It first appeared in Miracle as a Mirror by Gao Zhongwu in the Tang Dynasty. This book selects Cui Dong, one of the ten gifted scholars in Dali, and notes the title. Poets of past dynasties have never had a clear understanding of the specific definition of waist-bending style. Some people think that the waist-bending style is a specific poetic style, characterized by couplet.
The last word of the previous sentence and the penultimate word of the next sentence use words with the same or similar vowels. Some people think that the waist-bending style is a specific poetic style, and paying attention to the frustration of emotion and artistic conception in poetry often makes people feel unfinished.
The waist-folding style was widely circulated in the Tang and Song Dynasties, but it is difficult to give an accurate definition because of different views on its definition. However, what is certain is that the waist-bending style in Tang and Song Ci has unique artistic charm, and has also made important contributions to the development and evolution of China's ancient poetry.
Features of waist-collecting body:
1, flexible syntax
The sentence pattern of folding waist is flexible and not limited by traditional meter. It doesn't stick to the law of alternating flat and horizontal lines, often uses rhymes or similar rhymes in the upper and lower sentences, and even uses rhymes repeatedly in the whole poem, forming a unique sense of rhythm and music.
2, compact structure
The bent body is compact and powerful, often with short sentences, arranged together in a patchwork way, forming a concise and lively style of writing. This structure makes poetry more compact and expressive.
3. Far-reaching artistic conception
Bending style is often simple and profound in expressing artistic conception. It usually takes natural scenery or details of life as the carrier, and conveys the poet's deep thinking about social phenomena and keen feelings about details of life through euphemism and implication. At the same time, the waist-bending style also pays attention to the expression of the poet's personality and emotion, which has strong lyricism and appeal.