Zhang
A river of smoke and water shines in the clear haze, people on both sides of the strait paint eaves, and there is a Qiu Guang among the lotus flowers, watching Sha Ou dance again and again. Shilixiang wind bead curtain. The painting is far away, the wine flag is out of the wind, and the feeling is Jiangnan.
To annotate ...
Smoke and water: the water vapor in the south of the Yangtze River evaporates like smoke.
Clear mist: Fog in the forest on a clear day.
Eaves: Eaves painted with patterns and patterns.
Lotus: refers to water chestnut and lotus. Water chestnut
The sentence of Quxiangfeng: "See the rolling bead curtain in ten miles." Liu Yong's poem "Looking at the Tide of the Sea" says: "There are cassia seeds in Sanqiu and lotus flowers in Shili.
Trembling with wind.
translate
The smoke waves across the river set each other off against the mountains and fog on the shore, and the eaves of people on both sides of the river are connected. There are many lotus flowers on the river, and Qiu Guang is desolate. Watch Sha Ou dance and hover on the river. The wind is ten miles away from the rolling bead curtain. The original painting seems to come from the horizon, and the wine flag flutters in the wind. What a feeling, Jiangnan!
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This song is about the autumn colors of Jiangnan water town. One scene after another, each with its own modality, poetic and beautiful. Elegant style, cheerful mood and harmonious melody.
The first sentence "a river of smoke and water, shining in the clear blue sky" shows a kind of natural beauty: the river ripples after a sunny day, showing the confusion of smoke and water. The second sentence, "People on both sides of the strait are painting eaves", is about carefully carved houses closely connected in the confusion of smoke and water.
Then, the author pays attention to the natural scenery, and the "light" of "a bunch of lotus flowers in Qiu Guang are light" is well used, which dilutes the rich spring scenery of the gentle countryside, as if it had the meaning of sipping away the noise, and added a bit of poetic swaying posture. "Watching Sha Ou dance again and again" adds a bit of leisure and self-satisfaction.
"Shilixiang Wind Bead Curtain" symbolizes its richness, echoing the person who painted the eaves in front. The words "the painting boat looks at the sky from a distance, and the wine flag flies out of the wind" are not only literal, but also the scenes described are just corresponding. One party calls frequently, and the other party is tired of rushing to vote. The last sentence, "Fall in love with evil spirits in the south of the Yangtze River", summed up the experience and turned from objective observation to subjective feeling.
This poem expresses the meaning of "a lot and a wide range" with seemingly few numerals. For example, the words "again and again" and "three" in "Watching Sha Ou Dance Again and Again" show that Sha Ou is active and dancing lightly on the edge of the lotus pond. The word "ten" in the sentence "the wind blows ten miles with pearls" seems to be very small, only ten miles, so you can savor it carefully. We can feel that the author's works are ten miles away, and the fragrance of Qiu Guang and China is far away. The numeral "a paragraph" in this article is an exception. The author used "a paragraph" to write lotus bushes, showing the thinness and desolation of the lotus pond in autumn to the fullest.
The numbers "one", "two", "repeatedly" and "ten" in this song condense the beautiful scenery of Jiangnan. Because of the different numbers, it is rich and varied, which enhances the lively mood.
On the level of landscape writing, the author takes the lotus pond as the center, and then writes that Sha Ou dances on the lotus pond levee, and then extends from the lotus fragrance to the periphery, to the horizon, from the middle to the periphery, from one point to the whole south of the Yangtze River, which is beautiful and wonderful!
The first five sentences describe the scenery from far to near, from big to small, about family, lotus pond and waterfowl, the sixth sentence describes the boat in the distance, and the seventh sentence describes the wine flag in the country hotel, which is very rational and layered, expressing a cheerful style.
2. Appreciation of Zhang's "Narcissus Odes to the South of the Yangtze River" is in line with Narcissus' qupai practice.
The first sentence painted a natural beauty, and the river rippled after a sunny day, showing the confusion between smoke and water. How much news does the second sentence "people on both sides of the strait paint eaves" reveal-the houses painted with exquisite carvings are closely connected, so naturally they are not ordinary people, but should be dining areas.
