Yes: 3. Liu Yuxi’s influence on the poets of the Song Dynasty. In the early years of the Northern Song Dynasty, the court admired flowers and gave banquets to show off luxury. The literati followed the decadent style of the late Tang and Five Dynasties and competed to write flashy and empty poems. Fu, whitewash peace. Yang Yi and others compiled these works into "Xi Kun Sing Collection". People call this kind of work "Xikun style" because of its elegant vocabulary and empty content. The Xikun Poetry School admires the late Tang Dynasty, especially the poetry of Li Shangyin, and the influence of Liu Yuxi is not yet significant. After the poetry innovation movement of the Northern Song Dynasty was launched, it swept away the decline of "Xikun style" and created the mainstream of Northern Song literature. Wang Anshi, Su Shi and others, as well as the Jiangxi Poetry Party in the late Northern Song Dynasty, appreciated Liu Yuxi's poetry, which made Liu's poetry have a greater influence on the poets of the two Song Dynasties. ① As a poet with innovative ideas and practices, Wang Anshi and Liu Yuxi not only shared their political and philosophical thoughts, but also admired Liu Yuxi's poetic style. Wang Anshi's study of Liu Shi is mainly reflected in two aspects: conception and context. The first is the far-reaching intention of admiring Liu Yuxi's poems, such as the second part of his "Four Poems on Jinling Nostalgia": Heavenly soldiers marched south to this bridge river, and the enemy country pointed to Gu Jiang at that time. The majestic mountains and rivers are back in the sky, and the king's divine power is hard to match. I linger and look back at the sunset, imagining the ruins leaning against the window. But it's Xia Yang's fault that he only has a reed. Why would the Han family waste money on the opium vat? The title and concept of this poem are basically the same as Liu Yuxi's "Jinling Nostalgia", especially the chin couplet and tail couplet are obviously inspired by Liu's poem "Rise and fall are determined by personnel, mountains, rivers and empty terrain".