Through the wind and smoke of history, we can easily see who smiled at his desk when the waves were calm, and the quotation reached its peak; Who is it, when it is crumbling, to turn the tide and ruin the prosperity of the context; Who is it, when swaying and breaking, holding two paragraphs in his hand, helping the context tilt.
Nowadays, the country is rich and the people are strong, and the context is contemporary. It needs to be passed down by our generation in order to live up to the uninterrupted pulse of Chinese culture for 5 thousand years!
First, what is context?
The cultural development of China for thousands of years is like a continuous mountain, and its huge volume is unmatched by any nation in the world. Restore and see tendons, tendons like veins, the backbone of a mountain of context, stubborn and stand on the torrent of cultural history.
China's context is ups and downs in the continuous historical process, including many literary masters and cultural "heroes", and even more "the context is hidden, and the mountain is called the peak; The healthy wings are far away, and the residual feathers are full. " Context is hierarchical. If everything is confused, the context is not the backbone but the flat ground. The so-called "poetry immortal" and "book sage" will also be confused with "grassroots".
Just like some TV dramas now, they don't care about the quality of content and blindly pursue traffic. After a while, they disappear and can't stand the consideration of the times. And those masterpieces that are regarded as classics can still be called masterpieces whenever they are taken out for viewing. The level of context depends on people's taste.
Second, the beginning of the context
Chinese characters were invented and improved by China people in ancient times. At present, the exact history can be traced back to Oracle Bone Inscriptions of Zhang Wen and Jin Wen, about 65438 BC+0300 BC Shang Dynasty. Then it came to Xiao Zhuan in the Qin Dynasty, and it developed into Li Bian in the Han Dynasty, which became the standard of handwritten fonts used today in the Tang Dynasty-block letters. Chinese characters have been used continuously for the longest time up to now, and they are also the only characters in various ghost writing systems in ancient times.
The Book of Songs, the beginning of China's ancient poetry, really began to make Chinese characters beautiful in the literary sense, from the early Western Zhou Dynasty to the mid-Spring and Autumn Period. Until today, we still feel the beauty of words, folk customs, love and culture through Chinese characters. With words as the brick and The Book of Songs as the roadbed, China culture set off grandly. This kind of walking has entered an axis era.
Third, the context backbone.
The appearance of pre-Qin philosophers witnessed the first social transformation in China's history. We may not see the warm scene of a hundred schools of thought contending. However, judging from their literary form of relying on nature, drawing birds and beasts by analogy, pouring emotions and forming fables, they can also be imagined through books. However, just as they were arguing with each other, a master of culture was quietly born. He is Qu Yuan who has given a powerful poetic soul to China's context.
After the pre-Qin literature, Han Fu was the first to bear the brunt, which injected words and rhythm into the context. At this time, the literary swan song of a little person in political history eclipsed Han Fu. Sima Qian, recorded in historical books, stood proudly at the peak of literature in the Han Dynasty, even for thousands of years. During the Wei and Jin Dynasties in the Three Kingdoms, the world was in chaos. As a representative of Jian 'an literature, "Three Caos" led the Jian 'an literary world. The last stream of Han Fu did not last until Wei and Jin Dynasties, but it gave birth to the character of facing reality and daring to speak out. This character was still honored by Li Bai until the Tang Dynasty.
Political prosperity often leads to cultural prosperity. No one would have imagined that the literary prosperity of the Tang Dynasty would reach a point described by "explosion", so that no one could represent the whole era. Different from the political literature in the prosperous Tang Dynasty, the political literature in the Song Dynasty is more closely related to it. Scholars in Song Dynasty predicted that China's context would be extinct at this peak when they saw Tang poetry and Song ci and Mongolian iron hoof.
However, the fact is that although the Yuan Dynasty did not continue the prosperity of the context, it created an unprecedented China context-drama. This is unprecedented in the history of literature. Yuan Zaju, like a hero, was closely involved in the cultural context of Tang, Song, Ming and Qing Dynasties until it completed its historical mission and collapsed. Since then, apart from the word "Yuan Zaju", there has never been any sound in Yuan Zaju. However, in the 540-year-old culture of Ming and Qing Dynasties, China culture, like an old man in absolute beauty, entered a late age under the unique political background. In this declining era, novels and dramas have become the faint light of the times. In the end, Cao Xueqin shouldered a historical mission and comforted the desolation of 500 years with A Dream of Red Mansions.
Fourth, integrate into the context
The starting point of China's modern literature is gratifying. It should follow the instruction that China's context must be transformed and the vernacular Chinese should be popularized successfully. Due to the good character of several principals, they chose an approachable style, sincerely connected with the international community and talked with the contemporary world, which greatly inspired the context for a period of time.
Due to the war, the decline of the national movement and the decline of people's livelihood, it is difficult for literature and culture to expand its subjectivity and is bound by spiritual thinking. As a result, although the conceptual Chinese civilization survived the collapse, the context is hard to find.
Since modern times, Liang Qichao, Wang Guowei and Chen Yinque have made great contributions to China's context, not achievements in literary creation, but combing China's context. After experiencing a great turmoil, the whole Chinese nation has also revived the dying culture, reshaped its personality and created the future.
In this flashy and lively era, flattering flow is paramount, fragmentation time is arbitrarily taken, and the choice of culture loses its coordinates and becomes more and more "sloppy". Since modern times are so barren, don't be ridiculous there. Every young person who tries to integrate into the environment should start at once.