Su Shi
Looking at Lushan Mountain from the front and side of peaks and valleys, from far, near, high and low places, Lushan Mountain presents various faces.
I can't recognize the true face of Lushan Mountain because I am there.
This poem is about how to look at things from your own point of view.
Hui Chong Chunjiang Night Scene
Su Shi
Two or three peach blossoms outside the bamboo forest and ducks in the water first noticed the warm spring.
Artemisia arenaria is full of short reed buds, which is the time when puffer fish want to fuck.
This poem is about the law of natural phenomena.
Wang Chun (Du Fu)
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.
This poem is about the problem that external factors work through internal factors, and the war is disturbing.
Vacation in the mountains reminds me of my brothers in Shandong.
I am a lonely stranger in a strange land, and I miss my family more often during the holidays.
When I think of my brothers' bodies climbing high, I will feel a little regret for not being able to reach me.
2.4 Poems with profound truth, philosophical poems
1, there is no way to recover from heavy mountains and heavy waters, and there is another village. (Lu You's Tour of Shanxi Village)
2. Looking horizontally, the ridge edge becomes a peak, and the distance is different. (Su Shi's topic Xilin wall)
But as long as you climb a flight of stairs, you can broaden your horizons by 300 miles. (Wang Zhihuan's "In the Heron Villa")
4. Qian Fan by the shipwreck, and Wan Muchun tree in front. (Liu Yuxi's "The First Meeting in Yangzhou")
5, ask how clear the canal is, because there is the source of living water. (Zhu's reading thought)
6, people have joys and sorrows, and the moon is full of rain and shine. (Su Shi's "Water Tune Heading-When is the Bright Moon")
7. Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky ... (Du Fu's "Looking at Yue")
8, three or two peach blossoms outside the bamboo, the spring river plumbing duck prophet. (Su Shi's "Hui Chong Chunjiang Night Scene")
9. I am not afraid of clouds covering my eyes, but I am afraid of the highest realm. (Wang Anshi, "Waiting for the Flying Peak")
10, ... Night gives way to the ocean of the sun, and the old year melts in freshness. (Wang Wan's "A Stop at the foot of Beibao Mountain")
1 1, the east wind is easy to know, and the fun is always spring. (Zhu's Spring Day)
12, Lao Wang Xie Yan flew into the homes of ordinary people. (Liu Yuxi's Wuyi Lane)
Wildfire never completely devoured them, and they were tall again in the spring breeze. (Bai Juyi's "Parting from Ancient Grass")
3. What are the reasonable ancient poems?
This article is selected from Zhu Wen's official documents (four series). Zhu (1 130~ 1200), a native of Wuyuan (now Jiangxi), was a famous philosopher in the Southern Song Dynasty.
As soon as the half-acre square pond is opened,
The sky is full of clouds and shadows.
Ask the canal so clearly,
Because there is inexhaustible living water for it.
This is a famous poem that takes scenery as a metaphor. Compared with the square pond, the whole poem vividly expresses a subtle and unspeakable reading feeling. The pond is not a pool of stagnant water, but often full of living water, so it is as clear as a mirror, reflecting the sky and clouds. This situation is quite similar when the same person gets through the problem, gains new knowledge and gains a lot of benefits in reading, and raises awareness. The aura, clear thinking, fresh and lively spirit and self-satisfaction of this poem are the author's personal reading feelings as a university scholar. Although this feeling expressed in the poem is only for reading, it has profound implications and rich connotations, which can be widely understood. In particular, the phrase "ask how the canal is clear, so that there is flowing water from the source" means that the clarity of water is due to the continuous injection of flowing water from the source, which means that if people want to be clear-headed, they must study hard and constantly supplement new knowledge. Therefore, people often use it as a metaphor to constantly learn new knowledge in order to reach a new realm. People also use these two poems to praise a person's achievements in study or art, which has its deep roots. We can also get inspiration from this poem. Only when the mind is always active, open-minded, accepting different ideas and fresh knowledge, and broad-minded, can we keep thinking and keep new water flowing out. These two poems are condensed into a common idiom "the source of living water", which is used to describe the source and motive force of the development of things.
