In this paper, the artistic techniques and artistic conception of eight ancient poems, namely, Han Yuefu, Yewang and Early Cold River Huai, are respectively used. What a hurry! ! !

Long song appreciates.

This poem begins with "Sunflowers in the Garden", and then the water flows to the sea and never returns, indicating that time is like running water and never returns. Finally, we should persuade people to cherish their youth and work hard, and don't wait until they are old to regret it. This poem uses things to express meaning. First, it uses the sunflower in the garden as a metaphor. "Green" means it is flourishing. In fact, under the sunshine and rain in the whole spring, everything is scrambling to grow. Why is this happening? Because they are all afraid that autumn is coming, they all know that autumn wind will wither a hundred herbs. The rhythm of life in nature is like this, and so is life? If a person doesn't work hard when he is in a good time, it will be too late to regret when he is old. This poem thinks that life is fleeting from the beautiful scenery of youth in front of us, and encourages young people to cherish time, make warnings and inspire people to forge ahead.

This is a famous Yuefu poem in Han Dynasty. The poem uses a series of metaphors to show that we should cherish time and work hard as soon as possible. The first four sentences of this poem paint us a beautiful spring scene. There are dewdrops on the green sunflowers in the garden. After sunrise, the dew dried and the sunflowers were bathed in the sun. Everything in the world is blessed by the rain and dew of nature in spring, shining with unparalleled brilliance. However, when autumn comes, they will lose their bright luster, turn yellow and fade. Everything has ups and downs, and people also have a process from adolescence to old age. Time is like the water of a big river, which flows eastward into the sea and never returns. If you don't cherish time and work hard when you are young, you will only be sad when you are old!

Appreciation of Wild Hope

Shan Ye's "Wang Ye" and "autumn scenery" are Wang Ji's representative works, which are somewhat hesitant and melancholy in a leisurely mood.

"I hope I will look forward to it and I will rely on it." Gao is a water town. Gaodong refers to a place in Longmen, Jiangzhou, his hometown. After retirement, he often traveled to Beishan and Gaodong, calling himself "Donggaozi". "Depend" means wandering. "What do you want?" In Cao Cao's "Short Songs", the meaning of "the moon stars are scarce, blackbirds fly south, and there are no branches to lean on" shows the feeling of boredom and hesitation.

The following four sentences describe the scenery seen at dusk: "All trees are in autumn, only the hills and mountains are bright. The shepherd brought the calf back, hunted the horse and brought the bird back. " Looking around, it is autumn everywhere, and it is more and more bleak in the afterglow of the sunset. On this quiet background, the close-ups of shepherds and hunting horses, with an idyllic pastoral atmosphere, enliven the whole picture. These four poems are like a picture of Shan Jutu on an autumn night. Light and color, long-range and close-range, static and dynamic match well.

However, Wang Ji could not find comfort from the countryside like Tao Yuanming, so he finally said, "I don't know each other, and Long song loves Wei." He said that he was lonely in reality, so he wanted to make friends with people like Boyi and Shu Qi.

The genre of this poem is five-character verse. Since Shen Yue and others applied legal knowledge to poetry creation in the first year of Qiyong in the Southern Dynasties, this new genre of legal poetry has been brewing. In the early Tang Dynasty, Shen Quanqi's and Song's regular poems became an important poetic genre. Wang Ji, more than 60 years earlier than Shen and Song, can write such a mature poem as Wild Hope, which shows that he is a man who dares to try new forms. The beginning and end of this poem are lyrical, and the middle is lyrical. After the repetition of emotion-scene-emotion, the meaning of poetry has deepened. This is in line with a basic composition of metrical poetry.

Appreciation of Cold River in Early Pregnancy

This is a lyric poem. "Wild geese fly south, the north wind comes to Shui Han", these two sentences are scenery writing. The author captured the typical things at that time and pointed out the seasons. The leaves on the tree gradually fall off, and the geese fly south. This is the most representative autumn scenery. But autumn alone can't show "cold". The author makes people feel cold by whistling in the north wind, and points out the "early cold" in the title.

