"Ten Wishes" in Leisure Fu;
I am willing to be the leader of clothes, and I want to be the first in China; Sadness leaves at night, and may the autumn night be endless.
I am willing to tie my slim body with the belt in my petticoat; It's cool and weird, and it's new.
I am willing to be proud of my hair and brush my head on my shoulders; A sad and beautiful repeated bath is fried with white water.
I would like to have fine eyes, I would like to have idle eyes; Sad powder is still fresh, but it was ruined by China's makeup.
I am willing to be a seat in Dongguan, but I am weak in Sanqiu; Sadly, it replaced Yu, and you can't see it until many years later.
I am willing to walk on silk, persistent enough to cope; Sadness is restrained, and the empty Committee is abandoned in front of the bed.
I would like to be a shadow, day and night, always sticking to the shape, facing west and east; There are many shades of sad trees, and generosity varies from time to time.
May it be a candle at night, and a jade shine on two trees; Sad, the scenery is hidden in the election.
I would like to be a fan of bamboo, with a soft grip and sorrow; Worrying about the white dew and the morning, the sleeves are full of tears.
I would like to be a tung tree in the forest and a piano on my knee; Sadness and happiness came with sadness and finally pushed me to stop.
The great poet Tao Yuanming turned himself into various objects with his peculiar imagination:
I wish I were the collar of a beauty's clothes, which can support her appearance, but sadly, Luo Ji left her at night and complained about the long autumn nights. Second, I wish I were the belt of a beauty's clothes, which can bind her slender and graceful body, but I sigh that in different seasons, a beauty sometimes takes off her old clothes and puts on new ones; I wish I were the luster on the beauty's hair, brushing the hair flying on the beauty's shoulders, but sadly, the beauty bathed repeatedly and let herself dry up with the white water flowing away; Fourth, I wish I were the black eyebrows of a beautiful woman, and I could see far with her eyes. Sadly, the powder is still fresh, and sometimes it is destroyed and she wears heavy makeup. Fifth, I wish I were a reed, weaving a mat for the beauty, and making the delicate body of the beauty comfortable in Sanqiu, but sadly, it will be replaced by a striped plate, and only one year later, it will be replaced by a new one; I wish I were embroidered shoes on a beautiful woman's feet, attached to her snow-white feet and followed her everywhere, but sadly, enough is enough, leaving me alone in front of her bed. How I wish I were her shadow day and night. I often follow her everywhere, but sadly, that big tree has too many shades to cover my shadow, and I feel that some seasons are different; I wish I were a candlestick in front of a beautiful woman's window at night, shining on her shy face between the leaves, but sadly, the moon gives off soft light, covering my shadow and hiding my light; I wish I was weaving a fan for the beauty with a pruning bamboo pole, so that she could hold me gently and fan out a long cool breeze. But sadly, in the early morning when the thin frost covered the earth, the beauty looked at the sleeves and put me aside, making me homesick. I wish I were a buttonwood tree, making a piano and playing it on the beauty's lap, but sadly, the beauty was so happy, but it caused sadness and finally pushed me away angrily and stopped playing.
Leisure Fu is unique in Tao Yuanming's poetry collection. It describes a stunning beauty that the author thinks about day and night, fantasizing about getting along with her day and night, and even becoming various utensils and attaching to this beauty. His poems and songs are not all quiet and serene, although there are works of glaring at King Kong and works of pursuing love.
As for whether it is love or not, there are different opinions. The fifth volume of Notes on Tao Poems in Dongshan Caotang says: "The ten paragraphs of his poem" I would like to be the first in clothes "were born out of the meaning of" Qin Guan Yi "in the Song of Harmony, and so was Wu Jing's explanation of Yuefu's so-called" metaphor for the hearts of seven gentlemen at that time ". "Poetry" says:' Who would have thought that the cloud was a beauty in the West?' Zhu said that "Chinese characters refer to the king of the prosperous Western Zhou Dynasty", such as "Li Sao" and "complaining about the beauty in her later years", and she also regarded the beauty as her king. This fu is using this body. "It means that this Fu is a work with political ambitions. However, this statement seems far-fetched. Although it describes beauty, it doesn't necessarily mean that beauty belongs to Janelle Sing. This little poem is definitely written for love. There are three reasons for this. First, he himself said in the preface: "At the beginning, Zhang Heng wrote Feelings of Love and Cai Yong wrote Feelings of Peace. He evaded writing and lived in a secluded place. At first he thought about it, but in the end he was idle; It is helpful for the wind to fight the nausea of blocking the flow. People who write essays continue to write, and they are written because they touch the class. " He continues the works of Zhang Heng and Cai Yong, and is still a lyric work. Secondly, Yu Wenbao's Four Records of Blowing Sword and Zhang Zongxiang's Complete Records of Blowing Sword also discussed this point on page 107: "Zhang Heng wrote Love, Cai Yong wrote Love of Harmony, and Yuan Ming wrote Love of Leisure, so it is difficult to prevent leisure. Thirdly, "Qing Dynasty began in Chu, Song, Yu, and Bo Jie followed the words of Ding and Jing. but
Wei Ze's Chen Lin and Ruan Yu wrote "Can't Stop", RoyceWong wrote "Idle Evil Fu", Ying Yi wrote "Positive Love Fu", Cao Zhi wrote "Meditation Fu" and Jin Zhanghua wrote "Ode to Immortality". In this festival, the so-called "easy to follow others, because of similarity and wide interpretation of its meaning." (How to "Festival Collection" Volume 5) Huang Ziyun's "Poetry Talk" evaluates Tao Yuanming: "The ancient poets are only Tao and Du Ergong. ..... I thought Jingjie was like Laozi and Shaoling was like Confucius. " Huang Ziyun is accurate in evaluation!
Tao Yuanming's passionate pursuit of love is the embodiment of his love for life. We can see the other side of the great poet through this. His leisure fu is such an imaginative masterpiece of love, and his love has grown wings.