Excerpt from Zhang Ning's cold enthusiasm.
Jin Renshun's two novels are constantly infiltrating, deciphering, re-infiltrating and re-deciphering the elements of intellectuals, forming a magnetic field to attract reading. When choosing scenes and plots, she tries to bring people into familiar daily situations, but this is only a transition from one threshold to the next. It allows readers to take a nap and then come back to play games.
Although, on the whole, novels such as "Surname Ma" and "Listening to the Sound and Discussing the Road" do not account for a large proportion in Jin Renshun's creation, it seems that the stylistic creativity of these two novels should arouse our full attention. In the process of exploration, Jin Renshun tried to approach the essence of the novel in various ways and reproduce its artistic charm, which was beyond the reach of those who followed the rules.
Excerpt from Zong Renfa's pursuit of interesting novels
Jin Renshun's novels shed tears of growth in the gathering place. Tears are a kind of cleaning agent, which may be needed by bright eyes like coal holes to peep at life situations. She constructed a delicate story with rare patience at this age, and some kind of human order appeared quietly and naturally in the ups and downs of this world. This kind of writing has a wonderful feeling of exploring nuclear matter. ...
Tears of Stone's growth in Jin Renshun.
Jin Renshun, who graduated from drama literature, captured the dramatic scenes and climaxes in her life with the sensitivity of people born in the 1970s. Jin Renshun wrote the most brilliant works about the harm of worldly sins to innocence and about "growing tears". The cold and sharp narrative way shows people the moment when human order is distorted, just like the snow in the north. Jin Renshun's words have the same cleaning function, and the restrained texture is as cold as moonlight. The fragility and confusion of youth are vividly expressed by Jin Renshun's toughness.
Jin Renshun said: "We live between the day and the night that we name ourselves." In the face of death, they are calm, indifferent, and faint yearning and disillusionment are intertwined. Jin Renshun often regards cold death as a kind of gossip circulating among the people. More often, the death in their works is just an accidental survival short circuit after being misplaced in the process of growing up.
1 1 Xie Youshun's New Humanity in Literature
To tell the truth, it is often an involuntary doubt that comes into contact with Jin Renshun's novels first. I can't believe that such a young woman writer born in the 1970s can "see through the world" and life. Although Jin Renshun seems to show a little confidence in love and life in her novels such as Love Test Paper, An Affair, Ah Friend and Goodbye, her novels are more about doubts, denials and criticisms of reality, the world, humanity and love. Throughout Jin Renshun's novels, there are always a lot of cold eyes. Just as the heroine in the glass cafe looks at the glass cafe with a telescope, I think Jin Renshun also has a high-powered telescope in her hand. The world, life, humanity and love are all transparent. She tore off the illusion and saw the essence at a glance. If novels such as Air Conditioning of Love, Listening to Arguments, Good Days, and Putting Yourself in Love are devoted to presenting illusory scenes of love, then in novels such as Ma, May 6th, and Just a Classmate and Teenager, writers have mercilessly unveiled the veil of human nature. In a sense, Jin Renshun seems to be an enlightened monk. She looks at the world coldly, looks at life coldly, doesn't like things, and doesn't feel sad for herself. Everything is tacit, and there is a feeling of meditation. In her novels, we can't see ecstasy, impulse and enthusiasm, only detachment, calmness and indifference. It's like watching all the vicissitudes of life in the world. Jin Renshun's confidence in the world is really fascinating.
The aesthetic style and emotional appeal of Jin Renshun's novels can also be described by classicism or aestheticism. The texture of her novels is very simple, and there is no exaggerated narrative or technical game common in modern novels. The language is extremely clean, restrained and leisurely, without any modification or redundant description and melodramatic rendering. Everything is natural, natural, and there is no intentional carving or artificial "structure". Even the drama of the novel is inherent and natural to her. In Moonlight, Moonlight and other novels, we can see that Jin Renshun has a special sensitivity to the drama in life, but she never squanders her talent, but lets it grow naturally with the language in the text. Jin Renshun advocates simplicity and pursues simplicity. This simplicity represents her double confidence in the world and the text.
Wu Yiqin's Tacit Writing (from Contemporary Fiction,No. 1 1 2000)
Jin Renshun seems to have many possibilities in novel writing. Any kind of generalization may be biased towards young Jin Renshun. On the one hand, Jin Renshun is good at building stories of life appearances. On the other hand, Jin Renshun is sure of the true nature of life and has the ability to see real kung fu in a plain life (such as a good day). On the one hand, Jin Renshun is good at narration, and his style tends to be "objective" in comparison. On the other hand, she has a lot of subjective lyrical temperament (such as Good Days), which makes Jin Renshun show good writing quality and outstanding writing potential. She experienced it again, but she didn't just write her autobiography by experience; She is smart, but she writes not only women's feelings, but also wisdom; She is not satisfied with just writing, but also devoted to the exploration of text structure and the innovation of novel technology-all of which give us reason to place greater hopes on her.
Excerpts from Ge's "Jin Renshun in Narration" and Jin Renshun's every text are shrouded in girls' unique and subtle worries, with a faint and youthful flavor of girls, as well as a probe into life, a touch of love and a survey of the world.
Without exception, this kind of beauty lives in Jin Renshun's three paintings: society, students and history. ..... The best novel written is History, Jin Renshun reinterprets history with a brand-new modern concept, and those striking women who love to fly with the wind.