How to write modern poetry First of all, the title of poetry is generally the soul of the whole poem, which needs to be carefully refined. It can also be the internal main line of poetry, similar to the theme of the novel. Of course, the title of the poem can also be a simple code, and the content of the poem is relatively rich. Here, it is not recommended to encode the title of the poem. Second: the length of poetry Generally speaking, there is no strict limit to the length of poetry, which can be as long as several lines or even hundreds; It can be as short as a few lines or even a few words. However, poetry itself has a certain language tension, which should be determined according to the language tension and cannot be shortened or extended at will. It should be decided according to the tension of poetic language, not too much, neither of which is a good choice. Third: the conception of poetry. Poetry itself can have no intention or intention, but it depends on language and skills to decide whether it is necessary to have an intention. Strictly speaking, the conception of poetry is different from that of novel, but we can also refer to the conception of novel to give the conception of poetry. The concept of poetry is not as strict as that of novels. The concept of poetry is just a clue. If we want to talk specifically about the conception of poetry, we can't make it clear, because poetry can only be understood, let alone written theoretical textbooks. Specifically, the conception of poetry is an instant thing. When the sentence of a poem is formed in your mind, the idea has already been produced, and only a few words or words may be produced. However, it is these words or words that follow the idea. If you have to make your ideas clear, you can refer to the idea of the novel to decide; However, it depends on the title of the poem. The title of the poem itself is the center around which the poem revolves. Therefore, the title of a poem can be simply considered as the intention of the poem. Fourth: the language of poetry. The language use of poetry is more complicated, so I will only talk about a few key points here. The language of poetry requires refinement and tension, which is called short and pithy. Master the temperature of the language. The so-called language temperature is to master the language requirements of poetry itself, not to overdo it, not to exaggerate the theme, not to vent it wantonly, but it is also indispensable, not to compress the theme and not to suppress it. There is an inner sense of music. Musical sense means that a poem written should be catchy, can be sung in the form of singing, the language should be beautiful and refined, and it should not be sloppy. A good poem can be directly composed and sung by a singer. There must be internal tension. Tension is the elasticity of poetry, which, like the elasticity of novel language, cannot be too long or too short. As for the length of the poem, it should be decided according to the conception of the poem, and it can't be delayed. If poetry is compared to a river, no matter how it flows, the river always flows inside the river bank and will never overflow like the river bank. Prose is not. You can completely drown the banks, or you can just flow in the river bank. This is the relative difference between poetry and prose. Therefore, poetry is a river, a river that never overflows. Fifth, the skill of poetry is the most complicated thing, but generally speaking, the writing of poetry and other styles basically goes through three stages, namely: 1, the stage of stream of consciousness, that is, the mobile creation of pure consciousness, writing whatever comes to mind, a writing method without rules. 2, the use of various skills, outline stage, that is, according to their own writing intentions, ideas and ideas to choose their own writing methods to create, generally engaged in writing people can see their writing intentions, and have a clear main line, as well as accurate ideas, is a routine similar to the creative stage of reading road signs on the road. 3, the ego-free stage, that is, you have mastered all kinds of skills, you can create without outline, and similar skills follow you in the stage, similar to the stage of flying freely in the sky, you have mastered all kinds of skills, you don't need to find any skills, and the skills are naturally unnatural. However, no matter which stage is inseparable from the word skill. However, the skills of poetry are a little more complicated than other styles, but they are also similar to other styles. One of the skills of poetry: rich imagination plays an extremely important role in poetry creation. In a word, "you can be a good novelist, philosopher or political scientist without rich imagination, but you will never be a good poet". This sentence is true, but there is another sentence: "Poetry comes from nothing". Of course, poetry is not nonsense, it just shows the image of poetry creation and the embodiment of its imagination. Rich imagination is one of the indispensable skills of poetry creators and plays an important role. v！ |XRf For example, the following poem: My loneliness is a snake, and I am speechless. If you dream about it, don't be afraid. Poetry itself is nothing, but after using imagination, it gives people a good feeling. "My loneliness is a snake." This sentence skillfully uses imagination. "Loneliness" and "snake" are interlinked, and snakes like darkness and humidity. Be reasonable, you can't say "My loneliness is a sheep". The habit of sheep is not to live alone, but to live in groups, so it is unreasonable to use it here. The second skill of poetry: synaesthesia, illusion and montage. The so-called synaesthesia is the transfer and borrowing of feelings, that is, the transformation of human feelings, from vision to hearing, from smell to touch, that is, synaesthesia. Of course, feelings can be transformed at will, but we must also grasp a principle, that is, rationality. Illusion is the change and disorder of intuition, and it is a means to realize its artistic creation with the help of the disorderly external form of truth. In other words, it is a means to achieve the purpose of poetry creation with the help of intuitive confusion. Montage is the combination of image jump and hyperspace picture, that is, space and time, as well as feeling and image jump. For example, in the following poem, Xiangke's nickname, you can meet some nicknames when you go out for a walk in the country. Nicknames are very common birds, especially at dusk. My nickname has something to do with stones. Those stones have been lying in the country for thousands of years, and I have moved away from the nickname of the country. I am used to hearing the sound of reinforced concrete in the city, and occasionally when I get home, I always get nicknames from the smiles of my relatives. On the wings of the local accent, there are various techniques used in my eternal childhood poems. Here I mainly talk about synaesthesia, illusion and montage. "Nicknames are a very common bird." This sentence uses synaesthesia. Nicknames are invisible things, but here they become birds. Obviously, nicknames are visual, and hearing is transformed into vision. The third skill of poetry: my withdrawal means the withdrawal of the author and the withdrawal or hiding of the theme. In other words, there is an author in the poem, but the figure of the author no longer appears. We can't see the author, but the author still exists. That is the embodiment of "I think, therefore I am". For example, the following poem, Kuang Guotai's "One Day" group poem, "Not yet: the eagle catches the chicken" and "The eagle catches the chicken! The little tree panicked, and many feet jumped up and fell down. "What's the panic?" The ancient camphor tree in front of the village mumbled to take off its socks and put the roots of generations into the stream to wash. There is no author in this poem, but we clearly know that the author is nearby. The fourth skill of poetry: plot addition The so-called plot addition is to add plot to poetry, just like the plot of a novel. However, the plot of the poem is not complete, and the plot of the poem is only a fragment or a scene. Poetry is the most taboo to add a complete story, which is easy to cause procrastination and carelessness. For example, in the following poem, before the wind blows, the forest is silent. Before the wind started, the sun and clouds were easily ignored as if they didn't exist. People who walked through the forest before the wind started have no memory. A hermit can't tell whether the wind blows harder in winter or in summer. I haven't been to that forest for years. I went there after the wind blew. This poem adds plot. It is easy for people to imagine a person walking through the forest in their minds, so the so-called plot connection is to join the plot, but the plot is fragmentary and scene-oriented, not the whole story or the whole scene like a novel. The fifth skill of poetry: the skill of forgetting is the final stage, the stage of skillfully using various skills, and the skill similar to flying in the sky, which takes time to hone and improve writing skills. All right, that's it. We're done talking. I hope I can help you. I hope everyone can learn to write poems. The more poems you can write, the better. Finally, let me say a few words. 1, about writing, of course, in any subject, life is the best treasure house and life is the foundation. 2, for the writing of poetry, we should read more, think more, practice more and experience more of our own language. 3, poetry writing is a bitter thing than any subject matter, to endure loneliness and loneliness, to think more, to experience their own words. (reposted for reference)
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