First of all, I am good at lyric.
Ruan's poems, as the first batch of political lyric poems in the history of China literature, are not written in one place at one time, but a record of his political feelings all his life. Later generations pay attention to and evaluate it, such as:
Zhong Rong said: "Reciting poems in your arms can have thoughts and thoughts. It can be said that expressing feelings in the form of famine in your eyes and ears will make people forget their meanness, ambition and a lot of love words." "Poetry? Go up. "
Wang Shizhen said, "Ruan Gong wrote Yong Huai, and between the far and the near, he stopped when he was in trouble, and stopped when he was poor, not to mention Zong Jiaer" and "Yi Yuan's last words".
Lu Shiyong said, "Eighty-two poems are full of worries", "Poetry is like a mirror" and "Wei Ye".
Zhang Xie said, "In the eighty-second episode of" Yong Huai ",I pulled the first sun, patted the tired Hunan, pitied the prosperity, pitied the early death, and pretended to ask for money, so I didn't survive and helped escape to the world. The sigh of martial arts, the roar of Su Men, the fear of the end of the road, the sadness and joy, and the tears, the husband was forced to do it. " Preface to Adding Ruan Infantry.
Wang Fuzhi said: "Infantry's chest chant is a unique work ... and its wonderful support, or self-defense, or self-mourning, or the purpose outside things, or sending evil thoughts ... not only took a long time to guess, but also made future generations have no place to stand." Selected Ancient Poems, Volume 4.
Shen Deqian said, "Ruan Gong chanted about his feelings, and he was puzzled repeatedly. He is happy and sad for no reason, mixed in the source of ancient poetry.
Wu Rulun said: "Asking for Chapter 81 is by no means a temporary achievement. I doubt his life's poems, the titles of which are "Yong Huai Er" and "Notes on Ancient Poems".
Ruan Ji was a metaphysical scholar in Wei and Jin Dynasties. At that time, "there are many reasons in the world, but few celebrities have complete sets" and "The Book of Jin"? Biography of Ruan Ji, the poet "chaos, often afraid of being slandered and suffering", Selected Works, so "benefiting the world" and "Book of Jin"? Ruan Ji's biography, in an era when people's lives are at stake, was forced by the dark rule of Sima Group, and his life ideal could not be realized at all. Therefore, he only expressed his feelings for Lao Zi and Zhuang Zi, turned the anger of an upright intellectual into a poem, and formed his unique lyric style, which was very lyrical and felt in all his articles.
Second, work in comparison and symbol.
Regarding metaphors and symbols, Yuan Xingpei said: "China's classical poetry does have a tradition of placing symbols. Beauty vanilla and Chunlan Qiuju each have their established meanings. Sometimes poets are afraid or unwilling to express their political views clearly, so they reveal them to readers in subtle and tortuous ways. Sometimes, in order to make poetry implicit and deliberately hide its true meaning, it is more interesting to use other things. This technique is especially used in works called "Odes to History, Experience and Feeling". From Yuan's explanation, we can see that Ruan's persistence in metaphor and symbol is more than the poet's pursuit of artistic realm. Ruan's poems are profound in meaning, but hard to find interest. "On", this is also related to his time. He is dissatisfied with Sima's family, but he is chaotic. He is often afraid of disaster. Therefore, he is extremely cautious in life, and it is inconvenient to make any noise when writing poems. He often uses metaphors to express his feelings, pinning his arms, which is probably reasonable. Wang Fuzhi commented on Ruan's poems: The National Style is Far from Nineteen Poems and Selected Ancient Poems. Chen Ruoming commented: "Gong Shi taught Li Sao by himself, and later thought it was like Nineteen Ancient Poems and Selected Poems of Tang Ji. Yan Yu said: "After Huang Chu, only Ruan Ji's Poetry Review", and Huang Jie said: "If Ruan Gong's poems are written, they will flow". The above examples show that Ruan's poetic art is the symbol of Bi Xing, and it also stems from his bold inheritance and development of China's classical literary tradition, and is a bold attempt of a man of insight in literary creation.
Third, be good at using allusions.
As we all know, allusions are psychological, linguistic and cultural behaviors that people perceive, experience, imagine, understand and talk about current events, situations or environments under the hint of myths or historical events. Under Sima's high-handed policy, Ruan Ji has no talent, although the voice of troubled times is angry and the Book of Rites? Yue Ji, but as a cultural person, he had to use ancient events to express his thoughts and feelings implicitly, so he inevitably used a lot of allusions. This is just like the Qing Dynasty? Zhao Yi said: "Poetry does not simply rely on the number of classics, but ancient things have become allusions, so classics have their own meaning. When writing poems, they always borrow each other's meaning and write my feelings, which naturally makes them feel profound. This generation of poets have to use books. " Oubei Shihua
To sum up, Ruan's poems are profound and graceful because Si Kongtu's "Twenty-four Poems" is because the bitter rain of hating Taiwan at that time struck the strings of the poet, as the saying goes: "When you were born in Ruan Gong, you should have Ruan Gong's poems" and "On Poetry". In addition, the poet also said: "Although it is not formal, it is far-reaching. Biography of Ruan Ji, so his poems can receive endless artistic effects and produce endless artistic vitality.
Answer supplement
It can also be briefly summarized as follows:
Ruan Ji's poetic style of "Yong Huai" is famous for its "profound meaning and hard to find interest", which is closely related to his superb artistic techniques. Its artistic features can be roughly divided into six aspects: first, the symbolism of images; second, the tortuous and obscure lyricism; third, the extensive use of contrast techniques; fourth, the rich romantic metaphysical nature; fifth, the "profound significance" of language; and sixth, the use of five words.