Yes, Wang Wei has many talents, and the infiltration of different arts has had a profound impact on his poems.
His paintings are incorporated into poems, which makes his landscape poems become poetic and picturesque. Wang Wei (71 -761, 699 -761) was born in Puzhou, Hedong, Tang Dynasty (now Yuncheng, Shanxi Province). His ancestral home was Qixian County, Shanxi Province. He was a famous poet and painter in the Tang Dynasty, and his nickname was "Wang Youcheng".
in the early years, the channel was completely Zen in the later period because of social attacks. There are more than 4 poems, including Acacia and an autumn evening in the mountains.
Wang Wei is known as "Wang Meng" together with Meng Haoran, because he is proficient in poetry, calligraphy, painting and music. Su Shi commented on it: "The poem is full of paintings; Watch the painting, there are poems in the painting. 2. Why is Wang Wei known as "painting in poetry and poetry in painting"
Wei is an outstanding poet with many artistic talents in the Tang Dynasty. He is good at painting and proficient in music, and he can integrate painting and music into poetry. Su Shi said in "Shu Mo Lan Tian misty rain poem": "There are pictures in the poem; Watch the painting, there are poems in the painting. "
most of Wang Wei's early poems reflect the reality and have a more progressive political tendency. In the later period, he mostly painted pastoral landscapes, which clearly reflected his negative emotions of escaping from reality. Wang Wei is an outstanding poet with many artistic talents in Tang Dynasty. He is good at painting and proficient in music, and he can integrate painting and music into poetry. Su Shi said in "Shu Mo Lan Tian misty rain poem": "There are pictures in the poem; Watch the painting, there are poems in the painting. "
The main reason is that Wang Wei's attainments in poetry and painting are very high.
Wang Wei's poems have pictures in them and poems in them. His feeling of natural beauty is unique and nuanced, and his landscapes are full of charm, slightly exaggerated and long in artistic conception, with bright and beautiful colors and great painting. He writes a combination of static and dynamic scenery, and is good at expressing the changes of light color and sound in nature in detail. His landscape poems, commonly used in five laws and five verses, are short in length, exquisite in language and soothing in syllables, which are suitable for expressing the quiet landscape and the poet's comfortable mood. Wang Wei is a representative of the pastoral poetry school in the prosperous Tang Dynasty. He inherited and carried forward the landscape poems initiated by Xie Lingyun and became unique, which made the achievements of landscape pastoral poems reach a peak and played an important role in the history of China poetry.
Wang Wei also has other excellent works. There are themes that reflect the life of the army and the frontier fortress, praises the chivalrous spirit, and exposes the disadvantages of the times and satirizes the dignitaries. Some small poems about sending farewell to relatives and friends and writing about daily life, such as "Sending Two Envoys to Anxi", "Acacia", "on the mountain holiday thinking of my brothers in shandong" and "Sending Shen Zifu to Jiangdong", have been passed down from ancient times to modern times. Among them, the first two songs were broadcast as music at that time and were widely sung. These poems are all five verses or seven verses, with sincere feelings and profound beauty, which can be compared with the quatrains of Li Bai and Wang Changling and represent the highest achievement of the quatrains in the prosperous Tang Dynasty. His poems that should be made, sung and preached Buddhism are rare, and there are occasional famous sentences.
Wang Wei's five laws and five or seven-character quatrains are the highest attainments, and other bodies are also good at them, which is very prominent in the Tang Dynasty poetry circle. Its seven laws are either vigorous and gorgeous, or clear and clear beautiful and elegant, which was imitated by the seven sons of Ming Dynasty. Seven ancient forms of put in order, the momentum wandering. Prose is quiet and meaningful, full of poetic meaning, such as "In the mountains and Pei Xiucai's book".
Wang Wei enjoyed great fame both before and after his death, with the reputation of "literate sect in the world" and "Shi Fo". Have a great influence on future generations. There are many collections compiled and annotated in the past dynasties, and the 1 volumes (with 4 volumes attached) of the Poems of Wang Youcheng of the Tang Dynasty, a classic of Ming Gu-qi, are the earliest extant annotations. Annotations on Wang Youcheng Collected by Zhao Diancheng in Qing Dynasty is a good annotation so far.
