1, theme and theme concentration are one of the artistic features of Bai Juyi's satirical poems.
He usually only chooses the most typical things, highlights a theme, and the theme is clear.
2. The artistic features of Bai poetry are also reflected in the depiction of characters. He can grasp the characteristics of the characters and draw the characters vividly by line drawing.
For example, when portraying a charcoal seller, he only used the phrase "his face is dusty and smoky, his temples are gray and his fingers are black", and a vivid image of an old charcoal seller in Cang Sang will pop up. Bai Juyi's satirical poems are mostly narrative poems. When he narrates, he often comments on what he said to show his ambition.
3. The combination of narrative and argument is another feature of Bai Juyi's satirical poems.
Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, Lotte, Xiangshan, and drunk. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu".
Bai Juyi's poems have a wide range of themes, diverse forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on.