Su Shi once said: "Poetry is like painting in charm, and painting is like poetry in charm" (Dongpo Zhi Lin). Wang Wei is versatile. He brought the essence of painting into the world of poetry and painted vivid works for us with spiritual language and beautiful brushwork.
His landscape poems pay attention to the rise of color, while Wang Wei's landscape poems pay attention to the structural picture, which makes it rich in levels, suitable for movement and sound, beautiful in sound and color, more dynamic and musical, and vaguely lasting appeal, and is the soul of Wang Wei's poems.
Extended data
What are the characteristics and influences of Wang Wei's poems?
In terms of poetry creation, Wang Wei is best at "his own line"-pastoral poetry. Landscape poetry began to rise after Wei and Jin Dynasties, but it didn't become a grand view until the prosperous Tang Dynasty. Meng Haoran and Wang Wei started the school of landscape poetry. Meng Haoran is a little longer than Wang Wei, and his excellent landscape works are very artistic.
Compared with Meng Haoran, Wang Wei is much more outstanding in the artistic conception, meticulous taste of natural beauty, skillful use of poetic techniques, quantity and quality of landscape poems. It can be said that Wang Wei is not only a landscape poet, but also a pioneer of poetry.
The schools in the middle Tang Dynasty (Wei and Liu Zongyuan) and Wang Shizhen's theory of verve in the Qing Dynasty all inherited the rest. In the history of painting, Wang Wei, as the pioneer of Nanzong School of Painting, is famous in history, and is praised as the ancestor of literati painting by later scholars. However, Mi Fei did not hesitate to praise Wang Weizhi's paintings. After seeing Wang Weizhi's paintings for a few days, the gifted scholar of Qin Guan felt much better. ...
Wang Wei's pastoral poems
Niaomingjian
Tang Dynasty: Wang Wei
People are idle, osmanthus flowers fall, and the night is quiet and empty.
When the moon comes out, the birds are startled, and the sound enters the spring stream.
translate
People's activities are very few, only osmanthus flowers fall silently, and the valley in silent spring is silent and empty at night. The bright moon rose and shone brightly, which alarmed the birds living in the mountains. From time to time, they flew high and sang in the spring stream.
Make an appreciative comment
This poem is one of the five miscellaneous topics of Huangfuyue Yunxi where Wang Wei's friends live. Each of the five poems describes a landscape, which is close to landscape sketch, but different from ordinary freehand brushwork. Therefore, it is appropriate to interpret it as the real spring laurel in the mountains at this time.
In Wang Wei's poems, we can not only see the charming environment of spring mountain dotted with bright moon, fallen flowers and birds singing, but also feel the peaceful and stable social atmosphere in the prosperous Tang Dynasty.
Wang Wei likes to create a peaceful artistic conception in his landscape poems, and so does this poem. But the poem is about flowers falling, the moon rising and birds singing. These moving scenery not only make the poem look full of vitality, but also show the tranquility of the spring through movement.
On the contrary, dynamic scene can achieve static effect, because the two sides of contradiction are always interdependent. Under certain conditions, movement can occur or be noticed, which is based on silence. "Tonamiyama is more secluded" contains artistic dialectics.