Then, the author pays attention to the natural scenery, and the "light" of "a bunch of lotus flowers in Qiu Guang are faded" is well used, which dilutes the rich spring scenery of the gentle countryside, as if it means that sipping away the noise and adding a poetic swaying gesture. Watching Dancing Again and Again was written by the author Zhang himself.
"Ten-mile bead curtain with fragrant wind" symbolizes the fragrance and richness of the gentle countryside where it is located, echoing the people who painted the eaves in front. It is also the practice of narcissus to draw a boat as far away as the horizon and the wine flag is outside the wind.
These two sentences are not only literal opposites, but also the scenes described are just corresponding. One party calls frequently, and the other party is tired of rushing to vote. The last sentence changed from objective observation to subjective feeling, summarizing the experience of "killing Jiangnan with love"
In terms of artistic treatment, this poem can write the distant and distant scenery alternately, which is full of changes, and the various characteristic landscapes in Jiangnan are enough to inspire a fascinating impression.
3. Narcissus ode to Jiangnan Understanding Zhang-"Narcissus ode to Jiangnan" [Double Tone] A river is beautiful in spring, people on both sides of the river paint eaves, and lotus bushes are a section.
The river is surrounded by lotus flowers, so it is quiet. Looking at Sha Ou, it turns around on the river, and the curtains of every household are full of fragrant wind. Smoke waves painted all over the river set off the fog on the mountains on the shore, and the eaves of people on both sides of the strait were connected together.
There are many lotus flowers on the river, and Qiu Guang is desolate. Watch Sha Ou dance and hover on the river. The wind is ten miles away from the rolling bead curtain.
The original painting seems to come from the horizon, and the wine flag flutters in the wind. What a feeling, Jiangnan! The ship is as far away as the sky, and the wine flag is out of the wind. It loves killing Jiangnan.
Appreciate the autumn scenery of Jiangnan water town written by this song. One scene after another, each with its own modality, poetic and beautiful.
Elegant style, cheerful mood and harmonious melody. In terms of artistic treatment, this poem can write the distant and distant scenery alternately, which is full of changes, and the various characteristic landscapes in Jiangnan are enough to inspire a fascinating impression.
The most prosperous and abundant sentence in The Water Fairy is that people on both sides of the strait used the words "one", "two", "repeatedly" and "ten" in this song, which embodies the characteristics of the beautiful scenery in the south of the Yangtze River. Because of the different numbers, it is rich and varied, which enhances the lively mood.
Five sentences describe the scenery from far to near, from big to small, about family, lotus pond and waterfowl, the sixth sentence describes the distant boat, and the seventh sentence describes the wine flag of the country hotel, which is very rational and layered, expressing a cheerful style.
4. Water Fairy, singing that Jiangnan loves to kill Jiangnan.
On both sides of the river, Lanren Lotus Pearl Curtain painted boat wine flags.
I have seen this song before, and it was selected into the junior middle school text version of the National Compilation Center. The first two sentences, "A river with smoke and water shines sunny and blue, and people on both sides of the river paint eaves", are in line with Narcissus' Qupai method. The first sentence painted a natural beauty, and the river rippled after a sunny day, showing the confusion between smoke and water. How much news does the second sentence "people on both sides of the strait paint eaves" reveal-the houses painted with exquisite carvings are closely connected, so naturally they are not ordinary people, but should be dining areas.
Then, the author pays attention to the natural scenery, and the "light" of "a bunch of lotus flowers in Qiu Guang are faded" is well used, which dilutes the rich spring scenery of the gentle countryside, as if it means that sipping away the noise and adding a poetic swaying gesture. Watching Dancing Again and Again was written by the author Zhang himself.
"Ten-mile bead curtain with fragrant wind" symbolizes the fragrance and richness of the gentle countryside where it is located, echoing the people who painted the eaves in front. It is also the practice of narcissus to draw a boat as far away as the horizon and the wine flag is outside the wind. These two sentences are not only literal opposites, but also the scenes described are just corresponding. One party calls frequently, and the other party is tired of rushing to vote. The last sentence changed from objective observation to subjective feeling, summarizing the experience of "killing Jiangnan with love"