Source: Baidu Encyclopedia/view/14752.htm?fr=aladdin
Collection of Poems by Liu Yuxi
The inscription of the humble house, the autumn wind leads to the embankment, the autumn poems, the autumn poems, the second visit to Chang'an Dongting step function word 1
Throwing ball music 1 ball throwing music 2 steps lyrics 1 step lyrics 2 steps lyrics 3 steps lyrics 4 memories of Jiangnan step function words 2
Reward Li Shilang from East Zhejiang Yuezhou The Spring Festival Gala is about a long sentence: Xiaoxiang God, Xiaoxiang God, Shu Xianzhu Temple, Xisai Mountain, nostalgia for the past, Lotte, Yangzhou, meeting at the banquet for the first time.
Nine poems about bamboo branches in Langtaosha, nine poems about poplar branches
p>The amiable and prosperous place in Yuezhong, to the west of Yu's Cave in front of Qinwang Peak. The lake grass is just beginning to grow, and the wild geese are leaving. The mountain flowers are half-waned and the cuckoos are singing. ("A Long Sentence to Reward Li Shilang of East Zhejiang Yuezhou Spring Festival Gala")
After returning from the imperial attire, Jinrong has no brother on his admission record. But Linghan went to Shanyin, wearing embroidered clothes and walking in the snow. ("To the Ancestors of Teng Shuzi")
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p>3 Works
There are three main existing ancient versions of Liu Yuxi's collected works: ① Dong's engraving of the eighth year of Shaoxing in the Song Dynasty (1138), titled "The Collected Works of Liu Yuxi", is a small print version collected in the summer resort of the Qing Dynasty. , today there is a photocopy of Xu Hongbao. In the 13th year of Chunxi (1186), Lu You reengraved it according to Dong's version, which is called "Zhejiang version". The engravings that have been popular since the Ming and Qing Dynasties basically belong to this system. ② The Song Dynasty collected by the Chonglan Museum of Heian Fukui Family in Japan The engraved version, entitled "Collected Works of Liu Mengde", is a large-character version of Shu. Today there is a photocopy of Dong Kang and a reduced version of the Commercial Press. ③ Volumes 1 to 4 of the Song Dynasty engraved fragment of "Collected Works of Liu Mengde" in the Beijing Library, Jian'anfang Engraved version. Mao Jin, Huidong, He Zhuo, Feng Hao, Huang Pilie and others in the Ming and Qing dynasties did preliminary collation work on Liu Yuxi's collection, but most of them were copies and were not widely circulated. The current version of Liu Yuxi's collection is: " The Collected Works of Liu Mengde (Collected Works of Liu Mengde) and the Collected Works of Liu Mengde (Collected Works of Liu Mengde) are published in the "Four Parts Series", the Collected Works of Liu Binbin (Collected Works of Liu Yuxi) is published in the "Songshu Collection". In addition, there is also a collated version of the Collected Works of Liu Yuxi. The life story of Liu Yuxi , found in the new and old "Book of Tang" biographies, "Liu Binbin's Jiahualu" (also known as "Liu Gongjialu") compiled by Tang Weixuan, which records Liu Yuxi's conversations about creation, learning and other aspects in his later years, and is of great data value. Today's Bian Xiaoxuan is the author of "Chronology of Liu Yuxi", which has examined Liu Yuxi's life and various historical materials. "Inscriptions on the Humble Room" was selected as the 26th lesson in the first volume of the 8th grade edition of the People's Education Press. Class 12 of the semester.
After being demoted, Liu Yuxi did not surrender, but created with a positive and optimistic spirit, actively learning from folk songs
Liu Yuxi wrote calligraphy and created "Autumn Poems" , "Spring View of Han Shoucheng" and other imitation folk songs. There are many famous lines and they are widely recited.
In the summer of 824, he wrote the famous "Nostalgia on Xisai Mountain"; this poem became the most popular poem for later generations. Literary critics praised him and regarded him as a masterpiece of Tang poetry with infinite meaning. Emperor Wenzong of the Tang Dynasty also praised his political achievements, praised him very much, and gave him a purple gold fish bag.
Liu Yuxi returned to Luoyang in his later years and became the prince. Guests came to inspect the school's Minister of Etiquette, socialized with friends, composed poems, and lived a leisurely life. After his death, he was posthumously awarded the title of Minister of the Ministry of Household Affairs and was buried in Xingyang, Henan (now Xingyang, Zhengzhou).
In addition, Liu Yuxi also wrote A medical book called "Chuan Xin Fang".
4 Landscape Poems
Liu Yuxi's landscape poems also changed the narrow-minded and bleak atmosphere of the Dali and Zhenyuan poets. style, but often writes a kind of open scene that exceeds the actual distance of space and is half virtual and half real, such as "The clouds in the distant mountains under the water are like snow, and the grass on the flat shore beside the bridge is like smoke" ("The fable of Mr. Wagyu after he was drunk in Nanzhuang" was given to Lotte "At the same time"), "The wild grass is fragrant on the red brocade ground, and the gossamer is confusing the blue sky" ("Spring Day Letters to Dongluobai Twenty-two Yang Eighty-two Concubine"). Another example is "Looking at Dongting"; in this quiet and ethereal place The poet's subjective emotions are integrated into the mountains and waters, creating a tranquil and peaceful atmosphere. However, although Liu Yuxi said, "If you can detach yourself from desire, you will be empty-handed." However, he actively participated in Yongzhen's innovation, but in fact he still had to be in society. Realize his ideals in life; his character is also relatively stubborn, so although he is influenced by Buddhism, he is not like Bai Juyi in the later period, who is sometimes satisfied and sometimes decadent. Instead, he often shows a high and cheerful spirit in his poems. For example, "Autumn Ci" II One of the first poems, "Tongle Tianden Qiling Temple Pagoda", has a kind of soaring power. Due to the implicit and deep connotation, the broad realm and the uplifting emotions, Liu Yuxi's poems appear to be both solemn and clear. . Liu Yuxi was demoted to the south many times, which is also where folk songs are popular. Therefore, Liu Yuxi often collected folk songs and learned their styles to compose poems. For example, the poem "Egret" uses metaphors to describe his aloof feelings, but in a brisk way. There are also some works that completely imitate folk songs, such as "Bamboo Branch Ci", "Willow Branch Ci", "Walking on the Dike", "Ta Lyrics", etc. They are all simple, natural, fresh and lovely, exuding the rich life of folk songs. Breath, the following two poems are particularly expressive: "Walking on the Embankment", two of three poems, and "Bamboo Branch Ci", one of two poems.