4. What reasonable poems are there, and what do they tell us? 1. Life is a hero, and death is a hero. Li Qingzhao's summer quatrains.
2. Out of human nature, words are not surprising. Du Fu's The Case of Bitter and Hot Piles in Early Autumn remains the same
Since ancient times, no one has died in life, leaving a heart that shines on history. Wen Tianxiang's "Crossing Lingdingyang"
4. There is no dye in the mud, and there is no demon in the clear. Zhou Dunyi's Love Lotus
5. The silkworms in spring will weave until they die, and the candles will cry dry every night. Untitled by Li Shangyin.
6. Be loyal to your art, you don't know your age, and let wealth and fame float across the Tang Dynasty like a cloud? Du Fu
7. Don't do it with little evil, and don't do it with little good. History of Three Kingdoms
8. A man without faith doesn't know what he can do. The Analects of Confucius
9. Don't praise the good color, just keep it fresh and dry. Yuan dynasty? Mo Mei in Wang Mian
10. Deep mountains are chiseled out with a thousand hammers and burned when idle. Not afraid of broken bones, leaving innocence in the world. Yu Qian's Lyrics of Lime
1 1. Young people don't work hard, but old people are sad. Long song's poems in Yuefu.
12. We were born from the same root, so there is no need to fry each other. Cao Zhi's Seven-step Poems.
13. Good medicine tastes bitter and is good for the disease, but advice when unpleasant is helpful for the action. Confucius' Family Discourse
14 but you only need to go up a flight of stairs, you can broaden your horizons by 300 miles.
15 I don't know the true face of Lushan Mountain, but I am only on this mountain. Su Shi's topic Xilinbi
5. Write 2 philosophical poems and 4 philosophical poems.
1, there is no way to recover from heavy mountains and heavy waters, and there is another village. (Lu You's Tour of Shanxi Village)
2. Looking horizontally, the ridge edge becomes a peak, and the distance is different. (Su Shi's topic Xilin wall)
But as long as you climb a flight of stairs, you can broaden your horizons by 300 miles. (Wang Zhihuan's "In the Heron Villa")
4. Qian Fan by the shipwreck, and Wan Muchun tree in front. (Liu Yuxi's "The First Meeting in Yangzhou")
5, ask how clear the canal is, because there is the source of living water. (Zhu's reading thought)
6, people have joys and sorrows, and the moon is full of rain and shine. (Su Shi's "Water Tune Heading-When is the Bright Moon")
7. Once you climb to the top of the mountain, you will see that all the other mountains look short under the sky ... (Du Fu's "Looking at Yue")
8, three or two peach blossoms outside the bamboo, the spring river plumbing duck prophet. (Su Shi's "Hui Chong Chunjiang Night Scene")
9. I am not afraid of clouds covering my eyes, but I am afraid of the highest realm. (Wang Anshi, "Waiting for the Flying Peak")
10, ... Night gives way to the ocean of the sun, and the old year melts in freshness. (Wang Wan's "A Stop at the foot of Beibao Mountain")
1 1, the east wind is easy to know, and the fun is always spring. (Zhu's Spring Day)
12, Lao Wang Xie Yan flew into the homes of ordinary people. (Liu Yuxi's Wuyi Lane)
Wildfire never completely devoured them, and they were tall again in the spring breeze. (Bai Juyi's "Parting from Ancient Grass")
Lifelong rights and interests
1, picking chrysanthemums under the east fence, leisurely see Nanshan. (Tao Yuanming's drinking)
2. In the morning, the causes of waste and pollution were improved, and Dai Yue returned home with a hoe. (Tao Yuanming's Return to the Garden)
3. We open your window and overlook the garden and fields, holding cups and talking about mulberry and hemp. (Meng Haoran, "Passing the Old Village")
The eaves are long and clean without moss, and the flowers and trees are planted by hand. (Wang Anshi's "Mr. Shu Huyin's Wall")
5. There are great scholars talking and laughing, but there is no Ding Bai. (Liu Yuxi's "Humble Room Ming")
6, the favorite child rogue, shampoo and peel the lotus. (Xin Qiji's "Qingpingle-Village Residence")
7, yellow hair drooping, and happy. (Tao Yuanming's Peach Blossom Garden)
8, the ring is blocked, not pulling the wind; Short brown knot, ladybug empty. (Tao Yuanming's Biography of Mr. Wuliu)
Wang Zun, a poet in the Tang Dynasty, wrote in Xihe: "Every year, the beauty is drowned, and Hebo is said to marry an outsider. Since the Ming Dynasty cast a witch, ghosts are not gods now. "
"Xue Mei is willing to surrender at the end of spring, and the poet will write off the cost. The snow in Mei Xu Xun is three points white, but the snow has lost a plum. " This is Xue Mei by Lu Meipo, a poet of the Song Dynasty. It is a wonderful philosophical poem.
