1) Neolithic Age (6700-7000 years ago)
2) The ancient music culture is characterized by the combination of song, dance and music (Ge's "Three people fuck the oxtail and throw their feet at the song"), that is, totem worship.
3) Xia and Shang Dynasties
The Xia Dynasty turned to praise those who conquered nature.
The ritual and music systems in the Western Zhou Dynasty and the Eastern Zhou Dynasty were complete, summarizing the epic music and dances of past dynasties, such as the "Six Dynasties Music and Dance" (Huangdi Yunmen, Xianchi, Shunshao, Yudaxia, Shangda, Zhou Dawu).
The system of collecting poems began in the Zhou Dynasty, and was revised by Confucius in the Spring and Autumn Period, forming China's first poetry collection, The Book of Songs.
Before and after The Book of Songs was written, Qu Yuan compiled nine poems based on The Songs of the South.
Boya played the piano, Zhong Ziqi bosom friend Qin Qing sang "Acoustic Shock Trees, Very sonorous", and after welding, E's song "Echoes around the beam for three days".
2 Qin, Han, Wei, Jin, Southern and Northern Dynasties music culture
1) 22 BC1Qin unified the six countries and established "Yuefu"
During the period of Emperor Wu of the Western Han Dynasty (140 BC-87 BC), a large-scale music-Xianghe Daqu was produced.
From the end of the Western Han Dynasty to the beginning of the Eastern Han Dynasty, marked by the Aidi Balefu (6 BC) and the Baihuguan Temple Conference (79 BC), orthodox Confucianism gained a dominant position, denying the role of Yuefu and holding that "Zheng Sheng is suitable for the imperial court".
From the end of the Eastern Han Dynasty to the Wei and Jin Dynasties, folk music developed under the advocacy of Song Xianghe, a former Western Han Yuefu, and produced Guangling San and Hu Jia Eighteen Beats.
In 3 17 AD, Jin moved south, which was called the Eastern Jin Dynasty in history. After the demise of the Eastern Jin Dynasty, Song, Qi, Liang and Chen appeared in the south. There was a long-term scuffle in the north, and finally Xianbei Tuoba established the Northern Wei Dynasty. This period is called the Southern and Northern Dynasties. More than 360 years ago, it was not until 589 AD that the Sui Dynasty was unified. During this period, minority music was popular, and the Han music represented by Song Xianghe was combined with southern folk songs "Wusheng" and "Opera" to form "Shang Qing Music".
Since the Han and Wei Dynasties, the introduction of Buddhism and Buddhist music have also been very popular. The original "fare music" came from turtle, Switzerland or Tianzhu and other countries. During the Qi and Liang Dynasties in the Southern Dynasties, he began to serve Buddhism with "Shangqingle". Its further development is the "Faqu" in the Tang Dynasty.
3 Sui and Tang music culture
The music of court banquets in the Tang Dynasty was called "Le Yan".
Seven songs and nine songs in Sui and Tang Dynasties belong to Yan Music. They are folk music of various nationalities and some foreign countries.
Song-and-dance Daqu inherited the tradition of Xianghe Daqu, and integrated the essence of all ethnic groups into nine pieces of music, forming a structural form of scattered sequence-middle sequence or beat sequence. Feather Dance was written by emperor musician Tang Xuanzong. The music education institutions in the Tang Dynasty are: Liyuan, Taifuren Music Department, Xuandao Department and Liyuan, which are specialized in preschool education. Pipa is the main musical instrument, and Xiqin also appears.
4 Song and Yuan music culture
Songs, arias, Zhu Gong tunes, zaju and instrumental solos and ensembles created by the people in the Northern Song Dynasty developed rapidly.
After the "Jingkang Revolution", the northern drama and the southern drama in the Southern Song Dynasty gradually formed a national North-South Song Dynasty.
A.D. 1279 Yuan destroyed the Southern Song Dynasty and unified China. Music and cultural exchanges between different nationalities and countries have increased.
5 Ming and Qing music culture
The folk ditty in Ming dynasty is rich in content and has a wide influence, reaching the level of "don't ask men and women" and "everyone is Xi".
The rap music in Ming and Qing Dynasties is rich and colorful. Among them, there are Tanci in the south, Guci in the north, and rap songs by Paizi, Qin Shu and Daoqing.
Guqin music (Yushan Qinpai) is the wild goose in Pingsha in Ming Dynasty and the flowing water in Qing Dynasty.
Pipa music "The Swan in Christina" and "Ten Faces" at the end of Yuan Dynasty and the beginning of Ming Dynasty