This poem uses light tones and a vague artistic conception to describe the light sadness and loneliness of a woman in the spring morning. The artistic conception of the whole poem is quiet, leisurely, subtle and interesting.
Every time spring comes, it is an experience that hurts spring. The poet's heart has long expressed the sorrow and resentment of "asking for new worries, why do they happen every year?" However, their fate is often to taste the sorrow of spring year after year. This word expresses a touch of spring sorrow. It uses light color pens and line drawing techniques to describe the atmosphere of the environment very closely, that is, it turns the faint sadness into a concrete and perceptible artistic image and penetrates it, with a deep and ethereal expression. "A natural scenery is a mood." What emerges from the coldness of the novel is the protagonist's gentle loneliness and boredom. Scenery creates emotion, and emotion creates scenery. Emotions can describe scenery, and scenery can convey emotions. This is the realm of poetry.
The first film describes the desolation of the weather and indoor environment. It exaggerates the bleak atmosphere through the description of the scene, not expressing sadness but seeing the sadness itself. The first sentence, "Momo Qinghan went up to the small building", the writing style is light and agile, like the breeze blowing on the face, making people unconsciously blend into it, laying a cold tone for the whole poem. The next sentence still writes about the weather, emphasizing "light cold". The cold in early spring is the worst at dusk. What's more, the clouds cover the sun and the chill is naturally getting deeper. No wonder people mistakenly think it is late autumn. The word "rascal" alludes to the heroine's slight melancholy caused by the change in weather. The perspective of the sentence "light smoke" changes from outdoor to indoor. On the painting screen, light smoke and flowing water are also desolate, which makes people feel a touch of sadness.
The next part is about what you see while leaning against the window, and then turns to a positive description of spring sorrow. Unexpectedly, his eyes moved out of the window: the flying flowers curled up, erratic, and blurred; the drizzle was like silk, misty and endless. Seeing the mist of flying flowers, I couldn't help but recall the futility of the residual dream, and the boundless melancholy like drizzle suddenly arose in my heart. This book describes the futility of spring dreams and the boundlessness of melancholy. However, through the window, the picture is taken of flying flowers and drizzle in the distance, deliberately pushing the emotional distance farther, and increasingly feeling a misty, hazy, and inseparable beauty. It is both beautiful and sentimental, yet gentle and tortuous. It is a good example of "even if you are illiterate, you still know that you are born with good words" (quoted by Chao Wujiu in Volume 21 of Renyuchi). The poet weaves the abstract emotions of "dream" and "sorrow" into the natural pictures of "flying flowers" and "silk rain". This phenomenon, which John Ruskin called "emotional misplacement," is common in Chinese poetry. "Flying flowers freely" is ruthless and thoughtless, which is particularly annoying, but it contrasts the sentimental and thoughtful nature of dreams. Finally, the poem concludes with "The treasure curtain is hung with small silver hooks", which makes it feel swaying and colorful. Taking a closer look at the context of the poem, this sentence should be an inverted sentence. Indulging in a temporary fantasy, I inadvertently glanced outside the hung curtains, and saw flying flowers and silk rain, which led to the two sentences "Freedom". In terms of structural art, the poet's work is reversed, making the upper and lower parts of the poem symmetrical and neat, looking exquisite and unique, and full of the beauty of the looping and changing structure. At the same time, it also further awakens the whole story, making the various melancholy situations outside the curtain and the melancholy people inside the curtain more clear. The sorrow is revealed without mentioning it. The word "idle" in the sentence originally describes the state of matter, but when readers look back at the whole article, they know that this is the emotional tone of the whole sentence - the emotional mood of boredom. As the red line runs through the whole word, it runs in one go and has obvious ups and downs.
This word uses a soft and meandering pen to describe a light leisurely sadness. In life, everyone will have their own worries. I don’t know when and where, it rises from the bottom of your heart for no reason, you can’t explain it and you can’t brush it away, making you unbearably lonely. Poets can always feel it more keenly, capture it, and express it in their writing. At this time, their unique feelings about life in this world will inevitably penetrate into it. Feng Yansi's "Magpie Stepping on the Branch" describes the leisurely mood that everyone has in their hearts, but it also contains an indescribable and inextricable melancholy caused by the atmosphere of the times. Qin Guan, "the saddest man in ancient times", lost his father at a young age and his official career was blocked. As the old and new parties came and went, he was repeatedly suppressed. He was full of lamentations about life's misfortunes and generalized into a sad and sentimental mood. The mood permeates the lyrics, showing the beauty of implicitness, elegance and tranquility. This poem is full of twists and turns, expresses emotions, is desolate and graceful, and the second volume of "Ci Ze Daya Collection" calls it "a subtle resentment, and a warm and direct sect of Wei". As a lyricist of the Wanyue School, he is the distant ancestor of Wen Wei and the recent successor of Yanliu. He integrated the strengths of each school into one, forming his delicate, implicit, sad and sentimental style. He sang more "Huajian" and "Zunqian" The elegance of the trumpet sound is even more special, which has a unique charm.
As far as ideological content is concerned, Qin Guan's poems mostly write about eroticism, similar to those of Yan Jidao and Liu Yong, but they have always been appreciated by people for their innovation of language and their emotional charm. This poem is about spring sorrow, a subtle and elusive emotion, but the author uses his extraordinary skill to express it through specific descriptions of scenery and vivid metaphors. The most representative is its "free flying flowers are as light as dreams, and the boundless rain is as thin as sorrow." It combines subtle scenery and subtle emotions extremely skillfully and harmoniously, making the elusive abstract dream and Worry becomes a tangible image that can be touched. When Shen Zu_"Appreciation of Song Ci" analyzed these two sentences, he said: "Its strangeness can be divided into two levels. First, 'flying flowers' and 'dream', 'silk rain' and 'sorrow' are not similar in nature. , there is no analogy, but the poet discovered that there are two fundamental similarities between them, "light" and "fine", so he connected the four originally unrelated things into two groups, forming a composition that is both appropriate and novel. metaphor.
Second, general metaphors use concrete things to describe abstract things, or, in other words, use easy-to-grasp things to compare elusive things. But the poet here does the opposite. He does not say that dreams are like flying flowers and sorrow is like silk rain, but that flying flowers are like dreams and silk rain is like sorrow is equally novel. "These two sentences are unique, with a special kind of musical beauty, poetic beauty and artistic beauty.
In the writings of literary masters, the expressions of emotion and intention are often treated with "heavy weight as if it were light" and "heavy light as if it were heavy" "Both methods. They will have ideal expression effects, but Qin Guan's quiet vomiting here has such an effect, relying on his good rendering, exquisite language, and magical metaphors, but more importantly, the kind of emotion inside Feng Xu praised it and said: "Others' words are the result of their talent; Shaoyou's words are the result of their heart. It is acquired within and cannot be passed on. "Qin Guan's personal temperament and stylistic characteristics have been integrated. There is no heavy writing in this poem, no cry of pain, no affectionate talk, no self-indulgent pride, no unbearable indulgence in the past. There is only an appreciation of the natural world. The subtle feeling of "indifference and coldness", the keen observation of "the rogue in the dawn", and the infinite feeling of the painting screen of "light smoke and flowing water". This spring sorrow does not involve politics, nor love, friendship, or anything else. In fact, it just writes about a feeling of emptiness in life. In the heart of a sensitive literary man, this emptiness and loneliness accompanies the whole process of life. It is directly proportional to wishes, ideals, and cherishing of life. It is boundless and has no solution. remove.