His representative works include Rain Lane, which makes him known as Poet in Rain Lane, Dreamcatcher, Unrequited Love, Trouble and so on.
As far as I can remember, most of the poems published by 1929 are works of this period.
Modern magazine was founded in 1932, and published many works and translations in the magazine. I went to France in June165438+1October of the same year. He studied at the University of Paris and the University of China and France in Lyon, and continued to engage in translation activities. 1933 published the poetry collection Wang Shucao. There are a large number of poems in this stage, which are mature in art and most representative in creation, so he became the representative poet of modernism in the history of China's new poetry development.
1935 returned from France. 1937, Wang Shu's poetry collection was published. After the outbreak of War of Resistance against Japanese Aggression, I continued to translate in Shanghai and went to Hong Kong on May 1938. Together with Xu Dishan and others, he organized the Hong Kong branch of the All-China Federation of Literary and Art Circles as a director. In the meantime, he also edited Constellation, a supplement to Sing Tao Daily, and China Writers, an English publication. After Hong Kong was occupied by the Japanese army, it was arrested and imprisoned for several months on charges of anti-Japanese, which greatly damaged its health. After the beginning of the Anti-Japanese War, the works have undergone positive and clear changes in life, artistic conception and artistic style.
I wrote 194 1 with a broken palm, which showed the loyalty and integrity of the country and individuals. The works of this period were later included in The Years of Disaster and published in 1948. After the victory of the Anti-Japanese War, he returned to Shanghai and taught at Shanghai Normal University. 1948, he went to hongkong again. 1949, he moved to Beijing to attend the first all-China literary and art workers' congress, and then worked in the international news bureau of the general news agency.
1989 The Complete Works of Dai Wangshu was published. There are dozens of translations of poems, such as My Memory, Wang Shucao, Wang Shucao's Poems, Years of Disaster, Selected Poems of Dai Wangshu and Poems of Dai Wangshu. He is the representative of China's modern symbolism poetry.
Dai Wangshu's poems are mainly influenced by China's classical poems and French symbolist poets. The former, such as Wen and Li Shangyin in the late Tang Dynasty, and the latter, such as Meng and Meng, have exerted great influence on the development of China's new poetry both in theory and in creative practice. In the content of poetry, he pays attention to the completeness and clarity of poetry, and does not deliberately carve it in form.