Trees rustle, geese fly south, the north wind whistles and the weather is cold. The author painted a vivid picture of late autumn. In such an environment, it is easy to produce sad emotions. The so-called "fallen leaves return to their roots" (Lu Ji's Wen Fu) has some truth. What's more, the author who is far away from home is in contradiction with his thoughts!

This is a technique of "arousing", and poetry naturally enters the second couplet. When the author faced the scene before him, he felt homesick. "Xiang water", that is, "Xiang water". The flow of Hanshui River in Xiangyang is tortuous, so the author uses "Qu" to summarize it. The word "far apart" not only means distance, but also means that the two places are isolated and cannot turn back. The word "isolation" has revealed homesickness. The author lives in Xiangyang, which belonged to the State of Chu in ancient times. Therefore, it is called "Chu Yun Yun" in the poem, which can not only show the high terrain (compared with the lower reaches of the Yangtze River), but also show the feeling of looking up, which is beyond my reach, and also reveals the feeling of homesickness. "I remember my home; However, the winding Xiangjiang River is surrounded by the clouds in this southern country. This sentence seems to be plain, but if you chew it carefully, you can appreciate the beauty of the author's sentence refining and the pain of creating meaning.

If the second couplet only reveals some homesickness news, it has implied meaning and has not pointed it out; Then there is the triple "I move forward." "I cried till I cried" not only pointed out homesickness, but also exhausted this feeling. Not only do I miss home, but my family is also looking forward to my return and the "hometown" of "Tianya". The hope of family members is naturally false, but it makes homesickness stronger.

"Where is the ferry? Can someone tell me? " Is it the Analects of Confucius? The allusions of Confucius and Luz in Weizi. Chang Ju and Jie Shui are hermits, while Confucius is a man who actively wants to go into politics. Chang Ju and Jie Shui don't talk about the location of Tianjin (Ferry), but instead ridicule Confucius for wandering around for help, causing Confucius to sigh. The two sides are in a conflict between seclusion and politics. Meng Haoran used to be a hermit in Xiangyang, but now he travels all over the southeast (and finally goes to Chang 'an to study), but he combines the contradiction between seclusion and politics, which can't be solved, so he ends up with "getting more and more bumpy". It's getting dark. " The surging river, even the sea, is endless, from dark to dusk. This kind of scenery completely sets off the author's confused mood.

The second pair and the third pair of this poem are naturally matched, and there is no trace of axe chisel. The second couplet refers to the status of Xiangyang, and it is natural to match on the spot. The third joint "Tears of Hometown" is emotion, and "Return to Sail" is scenery, which fully expresses the author's feelings. Finally, I ended up with the scenery, putting the sadness of homesickness and the sadness of the road ahead in this confused dusk river scene.

Appreciation of a letter from Dongting Lake to Premier Zhang.

This "Dongting Lake" is written with great momentum. The first four sentences are about the magnificent sight and momentum of Dongting Lake, and the last four sentences are about expressing one's political enthusiasm and hope.

The first two sentences explain the time and write the vast lake. The lake and sky are integrated, and the scene is vast. "Han" means tolerance. "Virtual" is high altitude. The sky is contained by water, which means the sky is reflected in the water. "Too clear" refers to the sky. "Mixing too clearly" means that the water meets the sky. These two sentences are about standing by the lake overlooking the lake. Three or four sentences continue to write about the vastness of the lake, but the eyes are from far to near. From the lake, I can see the scenery of the reflection in the lake: the water vapor hanging over the lake evaporates and engulfs the clouds and dreams. "Cloud and Dream" are the names of two ancient lakes. It is said that Yun Ze is in the north of the Yangtze River, while Mengze is in the south. Later, most of them silted up and became land. "Shake" and "Shake" Yueyang City is located on the northeast bank of Dongting Lake, which is now Yueyang City, Hunan Province. When the southwest wind blows, the waves rush to the northeast shore, as if to shake Yueyang City. When you read this, you will naturally think of Wang Wei's poem "People's residence seems to be rippling in the distant sky". The whole city is floating on the water, the breeze is blowing waves, and the distant sky is shaking in the water. They really have the same effect.