Wang Wei is also good at painting. He can communicate poetry and painting with each other and is praised by Su Shi as "painting in poetry" and "poetry in painting". He can be a figure and a Buddha statue, especially good at landscapes, turquoise, water and ink, and he is praised for his ink landscapes. The ink landscape is broken, and the handwriting is cool. "Yunfeng is stone-colored, and the secret is extinct, which is beyond the reach of the painter." It has a great influence on future generations. In the late Ming Dynasty, Dong Qichang listed Wang Wei as the ancestor of painting in the Southern Song Dynasty in his theory of Southern and Northern Schools. Wang Wei's paintings still exist in the Northern Song Dynasty. Only 126 paintings were recorded in Xuanhe Painting Spectrum, but no works have been handed down from generation to generation. 3. There are poems with pictures in Wang Wei's poems
"There are pictures in poems, and poems in paintings" describe poems that are good at describing scenery, making readers feel like they are in pictures. It also describes the artistic conception of the poem as very beautiful.
representative poet: Wang Wei. In the second volume of Song Su Shi's Dongpo Inscription and Postscript, Shu Mo Lan Tian Yan Yu Tu commented on Wang Wei's works in the Tang Dynasty, pointing out: "There are pictures in the poems that are fascinating; Watch the painting, there are poems in the painting. " Wang Wei is both a poet and a painter. What he has achieved is not only poetry and painting, but also melting poetry and painting in art through his other works. The organic combination of this painting is the tradition and characteristic of Chinese painting. Wang Wei's poems mentioned in The Picture Book of Xuanhe, such as "The fallen flowers are silent and the birds are singing in the mountains, the willows are green and crossing the water", "I will walk till the water checks my path, then sit and watch the rising clouds" and "clouds, when I look back, close behind me, mists, when I enter them, are gone", are all painted. 4. Wang Wei was rated as * painting in poetry. There are poems in painting *. Two consecutive sentences
Tao Yuanxing Wang Wei a fisherman is drifting, enjoying the spring mountains, and the peach-trees on both banks lead him to an ancient source.
watching the fresh-coloured trees, he never thinks of distance, till he comes to the end of the blue stream and suddenly- strange men!. It's a cave-with a mouth so narrow that he has to crawl through, but then it opens wide again on a broad and level path.
and far beyond he faces clouds crowning a reach of trees, and thousands of houses shadowed round with flowers and bamboos. Woodsmen tell him their names in the ancient speech of Han, and clothes of the Qin Dynasty are worn by all these people.
Juren * * lives in Wulingyuan, on farms and in gardens that are like a world apart. Their dwellings at peace under pines in the clear moon, until sunrise fills the low sky with crowing and barking.
...At news of a stranger the people all assemble, and each of them invites him home and asks him where he was born. Alleys and paths are cleared for him of petals in the morning, and fishermen and farmers bring him their loads at dusk.
they had left the world long ago, they had come here seeking refuge even asked the immortal if he would not return it. No one in the cave knowing anything outside, outsiders viewing only empty mountains and thick clouds.
the fisherman, unaware of his great good fortune, begins to think of country, of home, of worldly ties. Finds his way out of the cave again, past mountains and past rivers, intending some time to return, when he has told his kin.
he studies every step he takes, fixes it well in mind, and forgets that cliffs and peaks may vary their appearance. It is certain that to enter through the deepness of the mountain, how many times does Qingxi arrive at Yunlin?
but now, with spring-floods everywhere and floating peachpetals, which is the way to go, to find that hidden source?. This is a seven-character Yuefu poem written by Wang Wei when he was nineteen years old. The theme is taken from Tao Yuanming's narrative prose Peach Blossom Garden.
Wu Qiao, a Qing dynasty man, once said in Poems Around the Furnace: "Meaning is as good as five grains. Wen, then cook for a meal; Poetry is brewed into wine. "
a good poem should be like wine, which can make people intoxicated after reading. Therefore, to change the content of prose into poetry is not only a matter of changing the language form, but also an artistic re-creation.
It is precisely because of this successful artistic re-creation that Wang Wei's Peach Blossom Garden has an independent artistic value and can be spread with the prose Peach Blossom Garden. The artistic re-creation carried out in "Tao Yuan Xing" is mainly manifested in developing the artistic conception of the poem; And the artistic conception of this kind of poem is mainly reflected through one image after another.
at the beginning of the poem, a vivid picture of "fishing boats chasing water" is displayed: distant mountains are close to water, mangroves and green streams, and a leaf of fishing boats is leisurely marching in the peach blossom forest on the shore. The poet painted a beautiful spring scenery with gorgeous colors, paving the way for fishermen to "sit and watch mangroves" and "walk the Qingxi".
here, gorgeous scenery and abundant interest blend into a beautiful poetic realm, and the beginning of the event also contains it. The essential explanation in the prose: "In Jin, Taiyuan and Yuan Dynasties, Wu Lingren fished for a living, traveled along the stream, and forgot the distance of the road ..." In the poem, it became the raw material for brewing "wine", which turned into implication and voice-over, allowing readers to imagine and experience for themselves.
