Classical poetry is an ancient free poem with free form, unlimited length, infinitive (referring to miscellaneous words), no antithesis, free rhyme and so on. It often includes four-character ancient poems (first appeared in the Book of Songs), five-character ancient poems (matured in the Han Dynasty, such as Nineteen Ancient Poems), seven-character ancient poems (matured in the Tang Dynasty, such as Song of Eternal Sorrow) and Yuefu poems (some titles have songs, lines, quotations, songs, songs, songs).
Modern poetry is a classical metrical poem. Besides arrangement, there are definite sentences, words, sounds and rhymes. Generally speaking, it has two forms of quatrains, namely, five-character quatrains and seven-character quatrains, as well as various forms of metrical poems, such as seven-character metrical poems, five-character metrical poems and parallel sentences.
According to the number of words, there are generally three word forms: Xiao Ling (within 58 words), Zhong Diao (within 59-90 words) and Long Diao (above 9 1 word). The tone of the word is fixed, the sentence is fixed, the word is fixed, and the rhyme is positioned.
Qu has two forms: Sanqu and Zaju. Sanqu has two forms: poem (short tune) and divertimento (also called divertimento).
Classical/modern poetry
Classical poetry and modern poetry are divided from the perspective of poetic rhythm. The main difference between the two is that classical poetry mostly refers to poems before the Tang Dynasty, while modern poetry refers to a metrical form that began to form at the beginning of the Tang Dynasty, with strict regulations on the number of words, rhyme and antithesis.
Rhyming/quatrains (also called abridged sentences)
The difference between metrical poems and quatrains mainly lies in the number of sentences. There are only four quatrains, which can be typed or not. There are * * * eight metrical poems, one or two of which are head couplets, three or four are parallel couplets, five or six are neck couplets, and seven or eight are tail couplets; The first couplet and the last couplet can be couplet, but they can't be couplet, and the couplet and the neck couplet must be couplet; No matter whether it is a metrical poem or a quatrain, there are requirements for leveling. Rhymes of more than eight sentences are excluded.
Songs/lines/quotations
There is no strict difference between the three genres of ancient poetry. Generally speaking, syllables and metrical forms are relatively free, including five words, seven words and miscellaneous words, such as "The Hut is Blown by Autumn Wind", "Pipa Line" and "Li Ping Quotations".
Yuefu/Xinle Yuefu
Yuefu, originally the official name in charge of music in the period of Emperor Wu of Han Dynasty, later became a poetic name. Music songs collected and created by Yuefu government in Han, Wei, Southern and Northern Dynasties are called Yuefu for short. Xinle House was founded in the early Tang Dynasty. In the early Tang Dynasty, poets wrote Yuefu poems, except following the old poems of Yuefu in the Han, Wei and Six Dynasties, a few poets created new poems, which were different from the original rhyme, so they were called new Yuefu, and the name of the new Yuefu was determined by Bai Juyi.
Title/inscription
There is a strict difference between the title of a word and the epigraph. The title of the word is the embodiment of the content of the word, and the epigraph is the name of the tune of the word. Such as "Niannujiao? In Nostalgia at Red Cliff, Niannujiao is a epigraph and Nostalgia at Red Cliff is the title of the word, which shows that the word is a word and its position is "Red Cliff". A word must have a epigraph, but not necessarily a title. A word or paragraph is called "Que", and "Que" means the end of music.
A bold/elegant school
Bold school and graceful school are two major schools in Song Dynasty. Bold works are bold and unconstrained, full of lofty sentiments and ambitions, giving people a positive force. The representative poets are mainly Su Shi and Xin Qiji. Graceful and restrained works have beautiful and subtle language, lingering feelings, relaxed and lively artistic conception, deep parting sorrow or bitterness, fine carving and narrow subject matter. They often write about personal experiences, love between men and women, and occasionally write about the scenery, blending their feelings into the scenery. Representative poets are Liu Yong, Qin Guan and Li Qingzhao.
sanqu
Sanqu is a kind of songs played in harmony, which rose in the Song and Yuan Dynasties and degenerated from words. Style is similar to writing but freer than writing, so you can add lines to the number of words. Use spoken English more. Sanqu includes two forms: poems and sets of numbers. There is only one tone in the poem, such as Yuediao? Tianjingsha? Qiu Si has only one song, Clear Sand. The number of sets is to combine multiple tunes in one tune into one set, which is a coherent set of tunes in traditional Chinese opera or Sanqu. The number of a set of songs is uncertain, ranging from two to more. Each set of numbers takes the name of the first song as the name of the whole set of songs; The whole song must be the same palace tune, with a beginning and an end, and the end rhymes; Use "sand" at the end, and there is no rule on how many times to use it. As involved in the song? Whistle? "The Return of Gaozu" contains eight songs belonging to Gongdiao. "Shaobian" is the name of the first song and the whole song.
Gongdiao/Qupai
Qupai, like epigraph, is a musical form of Qu. Different qupai are often different in word number, level tone and rhyme. For example, Rolling Hydrangea, Boring Preface, Happy Three, Sifangjing, Chao, Man and Five Shames in Farewell Pavilion are all Qupai. Each qupai must belong to a palace tune in rhyme; Some have several tunes under a palace tune; Gongdiao is a musical term, indicating the high and low voice. For example, Gong Zheng's Farewell to Changting is a kind of Gongdiao.