Water has no edges, water is colorless, water is silent, but water is the most beautiful change invisibly.
In the vast ancient times, "the so-called Iraqis were on the water side." In The Three Kingdoms Golden Goma Iron, Cao Aman said: "Where there is water, there are mountains and islands." Wang Luobin once sang, "White hair floats with green water and red palms are clear." "Tianmen breaks the Chu River, and Higashi Shimizu flows." Why is poetry fairy Taibai so emotional? In Shuiyunjian, I looked at the vastness, thinking about the world and complaining about my feelings. Suddenly I heard Taibai singing. "Peach Blossom Lake is deep in thousands of feet, not as good as Wang Lun." This water, rich, clear and endless, is the source of happiness.
There are thousands of streams flowing down from the mountains. They running all the way, enjoy all the way, stop and go all the way. But in the end, they hope that streams meet rivers, rivers yearn for rivers, and rivers rush to a wider and wider ocean, from dribs and drabs, from smallness to smallness, from gurgling streams to the pulsation of mountains and rivers and the pulsation of the earth.
Whether sleeping on the grass, relaxing in the lake or working in the country, water and water are connected all the time, so there is nothing more tender and loving on earth than water. It is pure and beautiful, slender and slender. As the saying goes, "But since the water is still flowing, even though we cut it with a sword", who can stop Qian Shan in its chest? Yang Wanli said: "The spring eyes are silent and cherish the trickle, and the shade of the trees shines on the water and loves to be fine and soft." This is the most beautiful portrayal of water-toughness vitality!
When the spring scenery in the south of the Yangtze River appears, "peach blossoms are three or two outside the bamboo, and duck prophets are in the spring water heating." There is no need to speculate or imagine how spring came out of its cocoon. Watching ducks flapping their wings, cheerful games and high-pitched songs are self-evident. Water, the thermometer, measures the spring, summer, autumn and winter, and the winter jasmine blossoms. "Flowers drift, water flows". Only by "walking alone" can we know the spring water. Where will it go?
Water contains everything, water carries everything, and water is everything. Follow fate, follow fate, follow fate, at any time, water follows the joys and sorrows of all things. Don't be happy with things, don't be sad for yourself, and be broad-minded.
Han Gai, a poet in the Tang Dynasty, said, "Fiona Fang pursues impermanence and rests in the morning and evening. Gaoqie Bitang is long and bitter, and flying far is more leisurely. Xiaoxiang moon is immersed in a thousand years of color, and dream smoke contains eternal sorrow. There is no place for Lingtou to sob, and my heart hurts for you. " This is "water", the habit, appearance, personality, silence and loneliness of water, and enjoy Zhan Yan.
"I will walk until the river blocks my way, then sit down and watch the rising clouds." Wang Wei instilled Zen in Shui Yunjian. "Water poverty" means that the road becomes a stream, disappears and is full of all possibilities. The spring has stopped flowing, withered, or temporarily disappeared from the spring. By "Yun Qi time", the water has its birthplace, and the clouds in the sky are surging, and the sea of clouds is choppy. The clouds are like "tears" on the thread, and it is raining intermittently. Will the water be "poor"? This classic poem, which is often used as the motto of people's self-motivation, is exactly the same as what Lu You, a writer in the Song Dynasty, said: "There is no way to recover from doubts, and there is another village in the dark."
In fact, there is another beautiful and gorgeous embodiment of the liveliness and escape of water. Bai Juyi said in "Recalling Jiangnan": "Flowers on the riverside are better than fire at sunrise, and the riverside is as green as blue in spring." He endowed water with color, vitality and charm. In this Chun Qing, in this landscape, why not love Jiangnan?
Regarding the goodness, beauty, affection and love of water, every word of the ancient works is caring and meticulous. "The lake is full of moonlight, and there is no windless mirror on the pool surface. Look at the Dongting landscape, there are green snails in the silver plate. " "The smoke is still, the shadow is heavy, and the blue is completely dark. Suspected to be the narcissus dressing room, the center of a snail mirror. " "Tianping Mountain Baiyun Spring, the cloud has no intention of water idle. Why rush down the mountain and add waves to the world? " "All the way down, half purple atmosphere. Run down the miscellaneous trees and return to the clouds. The sun is like a rainbow, the sky is clear, and the wind and rain are hard. Lingshan is full of color and empty water. " This water, no matter how it is described, no matter how it is expressed, no matter who looks at it, it is in the middle of the water and the moonlight is misty. It's water, it's water, not water. It is dry and sweet milk, gurgling in the mother's arms and never far away.
Waterway, heaven also.
Chapter three? The mountains are far away, the sky is high and the smoke is cold.
One mountain, two mountains. The mountains are far away, the sky is high and the fog is cold.
Chrysanthemums bloom, chrysanthemums remain. The goose that flies high has not returned, and there is no curtain.