6. Rational Ancient Poetry 1 Title Xilin Wall (Su Shi)
See the peak on the side of the ridge in the original poem, and the distance is different. I can't recognize the true face of Lushan Mountain because I am there.
Philosophers observe things from different positions and angles and come to different conclusions. Only when people get rid of subjective and objective limitations, stay out of Lushan Mountain and have foresight can they really see the true face of Lushan Mountain. To understand the essence of things, we must observe them from all angles, both objectively and comprehensively.
2 topic view praying for rain (Tang)
In the original poem, the mulberry leaves are leafless and smoky, and Xiaoguan Yinglong Water Temple. Zhumen indulged in singing and dancing in several places, fearing that the sound of spring would swallow the strings.
3. Weixian Painting and Bamboo Academy (Xie)
Listening to Xiao in Yazhai, the original poem was suspected to be the voice of the people's sufferings. Some small collectors in Caozhou County always care about their feelings.
Philosophical materialism holds that consciousness is the reflection of objective things in the human brain. But when people think about the same objective thing, they often form different understandings and conclusions. From the subjective factors of people, it is mainly caused by people's different positions, different world views and different knowledge composition. The scene of praying for rain described in the poem clearly tells us that in class society, because people belong to different classes and have different class status, their views (reflections) on many issues are quite different. If we want to understand things correctly, we must first look at the problem from the standpoint of the fundamental interests of the people.
4 Qin Poetry (Song Sushi)
If the original poem says there is a piano sound, why not put it in the box? If the piano sounds from your hands, why can't you hear the sound?
Music with wonderful philosophy is an organic whole, which is composed of several parts and elements that influence and restrict each other. In music and piano sound, fingers, piano, players' thoughts and feelings, playing skills and other parts and elements are interdependent and indispensable, influencing and restricting each other, and there is a close relationship. According to materialist dialectics, the fundamental content of universal connection is the connection between the parties to the internal contradictions of things and between things. So what this song reveals is the contradictory relationship between piano, fingers and piano sound. If the players are included, then the relationship between the players' thoughts, feelings and skills and the piano and fingers can be regarded as the relationship between the internal contradictions (internal causes) and external contradictions (external causes) of things. The former is the basis of music production, and the latter is the condition of music production, both of which are indispensable.
The title play is six quatrains (1) (Tang Du Fu)
The original poem Yu Xin's article is older and more mature, and Ling's brushwork is vertical and horizontal. People today laugh at him and blame his works. If Yu Xin is still alive, I'm afraid he will really regard you as an afterlife.
Philosophy (1) From the point of view of universal connection, everything is a process of continuous development. Without the analysis of historical connection, we can not only correctly understand yesterday's history, but also correctly understand today's right and wrong. Cutting off history, denying contact, blindly laughing at tradition and denying predecessors will inevitably lead to national nihilism.
(2) Looking at problems from a developmental perspective, we should regard things as a process of change and development. To study any one of me, we can't cut off history, let alone deny yesterday's naivety with today's maturity. We should adopt a historical attitude towards our predecessors, and we should not look at and measure the past with today's rampant irrigation and standards, let alone demand the ancients.
(3) From the viewpoint of combining two-point theory with key theory, on the one hand, we should correctly analyze and distinguish the achievements and defects of predecessors, right and wrong, essence and dross. On the other hand, it is necessary to further distinguish between the main aspects of contradictions and the secondary aspects of contradictions.