Between pictures, the poet skillfully uses some general and transitional descriptions to draw the connection, and provide clues to guide the reader's imagination and follow the development of the plot. The words "mountain pass" and "mountain opening" have played such a role.
Through a general description, it enables readers to imagine the process of fishermen abandoning their boats and landing on the shore, sneaking into the winding mountain pass, and suddenly being enlightened and discovering Taoyuan. In this way, the reader's imagination will follow into Taoyuan and be naturally led to the next picture.
At this time, the panoramic view of Taoyuan is presented to people: the tall trees in the distance seem to be gathered in the blue sky and white clouds, and the nearby eyes are full of flowers and bamboos. These two sentences, from far to near, clouds, trees, flowers and bamboo, set each other off into interest and are beautiful.
In the picture, there is a peaceful and quiet atmosphere and a thriving vitality, which makes you gallop to imagine, comprehend, understand and think, and the so-called charm of poetry and the mellow taste of wine also contain it. Then, we can imagine that the fisherman entered the picture step by step and began to see the characters.
"woodsmen tell him their names in the ancient speech of Han, and clothes of the Qin Dynasty are worn by all these people." It is written that people in Taoyuan are surprised to find foreigners, which is obviously different from the clothes that fishermen feel when they first meet "living people", which implies the meaning of "I don't know how to have a Han, no matter Wei and Jin Dynasties" in prose.
The middle twelve sentences are the main part of the whole poem. "Living in Wulingyuan * * *", inherited from it, has another meaning, and then points out that this is "pastoral from outside".
Then, the scenes and life pictures in Taoyuan are continuously displayed. Moonlight, pine shadow, the house is silent, and the night in Taoyuan is quiet; The sun, the clouds, the cock crowing and the dog barking, and the morning in Taoyuan is noisy.
two pictures, each with its own interest. The night scene is all still life, and the morning scene is all dynamic, full of poetry and painting, showing Wang Wei's unique artistic style.
The fisherman, the intruder, naturally surprised the people in Taoyuan. The sentence "shocked to hear" is also an image, but it is not a scene but a character.
A series of verbs, such as "Jing", "Zheng", "Ji", "Jing" and "Wen", vividly depict people's dynamic look and emotional psychology, showing the simple and enthusiastic character of Taoyuan people and their concern for their homeland. The sentence "Pingming" further describes the beautiful environment and life of Taoyuan.
"Sweeping the flowers" and "entering by water" are closely related to the characteristics of the Peach Blossom Garden scenery. The narrative of "they had left the world long ago, they had come here seeking refuge, they have lived like angels ever since, blessedly far away" traces the origin of Taoyuan: "no one in the cave knowing anything outside, the world looks at the empty Yunshan", and the narrative is filled with long-lasting chants, which makes the literary scene lively and colorful.
at the last level, the rhythm of poetry is accelerated. The author tightly grasps the psychological activities of the characters, and describes many contents such as the fisherman leaving Taoyuan, missing Taoyuan, looking for Taoyuan again, changing peaks and valleys, searching everywhere, and infinite disappointment in one breath, and the feelings, scenes and events are completely integrated here.
In the narrative process, the six sentences of "no doubt" express regret for the fisherman leaving the "spiritual realm" easily, and are full of yearning for the "immortal source" on Yunshan Road. However, times have changed, and the old land is hard to find. Where is Taoyuan? At this time, only a piece of confusion.
The last four sentences, as the end of the whole poem, take care of the beginning at a distance. At the beginning, I accidentally got lost in the mystery, and at the end, I intentionally lost from the mystery, which makes people feel sorry! "but now, with spring-floods everywhere and floating peachpetals", with erratic poetry and confused artistic conception, left people with endless aftertaste.
Try to compare this poem "Peach Blossom Garden" with Tao Yuanming's "Peach Blossom Garden". It can be said that they are both excellent and have their own characteristics. Prose is good at narration and pays attention to literary style. The story has a beginning and an end, and the time, place, people and events are clearly explained.
and these are not specifically written in the poem, but they can be imagined from the artistic conception of the poem. What is displayed in the poem is a picture, which causes the artistic conception of the poem, arouses the imagination of readers, imagines and ponders things outside the picture, and obtains a beautiful feeling from it.
this is why poetry is poetry. Wang Wei here.