Li Qingzhao's ancient poems

One,

Wujiang River (summer quatrains)

"Life is a hero, death is a ghost male. I still miss Xiang Yu and refuse to cross Jiangdong. "

This magnificent and eloquent epic is quite different from its poetic style, because it shows the diversity of writers' works and should not be simply summarized by the word "graceful". Among women, Mrs. Hua Rui wrote a poem in the early Song Dynasty: "The flag is hung on the head of the king city, but I don't know the palace." 200,000 people were disarmed, and none of them were men! " Or equivalent to it.

Second,

flat

"Fifteen years ago, at the end of the flower, I followed Tseng Fu's poems about flowers. Today's flowers are similar to each other, and the feelings are like the past. "

Recalling the past and the present in the poem shows the poet's mourning for his late husband and life. Zhao Mingcheng's sudden death in the third year (1 129) was a great blow to Li Qingzhao. She not only lost her material dependence, but also her spiritual sustenance. From the analysis of "fifteen years ago" mentioned in the first sentence, this seven-line poem should be written by Li Qingzhao in his later years. The first two sentences of the poem flash back to the past, and the last two sentences express their feelings by comparing the present and the past. The present situation is very similar to the past, and the present situation is very different from the past, forming a strong contrast. It is by revealing this contrast that the poet lets people observe his "feelings" today. What is the poet's mood today? It is not directly mentioned in the poem, but anyone who knows the poet's life in his later years knows that his country has lost its home since he crossed the south, which is really unbearable for a pampered lady. All this is not revealed in the poem, perhaps because the poet can't bear to say it. It's hard enough to live, so why be depressed!

Third,

Spring disability

"Why do you miss your hometown in spring? You hate it when you comb your hair. Liang Yan's words have always been there, and the rose wind is fragrant. "

All day long, the swallows perched in the cool head pour endlessly, and the roses outside the curtain are sent into the fragrance by the breeze. What should these bring to poets? Is it a good memory or a bitter feeling? Is it gratifying or more worrying? The poet didn't say it, leaving it to the reader to imagine.

Fourth,

Fishing platform (beach at night)

"The boat is profitable, and the boat is also named. I have always been guilty of going back and forth, and I was on the Diaoyutai all night. "

Ming Langying's Seven Manuscripts, Volume 30, Poems on Taiwan from Zhao Tomb: "Diaoyutai is on the Fuchun River. Those who sang on the stage:' You are hiding for the sake of fame, and I am here for the sake of fame. At dusk, I was ashamed to see my husband's face and crossed the fishing platform. "Li Qingzhao's poem used this poem. In fact, fame and profit, as long as they are taken properly and used properly, should not be ashamed. I don't advocate seclusion, but I don't deliberately pursue fame and fortune. I wish I could do something. I believe that when I achieve my career, I will have the fame and fortune I deserve.

Today, Huang said, "We can't ignore this little poem, just as Jialun Huang said,' Sun Wubing can break the cymbals'. She only used 28 words, but vividly described the cowardly and selfish situation of people in the ruling and opposition circles in Lin 'an at that time. At this time, the poet didn't forgive himself for being safe, but thought that he had no face for Yan Guang's virtue, so he' stayed up all night fishing' and vividly and profoundly expressed his shame. Kong Ziyun:' Knowing shame is almost brave'. Zhao Qing's sense of shame is much more respectable than those shameless people who betrayed the country and people at that time. "In this passage of Huang's, the words behind" Kong Ziyun "are not bad, but the so-called" incisive "description in front is too far-fetched, which is really suspected of" outlining ". In fact, poets just write wherever they go, just improvise poems. How can it be so deep? Aside from "knowing people and discussing the world", it seems that we can't involve "people in the ruling and opposition" just by reading the text.