White is invincible,
I am floating in the clouds, thinking differently.
Fresh and beautiful,
Jun Yibao joined the army.
Haruki Weibei,
Jiangdong dusk cloud.
When a bottle of wine,
Heavy and detailed documents.
Appreciation of Du Fu's Poetry
The friendship between Du Fu and Li Bai was first formed in poetry. The Five Laws of Remembering Li Bai was written by Du Fu when he lived in Chang 'an in the spring of the fifth year of Tianbao (746) or the sixth year of Tianbao (747), mainly from this aspect.
The first four sentences are warm praise for Li Bai's poems. The first sentence praised his poems as the best in the contemporary era. The second sentence is an explanation of the previous sentence, which means that the reason why he "has a way in his poems" is that his thoughts and interests are extraordinary, so his poems are extraordinary. Then praise Li Bai's poems as fresh as Yuxin and elegant as Bao Zhao. Yu Xin and Bao Zhao were both famous poets in the Southern and Northern Dynasties. Yu Xin was called Yu Kaifu in the Northern Zhou Dynasty, from the official to the generals in title of generals in ancient times and the three divisions of Kaifu instrument (Sima, Situ and Sikong). Bao Zhao, then joined the former Jingzhou Army, which the world called Bao joined the army. These four sentences are vigorous and passionate, and the two modal auxiliary words "Ye" and "Ran" in the first couplet not only strengthen the tone of praise, but also increase the power of "invincible poetry" and "unconventional".
In Qing Dynasty, Yang Lun commented on this poem and said, "The first sentence is naturally that I have read through all the difficulties and hardships, and I am willing to give up my local language. DUZH can't be listed among poets who steal from ancient times and modern times; But Taibai's genius is far behind, and Du Fu can't overwhelm it, so he is particularly convinced, and often the articles are nothing. " (Du Shi Jing Quan) This statement is quite right. Du Fu always praised Li Baiqi's magnificent poems, whether he gave them as gifts or missed them. From the frank praise of this poem, we can also see how much Du Fu admired Li Bai's poems. This not only expressed his love for Li Bai's poems, but also reflected their sincere friendship.
These four sentences are based on remembering people and poems, and praising poems means remembering people. However, the author does not directly recall people, but writes the feelings of parting through the third link, which naturally complements the Ming Dynasty. This treatment is not only concise, but also avoids straightforward narration, which makes the poems interlocking and tortuous.
On the surface, the last two sentences only describe the scene of the author and Li Bai. "Weibei" refers to the Chang 'an area where Du Fu is located; "Jiangdong" refers to Jiangsu and Zhejiang where Li Bai roams. "Spring Tree" and "Sunset" are just plain narratives. Taken alone, both sentences are very general, which is nothing strange. But the author organized them together, but naturally formed a wonderful close relationship. In other words, when the poet missed Li Bai in Jiangdong in Weibei, it was also the time when Li Bai missed the poet in Weibei in Jiangdong; The author looked at the southern sky and saw only the clouds on the horizon. Li Bai looked at the northland and saw only trees in the distance. Naturally, they show their hatred for parting, such as "Spring Tree" and "Twilight Cloud", which are also deeply divorced. Therefore, Huang Sheng in Qing Dynasty said, "Five fables recall each other, and six sentences recall each other." ("Du Shi Shuo") How rich it is to recall the good times together and imagine the situation after their separation and all kinds of situations at this time. These two sentences seem dull, but in fact they are full of words; The language is simple, but rich in meaning, and it is a famous sentence that has been sung all the time. In the Qing Dynasty, it was called "Writing Scenery without Feeling" (Tang Poetry), and in the Ming Dynasty, Du Yi quoted Wang as "a work of ignorance", which was greatly appreciated.
The above-mentioned feelings of parting are rendered extremely deep and thick, which naturally leads to the ardent hope of the later couplets: when can we meet again and talk about wine and poetry as in the past! Talking about wine in the poem is the most memorable and desirable thing for the author, and the conclusion coincides with the beginning of the poem. To say "heavy" means that it used to be like this in the past, which made the disappointment of not seeing each other more distant and deepened the memory of friends. Taking "dang" as a cross-examination, it expressed the desire for an early reunion more strongly, making the ending endless.
In Qing Dynasty, Pu Qilong said: "This article is purely based on poetic contract" (reading). The whole poem begins with a hymn and ends with a "topic", from poetry to people, from people to poetry, to nature. The word "memory" runs through the whole poem, blending the admiration and nostalgia for people and poetry. The lyrical technique of scenery is even more superb, which shows the author's deep yearning from the emotional point of view.
Finishing: zhl20 1702