The Artistic Features of Jia Dao's Poetry

The language is light and simple, winning by casting words and refining sentences, and deliberately seeking work. The theme is narrow and narrow, lacking social content, mostly for writing scenery, seeing off and nostalgia, and the artistic conception is desolate and miserable.

Jia Dao was born in a poor family in his early years. He once lived in Shi Cun, Shiyukou, Fangshan, but left Jia. 19-year-old travel, know Meng Jiao and so on. And ponder Han Yu. After returning to the secular world, scholars were introduced repeatedly. Tang Wenzong was the main book of Changjiang County (now Pengxi County, Sichuan Province), so he was called "Jia Changjiang".

His poems are good at carving, and he likes to write desolate and lonely places, full of bitterness and feelings. He claimed to be "two sentences in three years, one song and two tears". But then the treasurer of Zhou Pu joined the army and died anywhere. The Collection of the Yangtze River 10 volume contains more than 390 poems. In addition, there are 3 volumes of small collections and 1 volume of poems.

His poems like to describe desolate and lonely places, and there are many bitter words. Good at five-character poems. Pay attention to words and expressions, and deliberately look for a job. The allusion of "scrutiny" comes from his poem "Monks Knock (Push) on the Door under the Moon". He is the author of The Yangtze River Collection.

Extended data:

In fact, Jia Dao spent a lot of time refining ideas, sentences and words. All these are inseparable from the ideological and contemporary nature of the works. First of all, we can see that Jia Dao worked very hard to cultivate his mind, so his works have a fascinating artistic conception.

If you write a poem with poor artistic conception and light taste, no poem is better than no interest. With a good artistic conception, we must also ensure that this artistic conception can be fully expressed in words.

Every poem and sentence of Jia Dao has been repeatedly tempered and carefully revised. But after he wrote it, the reader couldn't see the trace of revision at all, as if it were completely natural and in one go. It can be seen that the so-called bitter songs can only be said from the author's hard work. As for the aspects that readers appreciate, don't see the author's pain.

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