Legend has it that although the sixth Dalai Lama, Tsangyang Gyatso, was a Dalai, he was free-spirited and fell in love with a folk girl, Magyami, during a trip. He could not help himself and even slipped out of the temple to meet her. . At the age of 20, this shocking love completely broke out. When the fifth Dalai Lama was preparing to confer a bhikkhu ordination on him, he was so sad and angry that he wanted to commit suicide. For the freedom of love, mortals can flee and young lamas can return to secular life. Only he, as the first Dalai Buddhist, has nowhere to hide and nowhere to escape. In order to stop Tsangyang Gyatso, some local religious forces even sent people to rape Magia Ami and told him what a filthy woman she was. However, Tsangyang Gyatso said that all the filthiness in the world was not enough to contaminate Magia Ami. The holiness of rice.
From this we can judge that Tsangyang Gyatso's "That Day, That Year, That Life" may have been written by this woman, but legends are legends after all, and there are no real historical records, so we cannot make any conclusions. . Therefore, it cannot be verified whether it was written by the above-mentioned woman.
Original text:
That day I closed my eyes in the fragrant mist of the sutra hall and suddenly heard the mantra in your chanting of sutras
That month I shook all the rotations The sutra tube is not for salvation, just to touch your fingertips
That year I bowed my head and prostrated on the mountain road, not to meet you, just to stick to your warmth
In that life I changed Mountains turn, rivers turn, pagodas turn, not to cultivate the next life, just to meet you on the way
That night I listened to Sanskrit singing all night, not to gain enlightenment, just to find a trace of your breath
< p>In that month, I turned all the prayer wheels not to be saved, just to touch your fingerprintsIn that year, I bowed my head and embraced the dust, not to worship Buddha, just to be close to your warmth
In that life, I climbed hundreds of thousands of mountains, not to cultivate the next life, just to meet you on the road
In that moment, I ascended to immortality, not to live forever, just to wish you happiness and peace
That day I closed my eyes in the fragrant mist of the prayer hall and suddenly heard the mantra in your chant
That month I shook all the prayer wheels not for salvation, just to touch your fingertips< /p>
That year I kowtowed and prostrated on the mountain road, not to meet you, just to stay close to your warmth
In that life, I walked around mountains, rivers, and pagodas, not to cultivate for the next life. I met you on the way
That night I listened to Sanskrit singing all night, not to gain enlightenment, just to find a trace of your breath
That month I turned all the prayer wheels not to I was saved just to touch your fingerprints
That year I bowed my head and hugged the dust, not to worship Buddha, just to cling to your warmth
In that life I searched hundreds of thousands of mountains without To cultivate the afterlife, just to meet you on the road
At that moment, I ascended to immortality, not to live forever, just to wish you happiness and peace
That day, I closed my eyes in the fragrant mist of the Sutra Hall I suddenly heard the mantra in your chant
That month I shook all the prayer wheels not for salvation, just to touch your fingertips
That year I kowtowed for a long time I crawled on the mountain road not to meet you, just to be close to your warmth
In that life, I walked around mountains, rivers, and pagodas, not to cultivate the next life, just to meet you on the way
That I listened to Sanskrit singing all night, not for enlightenment, just to find a trace of your breath
In that month, I turned all the prayer wheels, not for salvation, just to touch your fingerprints
That year I bowed my head and hugged the dust, not to worship Buddha, just to be close to your warmth
In that life, I traveled through hundreds of thousands of mountains, not to cultivate the afterlife, just to meet you on the road
p>
At that moment I ascended to immortality, not for immortality but for your happiness and peace
Extended information:
Tsangyang Gyatso’s literary achievements:
1. The beauty of the content of poetry:
Tsangyang Gyatso’s poetry expresses the love and hate, pain and joy, action and thinking, feeling and realization of his short and legendary life. To a certain extent, it reflects His desire to pursue a free and better life has a positive and profound theme. The main characteristics of his ideological content are as follows:
(1) Bold realism. Tsangyang Gyatso was a religious leader, but he dared to write about his actual actions, inner feelings and life ideals, broke through the shackles of religion on human nature, boldly challenged traditional forces, and showed great courage.
(2) Sincere emotion. Most of Tsangyang Gyatso's poems describe the love between men and women. In the poems, there is the shyness of meeting for the first time, the joy of two lovers, the regret of missing out, the steadfastness of the eternal alliance, and the resentment of betrayal. It expresses the author's eager desire and sincere pursuit of love life.
(3) Profound philosophy. Many of Tsangyang Gyatso's poems summarize rich philosophies of life while narrating. They are popular and profound, inspiring readers
2. Beauty of form:
(1) The beauty of harmonious music. Tsangyang Gyatso's poems use the circumflex rhythm of the language itself and the characteristics of Tibetan "harmonic" folk songs to make the poems have a strong rhythm and present a harmonious musical beauty. They are catchy and sonorous when read. The main manifestations are as follows: First, the use of the characteristics of folk songs' "harmony" and the cadence of pronunciation to reflect the beauty of rhythm.
(2) Most Cang poems have four sentences each, each sentence has six syllables, and the syntax is neat. Every two syllables has a "pause", and each sentence is divided into three "pauses", that is, "four sentences" "Six tones and three pauses", plus one or three sentences of "raising style" indicating the unfinished tone and two or four closing sentences of "falling style", the rhythm is clear, ups and downs, short and powerful, forming a beautiful music Effect.
(3) The distant beauty of artistic conception. Tsangyang Gyatso's poems make extensive use of analogies, puns, symbols, parallelism and other techniques to enhance the atmosphere, create a distinct artistic image, create a distant artistic realm, and achieve perfect artistic effects. Tsangyang Gyatso can be called a master of using images to express emotions, and various kinds of images abound in his poetry. In fact, the richness of imagery has constituted one of the distinctive features of Tsangyang Gyatso's poetry.
(4) Popular natural beauty. In the era when Tsangyang Gyatso lived, literati were mostly influenced by the "Nian'a" poetry style, advocating elegance and profundity, and emphasizing the accumulation of words. However, he insisted on writing popular language into his poems, making the language of "Love Song" concise. Fresh, plain and simple, natural and smooth, soft and euphemistic.
Literary Achievements of Cangyang Gyatso-Baidu Encyclopedia