Facing the vast Dongting Lake, I want to cross it, but there is no boat. Living in a wise age, we should contribute our strength, but no one recommended us, so we have to live at home, really ashamed of such a good age. The implication is that I hope the other party will introduce me. "Economy" means crossing. "Tong", the paddle on the boat, is also the borrowing boat here. "end residence", living in leisure; "Ming Sheng", the era of Ming Sheng, here refers to peace and prosperity. In the last two sentences, I said that I sat by the lake and watched those people fishing with poles, but envy was in vain. There is an old saying: "It is better to go home and weave a net than to fish near the river." The poet borrows this proverb to imply that he has a desire to come out and do something, but he is afraid that no one will introduce him, so here he says "only there". I hope that the mood of the other party's help will naturally show between the lines.

Appreciation of Yellow Crane Tower

The first half of the poem was scattered and the whole injury was corrected in the first year of the following year. It is about what I saw and felt in the building, and the homesickness caused by the grass and trees overlooking Hanyang City and Nautilus Island from upstairs. This is put first and then collected.

The predecessors said that' writing is based on qi'. The first four sentences of this poem seem to be spoken casually, spinning in one breath, taking advantage of the trend, and there is absolutely no obstacle. The word "Yellow Crane" appears repeatedly, but because of its imposing manner, readers fly to see Hong Fei with sinusoidal hands and have no time to pay attention to its overlapping appearance, which is one of the metrical poems. Try it: the five or six characters in the first couplet are the same as' Yellow Crane'; The third sentence is almost all snoring; In the fourth sentence, end the sentence with the words' empty and leisurely'; No matter any confrontation, it is based on the syntax of ancient poetry. Is this because the seven laws were not finalized at that time? No, there are already seven standardized laws, which were written by Cui Hao himself. Is it that the poet deliberately wrote the law of disharmony? Not necessarily. He is different from Du Fu's later metrical poems in that he deliberately created his own tune. I seem to have overlooked it, just like Lin Daiyu said when she taught people to write poems in A Dream of Red Mansions,' If there are strange sentences, they are not even true or false'. Here, Cui Po practiced according to the principles of "focusing on intention" and "not hurting meaning with words", which is why he wrote such a rare poem in the Seven Laws. Shen Deqian commented on this poem, saying that' meaning is the first, God's words are beyond words, and he writes with a vertical pen, so he is good at making great achievements through the ages' (Volume 13 of Tang Poetry), which means this. If you just let nature take its course, don't accept it, don't stick to the rules, and don't return to the meter, then it's not seven tones, but seven ancient ones. This poem seems to be divided into two parts, but in fact, the text is always focused from beginning to end, with only one breath in the middle. This seemingly continuous connection is also the most organized from the perspective of the beginning, inheritance, transformation and combination of rhythmic poetry. Regarding the second couplet of legal poetry, Yang said in The Number of Poets and Legalists:' This couplet should be broken (the first couplet), and it should be like riding a dragon ball, holding on to it without taking off. The first four sentences of this poem are like this, describing the legend of immortal riding a crane, and the forehead is linked to the problem, which is seamless. Yang Zai also said the "turn" of the neck couplet: "To avoid the meaning of the former couplet and change it, like a thunderbolt breaking the mountain, the viewer is amazed. The metaphor of thunder is intended to show that there should be a sudden change in the first five or six sentences, which is unexpected. At the turning point of this poem, the style turns from right to right, and the realm is completely different from that of the former couplet, which just meets this requirement of the law. Recalling the big yellow crane in the past, it has gone away, giving people the feeling of unknowability; Suddenly it became a vivid scene of lush vegetation in Sichuan, and the scene in front of Manzhouli was vivid. This contrast can not only dye away the sadness of those who look down on the building, but also make the poem fluctuate. It is precisely because of its superb art and great success that this poem is regarded as the swan song of the Yellow Crane Tower, which is understandable.

