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Appendix 1
Classical part 1
Methodology of China's Literary Criticism III
Dissemination and Interpretation of China's Classical Poetry 14
No Words: On Taoist Knowledge 36
Secret Sound Bypass: Derivation of Literal Meaning and Mutual Activation 63
The Evolution of Landscape Aesthetic Consciousness in China's Classical Poetry 80
Yan Yu and Poetics of Song Dynasty 95
Re-exploration of Zen wisdom thinking in Song Dynasty 109
There is no limit to emptiness-the aesthetics of nothingness in Yunshan fog +05 1
Meaning transmission and interpretation 169
Dialogue with Works —— A Preliminary Study of Hermeneutics 17 1
Thinking Out of the Office: Media and Hypermedia Aesthetics 199
Historical Integrity and Reflection of Modern Literature Research in China 235
Modern part 257
Cultural dislocation: the aesthetic agenda of China's modern poetry 259
Taiwan Province's modern poetry under the dislocation of two cultures from the late 1950s to the early 1970s 296
Language Problems in China's Modern Poetry 329
The logic of crisis literature 355
Fish escaping from the net: William's poetry review 372
I never write a preface for my article, because all I want to say is the present, and there is really no need to write a preface to explain it again or cheer up my thoughts. Then why should I write? First of all, I'd like to take this opportunity to thank Juemin Xu, former director of the Institute of Literature of the Chinese Academy of Social Sciences, for his kindness to me since my speech in Beijing 198 1. He urged me to choose some articles for him to arrange for publication. This is the reason and fate for the first edition of this book to meet readers. I should thank him here. ...
Should be what you need.