I was about to lead the light cavalry to catch up when the snow fell full of bows and knives. (Lulun: Song of Plug)?
I knew from a distance that it wasn't snow, because there was a smell coming. (Wang Anshi: plum blossom)?
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice. (Liu Zongyuan: Jiang Xue)?
Chai Men heard dogs barking and went home on a snowy night. (Liu Changqing: Master Furong Mountain in the Snow)?
The grass is yellow in autumn, and the eagle eye is sharper; When the ice and snow melt, the horseshoe is extraordinarily brisk.
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The Five Laws of Hunting by the Tang Dynasty poet Wang Wei.
original text
go hunting
In the wind, the horn sounded and the general was hunting outside the borehole.
The grass is yellow in autumn, and the eagle eye is sharper; When the ice and snow melt, the horseshoe is extraordinarily brisk.
It has passed Xinfeng City in a blink of an eye and soon returned to sunny Liu Ying.
Looking back at the eagle wilderness, thousands of twilight clouds spread to the horizon.
Comment and analysis
The first four sentences of this poem are the first part, writing the process of hunting; The last four sentences describe the general returning to camp in the evening. The whole poem, half about hunting and half about returning from hunting, suddenly got up and tied a proud knot at a distance. An airflow connected the two, inherited the momentum that rhythm could not bind, and reflected the belt from beginning to end. This is the beauty of composition. Three place names are hidden in the poem, which makes people feel unconscious, the allusions are blurred and the scenery conveys feelings. Three or four sentences are both extremely physical and beyond words, which is a wonderful syntax. Dry, tired, sick, light, sudden death and return, the choice of words and words is precisely tempered, and both salty and salty can be taken into account. This is the beauty of calligraphy. All these techniques can skillfully express people's anger and lofty sentiments in poems.
I was about to lead the light cavalry to catch up when the snow fell full of bows and knives.
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The Wild Goose Crossing the Heights is an ancient poem by the Tang Dynasty poet Lu Lun, and it is the third poem among the "group poems".
original text
The geese are soaring in the lonely moonlight in Xia Sai.
In the faint moonlight, geese fly high,
The Tatar chiefs are fleeing from the darkness.
We chased them, with light horses,
Our bows and swords are covered with snow.
Comment and analysis
This poem is about the heroic feat of the general preparing to lead his troops in pursuit of the enemy on a snowy night. Although the poem does not directly describe the fierce battle scenes, it leaves readers with a broad imagination space and creates a long poetic atmosphere.
I knew from a distance that it wasn't snow, because there was a smell coming.
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Plum blossom is a five-character quatrain written by Wang Anshi, a poet in the Northern Song Dynasty.
original text
Chinese plum
There are some plums in the corner, and cold ling opens them alone.
I knew from a distance that it wasn't snow, because there was a smell coming.
Comment and analysis
In poetry, the power and noble character of plum blossoms are used to express those people who, like poets, can adhere to ethics and morality, advocate justice, and are not afraid of crowding out and hitting the country's prosperity in a difficult and harsh environment.
Creation background
Wang Anshi's new idea of political reform was overthrown, he resigned twice, was reappointed twice and gave up political reform. This poem was written by Wang Anshi after his seclusion in Zhongshan.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
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Jiang Xue, a landscape poem by Liu Zongyuan, a poet in Tang Dynasty.
original text
Xue Jiang
Tang Dynasty: Liu Zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
Comment and analysis
Jiang Xue is a landscape poem written by Liu Zongyuan, a poet in the Tang Dynasty, which describes a snowy scene in Jiangxiang. The mountain is snow and the road is white. The birds disappeared, and so did the people. The distant scenery is boundless, and your scenery is lonely and cold. The artistic conception is secluded and lonely. The fisherman's image is beautifully carved, clear and complete. Poetry uses rhyme, which always enhances taste and is powerful.
Chai Men heard dogs barking and went home on a snowy night.
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Lord of Furong Mountain in Snow is a five-character quatrain written by Liu Changqing, a poet in Tang Dynasty.
original text
The owner of Furong Mountain is in every snow.
Tang Dynasty: Liu Changqing
The setting sun is far away, the weather is cold and the house is poor.
Chai Men heard dogs barking and went home on a snowy night.
Comment and analysis
Lord of Furong Mountain on a Snowy Night is a five-character quatrain written by Liu Changqing, a poet in the Tang Dynasty. This poem depicts a picture of returning home on a snowy night. The first two sentences, what the poet saw and felt in the mountain village. The last two sentences describe the poet after living in his master's house. The language of the whole poem is unpretentious, picturesque and simple and profound.
There have always been different opinions on the wording, sentence formation and artistic conception of this poem. On the surface, this poem looks like a word "Ming", but in fact it is concise, implicit and not revealing, "Love is in the scenery, things are in the scenery", but feelings are not directly expressed and things are unknown, which brings difficulties to interpretation, ambiguity and multiple explanations are inevitable.