Send a friend's gratitude

This is a poetic farewell poem. The poet and his friends rode away, affectionate and touching.

The first couplet, "The mountains in the north are blue and the water in the east is white", points out the farewell place. The poet has sent his friends out of the city, but they are still together and unwilling to part. In the distance, I saw the green hills across the north of the outer city, and the sparkling river gurgled around the east of the city. These two sentences "Qingshan" versus "Baishui" and "Northland" versus "Dongcheng" are unique in the first couplet. And "green" and "white" alternate with each other, and the colors are bright and beautiful. The word "horizontal" outlines the static posture of Qingshan, and the word "around" depicts the dynamics of whitewater. Poems and pens are freely written, depicting a vast and beautiful picture.

The two couplets in the middle are related to each other and write about the deep feelings of parting. Zhuan Xu "You must leave me here and drift away for hundreds of miles like loose grass". When you leave here, you will fly with the wind like a loose grass and go thousands of miles away. These two sentences express deep concern for the wandering life of friends. Put pen to paper like running water, comfortable and natural, not constrained by antithesis, unique. The necklace couplet "I will think of you in the clouds, so I will think of me in the sunset", but it is neatly written, "floating clouds" to "sunset" and "wandering" to "old human feelings". At the same time, the poet skillfully compares "floating clouds" with "sunset" to show his mind. A touch of white clouds in the sky, floating in the wind, symbolizes the uncertainty and arbitrariness of friends; A red sun slowly sets in the distance, which seems to be unbearable to leave the earth suddenly, which symbolizes the poet's mood of saying goodbye to his friends. Farewell in the background of beautiful scenery and the sun shining in the west is particularly nostalgic and inseparable. There are both scenery and feelings here, and the scenes are mixed and colorful.

The end of the sentence is more affectionate. "We waved goodbye and my horse kept neighing." A thousand miles to send you, not never say goodbye. "Waving" is the act of writing separation, so how do you feel inside? The poet didn't say it directly, but wrote a moving scene of "and my horse is neighing again and again" This sentence comes from the Book of Songs? Car attack, Sasha Vujacic A?vagho?a. Bama, a stray horse. The poet and his friends waved goodbye at once and greeted them frequently. Two horses seem to know their master's mood and are unwilling to leave their companions. When they left, they couldn't help whistling, as if they had infinite affection. With horses like this, how can people be inferior! Li Baihua used classical poetry to write the word "half", which was full of new ideas and set off romantic friendship. It can be described as ingenious.

Appreciation of autumn poems

This poem was written by Liu Yuxi after he was demoted to Langzhou. The poet changed the bleak artistic conception of traditional autumn poems, praised the openness and brightness of autumn, and embodied the poet's optimistic and indomitable fighting spirit.

The first sentence, from the poet's sadness in autumn, tells the poet's sad mood in autumn and pours out his feelings of sadness and loneliness. A word "sadness" describes the mood of poets in the past dynasties in autumn, paving the way for later poets to write a unique stroke.

In the second sentence, the poet admits that "autumn is like spring", and the word "spring" points out that it is full of vitality, vigor and the power of loose-leaf paper, which is in sharp contrast with the "loneliness" in the previous sentence, and immediately radiates the poet's optimistic attitude, and he is not tired because of autumn scenery's decline, nor discouraged because of the unsatisfactory official career.

The third sentence, with the crisp autumn sky as the background, uses "a crane" to break through the clouds and soar in the sky to express my ambition. I borrowed a crane to write that I want to leave the "cage" and return to nature and get rid of the fetters. The scenery is open and bright, which makes people relaxed and happy. What a free and easy crane this is!

The word "Yin" at the end of the sentence not only has the effect of originality and innovation, but also has unswerving lofty sentiments and great ambition of "Kun Peng spreading his wings in Wan Li".

The whole poem is magnificent and writes about distant time and space. A clear sky in autumn not only gives affirmation to those who are sad about autumn, but also turns out different views in an unconventional way, writing scenery to pave the way for expressing their wishes and revealing their intentions in the open and beautiful scenery. This kind of open and closed works is rare in Tang poetry.