-Five Dynasties Li Yu's "Sauvignon Blanc, A Heavy Mountain"
From a distance, mountains and water are closely linked, and one mountain is higher! Layer upon layer, I can't see through, but I can't see far. Is it beyond the mountain? Is distance an unreachable miss? Is it as cold and lonely as me under the high sky? Just like the clouds gathering and dispersing faintly between Simon and Simon, there is an uncontrollable cold shiver. Inadvertently, the flaming maple leaves opened again. When I think of past lives, I just can't help thinking of you.
Think about it. Autumn chrysanthemums in Zhan Yan bloom one after another, and then wither gradually in the frost and rain. How heartbreaking it is. Life is so short, but you have no regrets? When the geese crossing the Great Wall flew by in rows, they spread their wings and flew away in rows. The geese returned, but no one returned. Where are you at this moment? How are you? Who can bring your news? It's not a dream, it's not acacia, it's not the gloomy scenery outside the window.
The mountains and rivers on the earth are interdependent and connected with each other. These gullies and gullies meet together in the Lian Heng, forming various spectacular ups and downs. Mountain is the backbone of water, and water is the blood of mountain. They blend into each other's hearts, leaving gaps in the bushes and breathing. The gap caused by moderate distance is conducive to the prosperity of all things and the shuttle of life. As a result, heaven and earth echo with mountains and rivers, and there is the most beautiful scenery on earth.
Inclusion, acceptance, replication, continuation, landscape cycle.
Li Yu said: "One heavy mountain, two heavy mountains. The mountains are far away and the weather is cold, and the acacia maple leaves are Dan. " Mountain after mountain, water after water, water all the way, all the way far away, the scenery in everyone's heart will be fresh and fragrant, because the feelings are different and the scenery is different.
As a monarch whose country is ruined, the scenery is hurt, painful, regretful, worried, distressed, helpless and drooping with tears. They carry endless memories, infinite loneliness and full yearning. Only in sex, the mountain is not that mountain, and the water is not that water. The picturesque rivers and mountains that once belonged to them became empty in an instant, and became thinner and more lonely in the eyes of poets. There is no more leisurely pace of "watching the flowers fall", no more quiet feelings of "counting the flowing water forever" and no more distant roaming of "birds flying high on the mountain". Instead, it is "When are the spring flowers and the autumn moon?"
When is the moon in spring and autumn? How much do you know about the past? The small building was easterly again last night, and the old country could not bear to look back on the moon.
Carved fences and jade bricks should still exist, but Zhu Yan changed them. How much sadness can you have? Like a river flowing eastward.
"Like a river flowing eastward", life is gone, mountains and rivers are gone, life is gone, and a generation of emperors is gone but they are always in the mountains and rivers. It is not surprising to see the mountains and the water.
Going down, the mountains and rivers in the hearts of the deceased are alive. The heart is dead.
However, in some people's view, no matter when, where and under what circumstances, mountains and rivers must always be full of vitality.
There is a poem by Cao Cao in the Three Kingdoms: "Jieshi looks at the sea in the east. The sea is so vast that the islands stand high on the sea. Trees and paraquat are very lush. Autumn wind makes trees make sad sounds, and the sea is surging. The movement of the sun and the moon seems to come from the vast ocean. A trip to the sun and the moon, if unexpected; Han is a talented star, if you take him by surprise. Fortunately, Lian, it was sung in the song. " This poem is regarded as an early landscape masterpiece in history. The poet Cao Cao also became an early practitioner of landscape poetry. Compared with the works of Xie Lingyun, the originator of landscape poetry in the Eastern Jin Dynasty, Xie Shi was born and Cao Shi joined the WTO. Xie Shi's poems are "latent" and Cao Shi's poems are "high"; Xie Shi was forced to settle for the status quo, while Cao Shi took the initiative. Or compared with the artistic conception in Xie Lingyun's Climbing the Pool and Going upstairs, it will be clear.
Hong Fei is potential and charming, which sounds far away.
Thin clouds shame Yunfu and inhabit deep Sichuan.
It is difficult to enter morality and wisdom, but it is difficult to return to the field.
Poor sea, lying empty forest.
I rest on the pillow, the season and climate, and I will take a temporary peek.
Listen to the waves with your ears open, and look at the place with your eyes open.
At the beginning of the scene, the wind direction changed, and the new sun became old and cloudy.
Spring grass grows in the pond and garden willows become songbirds.
Qiqi hurts the song and feels the sound of Chu.
It is easier to live forever than to live alone.
It is not unique to hold exercises, and no one is bored.
There are melancholy feelings and unwilling emotions flowing in the poem. There is a Qian Qian knot in my heart, and my body is led by everything. There is a kind of anxiety, endless distress and subtle resentment, which all come down to the necessity of hiding, not seeking approval, but seeking self-appreciation. This poem is full of scenes and connections. Clouds, mountains, vegetation, water waves and birds' songs are everywhere, and everything is affectionate. The landscape is deeply hidden in the poet's mind, and the image is rich and poetic, and the poetic heart is clear at a glance. However, in Cao Cao's words, "The mountain will never be too high, and the water will never be too deep." The duke of Zhou vomited, and the world turned around. From the aspects of writing style, breath, breathing, poetry and so on, it just confirms their distinctive style, demeanor and behavior. Poetic temperament, poetic temperament.