Stylistic Features of Tongguan Poems of Shanpo Sheep

The Style Features of Sheep on the Slope in Tongguan Nostalgia;

First, the majestic scenery description.

Second, the emotional expression of sadness and depression.

Third, the artistic conception is lofty and profound.

The specific appreciation is as follows:

In writing, the author adopts the method of step by step, from writing the scenery to recalling the past, and then causing discussion, which perfectly combines boundless scenery, deep emotion and careful discussion, making this poem have a strong appeal. There are historical vicissitudes and a sense of the times between the lines, which not only have the characteristics of homesick poems, but also have a unique depressed style.

First, the majestic scenery description.

"The peaks are like a gathering, the waves are like anger, and the mountains and rivers are on Tongguan Road." At the beginning of Sanqu, vivid metaphors and personification highlight the magnificence of mountains and rivers and lay a magnificent emotional tone for the whole song. A word "poly",

It shows many peaks and mountains, giving people a sense of movement. The word "anger" writes the surging waves and endows the river people with feelings. The author did not simply write about the scenery, but permeated his strong subjective feelings in the description of the landscape. The rolling mountains, after reading all the vicissitudes of life, seem to witness the suffering of the people, and the roaring Yellow River seems to accuse the rulers of past dynasties of their sins. It can really be said that "all scenery words are love words"!

Second, the emotional expression of sadness and depression

"Looking west, hesitant. Sorrow in the Qin and Han Dynasties, thousands of officials were corrupt. "

Looking at Chang 'an in the west and crossing the capital of Han and Tang Dynasties, the author has infinite feelings about its prosperity in history and its current situation. The national consciousness is vaguely revealed here, that is, the recollection of the strong period of the Han nationality, and the thoughts and feelings are extremely complicated. Perhaps this is the reason for "hesitation"! From Chang 'an to the rise and fall of Qin and Han Dynasties, the author emphasized the word "sadness", adding infinite desolation and sadness. Obviously Tongguan is nostalgic, but it has expanded its vision to the road from Zhaguan to the western capital, and is associated with the Li nationality who fled Guanzhong. They walked in groups and struggled on the road. "Yuan Shi" records: "In the past two years, there was a great drought in Guanzhong, and the hungry people ate each other." The author will naturally see this tragic scene on his way to his post. However, the author did not directly write about refugee groups, but picked up a pen to write about the past ups and downs here without saying a word. The palaces, pavilions, dance pavilions and singing platforms of Emperor Qin Shihuang and Emperor Wu Han have now disappeared into the dust. How can it not make people sad! However, what saddens me more is how much people's money and people's cream these official halls have consumed! This strongly expresses the author's complex thoughts and feelings of great sympathy for the working people and great disappointment with the ruling class.

Third, lofty and profound artistic conception.

This nostalgic song neither expresses nostalgia from the standpoint of a scholar-bureaucrat, laments the change of dynasties and the ups and downs of the world, nor regrets his misfortune from the perspective of a down-and-out scholar, but judges history from the sufferings of people's livelihood, and its ideological realm is far higher than that of ordinary nostalgic works.

"I am not afraid of clouds to cover my eyes, I am at the highest level." Standing at a certain height, this paper summarizes a historical law from the phenomenon of the alternation of historical dynasties and the rise and fall. "Xing, people suffer; When you die, the people suffer. " Digging deep into the essence of meaning, subtext can be said to be tempered and profound, jumping out of the mode of general nostalgic works, conveying the voice of working people and showing a kind of mind and vision different from ordinary people. Take a look at the feudal rulers of past dynasties. When they declined, they were all bad emperors and traitors, which eventually led to social unrest and a series of disasters, trapping the people in dire straits. "After ten years of war, the world cried bitterly", so it is said that "the people are not happy when they die." During the prosperous period of each dynasty, the rulers enslaved the people on a large scale, built large-scale buildings, enslaved and exploited the people, and were arrogant and extravagant, so it was said that "prosperity made the people suffer." This is the sublimation of the author's concern for people's sufferings, which shows the author's great courage and courage. As early as six or seven hundred years ago in the feudal era, it was really commendable that he could make such a thorough and profound judgment. This Sanqu skillfully combines Tongguan's formal victory with Tongguan's history, expresses feelings with scenery, creates feelings with scenery, sets off changeable history with unchangeable form victory, and takes Tongguan as a historical witness, revealing the great disaster brought to the people by the struggle of the feudal ruling class. The perfect combination of profound meaning, depressed feelings, magnificent scenery, sincere feelings and incisive arguments makes the whole song have a strong artistic appeal.