1. Most of the poets and works of the Landscape Pastoral School pay attention to the harmony of vocal rhythm and the neat parallelism of words and sentences. Their language is clear and concise, and they have the characteristics of "painting in poetry". The poet uses the technique of line drawing to describe the landscape and at the same time integrate his own thoughts and feelings into it, embodying his emotions in the scenery. The poetic environment is timeless and beautiful, giving people a refreshing, natural, pleasant and nourishing enjoyment or insight.
2. The authentic formation of the genre of landscape pastoral poetry should be in the Jin and Song Dynasties. Tao Yuanming is the originator of pastoral poetry, and Xie Lingyun is the originator of landscape poetry. Before this, although there were many descriptions of landscapes and pastoral natural scenery in ancient poetry, they were only used as an auxiliary to the poems, rather than as the main content of the poems. Therefore, strictly speaking according to the characteristics of landscape pastoral poetry, it cannot be regarded as landscape pastoral poetry in the true sense.