Appreciation of Lushan Mountain Tour

This poem is a five-character poem by Mei, a great poet in the Northern Song Dynasty. Mei was the founder of the Song Dynasty. The first couplet: I was satisfied when I saw Shan Ye, and the mountains fluctuated, high and low, which was enough to understand the author's mood at that time. Couplet: The beautiful peaks fluctuate, walking on a quiet path, as if walking into a maze. A riddle shows the poet's elegant mood when he is confused by the height of the road. Necklace: first frost, vaguely seeing a bear in a tree and a deer drinking water. The unique visual experience makes readers feel as if they are there. William skillfully used rhetorical devices to write the context of "there seems to be no one on the empty mountain, but I think I heard a voice", and an original ecological picture came into view, expressing the poet's detached and peaceful mind.

Appreciation of Huanxisha

This is a small word that touches the scene and contains the philosophy of life, which embodies the author's love for life and optimistic attitude towards life.

The first movie is about the elegant scenery you saw when you visited Qingquan Temple in late spring. The stream at the foot of the mountain is gurgling, and the bluegrass beside the stream is sprouting, spreading and infiltrating in the stream. The sandy road between pine and cypress is washed by spring rain and clean without mud. It is dusk, and the cuckoo in the pine forest is singing in the drizzle. What a beautiful and peaceful mountain view it is! The first seven words not only point out the season when traveling in Qingquan Temple, but also point out the origin of Lanxi's name. At this time, bluegrass began to sprout. Its buds are still "short", but they are full of vitality and grow rapidly. It has spread from the shore to the stream. Cuckoo whines, which is easy to cause travel troubles. However, the author is walking by the stream at the moment, seeing nothing but business, forgetting the noise of the world and the filth of officialdom, and feeling happy. At the same time, the disease began to heal and the doctor accompanied him to enjoy it, so the cuckoo's cry failed to disturb the author's qingxing at this time. In a word, the first film only writes real scenes, and what it evokes should be the love of nature and the aftertaste of life, which leads to the philosophical thinking of life in the next film.

The following film expresses emotion and comments on the scene of "a stream flowing west". Rivers do not return to the east, just as a person's youth is only once. This is an irresistible natural law, and countless people in ancient and modern times lament it. At this moment, facing the Lanxi water flowing westward, the author has a wonderful reverie: since the stream can flow westward, why can't people regain their youth? "Having fewer children" is not the "rejuvenation" that Taoism wants, but to maintain a young and optimistic attitude. Because people cannot change the world; What people can change is only their attitude and view of the world. Bai Juyi's poem "Drunk Songs" has "Who told you not to understand? Listen to the yellow chicken and the sky The yellow chicken is ugly when it urges the dawn, and it urges the year before by day. The red ribbon at the waist is unstable, and Zhu Yan has been lost in the mirror. " These sentences are old-fashioned exclamations. The author's last sentence uses its meaning in reverse, thinking that even in his twilight years, he should not have the decadent mentality of "yellow chickens rush to dawn" and "Zhu Yan has lost", which reflects the author's broad-minded and upward mental state during his relegation.

The characteristics of the whole word are to express the feelings of the scene, and to write the scene with pure line drawing, which is meticulous and elegant; High spirits, inspiring and full of philosophy. The whole poem shows the author's full of melancholy one by one through the brush strokes of the atmosphere, and realizes the realistic ideal with the help of the dream of killing, without affection and groaning. Even my own illness and the bitter wind and rain of nature have become lighter and lighter in the ancient and lasting patriotic passion and the dream of Tiema Glacier, and finally become a foil, which makes the whole poem full of a heroic and tragic style and a positive attitude towards life. This heroic tragic feelings and positive attitude towards life will always give people encouragement and encouragement.

This poem occupies an important position in all patriotic poems in ancient China, and has written a positive and heavy stroke in the history of classical poetry. It also adds a unique color to the vast ocean of poetry with its heroic and tragic style, and it will always influence future generations with its eternal charm.