"Wind" contains folk songs from fifteen places, including Shaanxi, Shanxi, Henan, Hebei, Shandong and other places, most of which are folk songs from the Yellow River valley. Most of the polished folk songs are called "The Wind of Fifteen Countries", 160, which is the core content of The Book of Songs. "Wind" refers to rural wind and wind ballads. The fifteen national customs are: Nan Zhou 1 1, Zhao Nan 14, Bay 19, Yang 10, Feng Wei 10 and Feng Wang 10. Nan Zhou's Guan Ju and Yao Tao, Wei Fengzhong's Storytelling and Qin Feng's Sword House are all famous masterpieces.
Ya is a music song near the capital of Zhou Dynasty, with 105 songs. "Ya" is Ji's music. "Daya" mainly praises the ancestors of the Zhou royal family, and even proclaims the merits of the king. Some poems also reflect the tyranny and chaos of King Li and King You. Most of the works of Daya were written in the early years of the Western Zhou Dynasty, and most of the authors were nobles, so they were noble, elegant and upright. As the old saying goes, elegance is the right sound of poetry. "Preface to Poetry": "Elegance is right, but words are useless. Politics is small and big, so there are 74 articles in "Xiaoya" and "Daya" and "West Weekend", mainly concentrated in Li, Xuan and the period. Some of Xiaoya's poems are similar to the national style, the most prominent of which is about war and labor.
There are 40 carols. "Preface to Poetry" explains: "Being described as a beautiful and virtuous admirer tells the gods about his success." Zheng Xuan's Biography of Mao Poetry says, "It's like dancing, like stabbing and dancing when fighting." That is to say, the plot and action of Zhou Wenwang's military conquest are expressed in the form of dance, which can prove that he not only sang but also danced when he worshipped his ancestral temple. "Song and dance" can be said to be the characteristics of ancestral temple music and songs.