Thinking characteristics of female discourse

Poetry about thinking about women is a very interesting topic. Looking through the historical picture scroll, you will find many such poems. We found that in the Wei, Jin, Southern and Northern Dynasties, the characteristics of female poems were very different from those of the previous generation, and most of these poems were created by male literati. There are four reasons to sort out the identity of these literati who speak for women: the tendency of appreciating poetry with sadness as beauty, the influence of political and religious concepts and poetry traditions, the sustenance of political thoughts, and the literati's experience of paying attention to society. Nineteen ancient poems, in addition to the songs of wanderers, are poems about women, and their basic content is to express wanderers' wandering feelings and worries about women. They complement each other, revolve around the same theme and are two sides of the same problem. The complex thoughts and feelings expressed in Nineteen Ancient Poems are universal and typical in ancient China, and have been widely read by readers for thousands of years. Most of the authors of Nineteen Ancient Poems are wandering wanderers. They are in a foreign land, their hearts are tied to their homeland, and everyone has an indelible homesickness complex. The protagonist of Lotus Picking on the River wants to give it to his wife in the distance, and sighs bitterly: "I'd better look at my hometown, for the road is long and Xiu Yuan is Xi.". Leaving home with one heart, sad to death. " The author of "When is the Bright Moon" is so sad that he can't sleep at night when the bright moon is in the sky. He lingered and was deeply touched: "Although the guest is happy, it is better to turn back early." The endless grassland and bright moon in different places have not brought spiritual comfort to the wanderers, but have aroused irresistible homesickness. Homesickness is a universal human emotion, which is more obvious in the era of agricultural civilization. However, in the past historical biography literature works, people often see the warm scenes of homesickness and returning home with clothes on. The authors of Nineteen Ancient Poems are mostly frustrated literati. The homesick songs they played when they were down and out were full of sadness and sadness, which attracted sympathy and pity. There are many homesick works by wanderers in The Book of Songs. In The Book of Songs, wanderers miss their wives, but they miss their parents more. The love between parents and children permeates their feelings. The homesickness of Nineteen Ancient Poems focuses on his wife. Homesickness and intimacy are inseparable, and homesickness and love between men and women are integrated. The authors of Nineteen Ancient Poems are mostly children of official families. They left home in order to make contributions. In this regard, the poet complained many times. "Today's Night Market" wrote: "Why not aim high and take the main road first? Doing nothing, being poor and humble is often bitter. " This is to get ahead in the fierce competition of official career, occupy prominent positions, and get rid of the poverty situation of no official and no post. "Go back to the car and talk" also said: "There are ups and downs, and it is not early to stand." "Elections are materialized and fame is precious." The author is not only satisfied with his official career, but also pursues his immortal value. By making his name known to future generations, life has eternal significance. In addition to narrative poems, there are a certain number of lyric poems in the two poems of Han Yuefu, which are similar in style to Nineteen Ancient Poems. However, it is difficult to find works that show the positive spirit of being pragmatic like the above two poems. In the poetry works before Nineteen Ancient Poems, it is rare to express the ideal of literati to make contributions and leave a name for future generations in such frank language. The success rate of wandering is very low, and most people can't realize their wishes. As a failure in official career, all kinds of ideas come into being, so we should seek comfort from other aspects and maintain a balanced mentality. The author of Nineteen Ancient Poems has a distinct sense of life. They don't believe in immortality, and there is no immortal world in their minds. They just want to live a happier and more comfortable life in reality. Therefore, they "packed up their feelings" ("Dongcheng is tall and long") to pursue the beauty of Zhao Yan. "Driving to the East Gate" also wrote: "Eating for longevity is mostly caused by medicine. It's better to drink wine with Wan and Su and wait on them. " This is to kill life with wine and fine clothes, and it is also very frank. Due to the frustration of their official career, these scholars' pursuit level of life went from high to low, from striving for immortality to satisfying the desire of eyes, ears and stomach, and they were seeking some kind of compensation. Although their words are very philosophical, they can still feel deep sadness. The female mentality in Nineteen Ancient Poems is also complex and diverse. Looking forward to the early return of the wanderer, many poems about thinking about women in Nineteen Ancient Poems are without exception. However, when I expected to come back, my wife's reaction was quite different. Some cherish their marriages and have a deep love for wanderers. They bring back letters from afar, and she will hold them in her arms, "I will not die at the age of three" ("Meng Donghan"); Send a piece of silk back from afar, and she will cut it into a silk quilt symbolizing the love of husband and wife ("friends come from afar"). Some people perceive the signs of "drifting away" and feel that they are getting older and thinner day by day, so they have to comfort themselves with "trying to increase their appetite" ("traveling again"). There are also some women who are homesick. In the bright spring season, they can't bear loneliness and sigh "It's hard to keep an empty bed alone" (Grass on the Green Edge). The authors of these poems about thinking about women are not necessarily women, but most of them may be written by vagrants imitating the psychology of thinking about women, but they are all realistic, as if they were written about women. The common feature of these works is that they focus on lonely thinking about women's mental depression. They worry that wanderers like the new and hate the old, that their true feelings will not be inspected by the other party, and that external forces will alienate them. In Nineteen Ancient Poems, the images of the thinking woman and the wanderer are lonely, but compared with the wanderer, the thinking woman is more lonely. Wanderers have wonderful evening parties, opportunities to enjoy songs and listen to music, and can also travel by car, while homesick women can only wander in the courtyard and sigh in the empty room. Their unspeakable loneliness is often washed away by tears. The wanderers who miss women in Nineteen Ancient Poems wander between ethics and secularism. They not only have the value orientation in line with traditional ethics, but also have secular life choices. Sometimes it's against etiquette, but you can't see the itinerary that violates etiquette. It's better to be chaotic. Even if the wanderer is determined to "tidy up his feelings", once he really faces the beauty of Zhao Yan, he will "hesitate to talk". (The East Side is Tall and Long) The young woman first complained that the other party got married too late, but then admitted: "Liang Jun insists on high morality, but what is a concubine?" (Ran Ran's "Lonely Bamboo Map") If the change of the wanderer from making contributions and making a name for himself to being a good woman and drinking and having fun reflects the general trend of the lost literati in ancient times, then the wandering between ethics and secularism is a reflection of the literati atmosphere in the Eastern Han Dynasty.