1, there are no birds in hundreds of mountains, and there are no footprints in thousands of paths. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice. —— Jiang Xue Liu Zongyuan
Appreciation: Typical generalizations are used in the poem, and Qianshan's "Ten Thousand Paths" and "The Extinction of People and Birds", which best represent the cold in Shan Ye, are chosen to describe the scene of heavy snow and freezing. Then draw an image of a fisherman fishing alone in the cold river to express the poet's unyielding and deep loneliness after being hit.
When I asked your students under a pine tree, "my teacher," he replied, "went to pick herbs." However, through these clouds, how can I know which corner of the mountain it is facing? . -"Absence Notes" Jia Dao
Appreciation: The first sentence of this poem is that the seeker asks the boy, and the last three sentences are all the boy's answers. The poet used a combination of questions and answers to describe the anxiety of not finding a place.
In the faded old palace, the peonies were red, but no one came to see them. Several white-haired footmen were sitting around talking about the emperor of the Tang Dynasty. -Yuan Zhen of Palace
Appreciation: Yuan Zhen's "Palace" poem can be described as a small poem, which directly points out the reasons for the decline of the Tang Dynasty. This is also the most unique place of this poem, which seems to be written casually. In fact, every sentence has a profound meaning, expressing his views on history.
Interpretation of five-character quatrains;
Five-character quatrains, a genre of China's traditional poems, are short poems with five words and four sentences, which conform to the rules of metrical poems and belong to the category of modern poems. This style originated from Yuefu poems in Han Dynasty, was deeply influenced by folk songs in Six Dynasties and matured in Tang Dynasty. Five-word quatrains but twenty crosses can show a fresh picture and convey a true artistic conception. Seeing the big because of the small, there are always many small ones, and short chapters contain rich content, which is its biggest feature.
Wuyan is a metrical form of China's ancient poems, and each sentence consists of five Chinese characters. It was widely used in ancient poetry, especially five-character quatrains and five-character poems, which became the classics of China literature. There are two levels in the Five Musts. Representative works include Li Bai's Thoughts on a Quiet Night, Wang Wei's Birds Singing in the Stream, Du Fu's Eight Arrays, Wang Zhihuan's In the Heron Tower and Liu Changqing's Farewell Master.