhong's poem Moonlight, and Emil Wakin Chau and Xu Meijing's song Moonlight are all based on moonlight ballads.
"Moonlight, the moon is frozen arsenic, the moon is arsenic, and the moon is frost, which falls on whose heart." From the first sentence of the poem, the author Mr. Yu Guangzhong started with the abrupt and novel image of "the moon is frozen arsenic" and expressed his thoughts, which undoubtedly deeply captured the hearts of every reader. In the traditional concept of China people, the moon is the embodiment of tenderness, affection and lovesickness, and Mr. Yu Guangzhong's metaphor of "frost on the moon" has far-reaching significance. When did Yuezi become the "arsenic" of what kind of person? The author gives the following answers: moon phobia and moon mania/generation season, moonlight. /Crazy Moon and Fear Moon/Cat, Sea/Pale Beauty. Smuggling dream, smuggling cloud/modern distance, ancient near/moon phobia and moon mania/counterfeit money of the sun, cast two profiles. The crazy moon and the frightened moon/pale beauty/face with big eyes are stuck on the window. . .
So who is "the moon is like arsenic, and the moon is like frost/falls on whose wound?" I think there are two kinds of people in the author's mind: people who are far away from home and miss home every night but can't go home; I miss my sweetheart with ambivalence but I can't get the one I want.
Let's take a look at the author's "Regret for the Past": Whose wound is Frost Moon? /Moonphobia and insanity/In the generation season, the moonlight shines/-The sea is gestating in the distance, and tonight/Black cats are singing on the tiles/-Pale beauty/big-eyed face is stuck on the window/
As for who the "pale beauty" is, the author did not give an answer, but what is certain is that at this moment, the author's heart has been tightly attached to the "pale beauty" on the other side of the horizon: "the face with big eyes is attached to the window". In the reader's mind, a picture of sad, pale seascape and moonlight is outlined, and the poetic sense of the picture at this moment has reached a profound solidification.
This kind of picture effect also appears repeatedly in Mr. Yu Guangzhong's other works.
Judging from the development of China's modern poetry, traditional images, modern expressions and reverse ideas such as Bitan Lake, Moonlight White Jade and Bitter Melon, China and the world, tradition and modernity in Yu Guangzhong's works are perfectly and exquisitely combined.
Yu Guangzhong is an "artistic polygamist", which is not only manifested in his multi-pronged approach in literature, but also in his enthusiasm and attainments in art and music. Yu Guangzhong's artistic energy is mainly focused on western modern painting. Modern painting has played a great role in his creation of scenery, images and metaphors, which has made his understanding of modern artistic spirit more profound and comprehensive, and formed his unique views on modern art. In Moonlight, the poet painted a typical picture of modern painting for us.