The Flower Shadow written by Su Shi, a poet in the Northern Song Dynasty, was superimposed on the Yao platform, and it could not be swept away after several calls. Just cleaned by the sun, the moon was sent to the future.
The four-line dance and Huaying overlap on the Yao stage, and the child can't come back after several calls. In the evening when the sun went down, Hua Ying just retired, but the moon rose again and Hua Ying appeared again. Note: Overlap: describes the layers of flower shadows on the ground, which are very thick. Yaotai: A luxurious pavilion. Several degrees: several times. Child: footman. The flower shadow on the pavilion is so thick that the servant can't remove it after sweeping it several times. Tidy up: refers to the disappearance of flower shadows at sunset, as if cleaned up by the sun. Teacher: Let's. Send the future: refers to the flower shadow reappeared in the moonlight, as if it were sent by the moon. Will, the modal particle, is used after the verb. These two sentences say that the sun goes down, the flower shadow just disappears, the bright moon rises, and it appears with the moonlight. Background: This is actually a political lyric poem. It was when Su Shi died in Song Shenzong, when Zhezong ascended the throne, and when the Empress Dowager came to the DPRK, that he lamented that his political opponents-the so-called "Xifeng villain"-were all relegated (only cleaned up by Sun). When the Empress Dowager Gao died and the philosopher ruled the country, all of them were put into use (and the bright moon was taught to send the future). After Wang Anshi's failure in political reform, he was described as a "big villain", "people and gods are angry together" and "new party" (Han Jiang, etc. He co-chaired the reform and was called "Xifeng villain" (Xining and Yuanfeng were the titles of Wang Anshi Dynasty).
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