Fresh and elegant, beautiful artistic conception and rich imagination.
There are three main artistic charms in Li Bai's poems and songs: one is the magnificent picture with sound and emotion. Li Bai's landscape poems and lyric poems often begin with a flood of wind and waves, as if flying dragons, a sudden rainstorm and a magnificent and colorful realm. For example, if you write about the Yellow River, "You don't see how the water of the Yellow River moves out of heaven and into the ocean, and it will never return"; For example, write the Yangtze River, "I am at the top. I look at the whole world, the vast rivers are gone forever, the yellow clouds have been blown away by the wind for hundreds of miles, and a snow peak has been circled by the vortex of nine streams. If you write Shu Dao, "It's dangerous to play in Yi Xu!" Such a trip is more difficult than climbing the blue sky. For example, writing the Lushan Waterfall, "Flying straight down the thousands of feet, it is suspected that the Milky Way has set for nine days" ... This vivid and thrilling picture makes us feel like we are in the mirror, which is extremely thrilling and can achieve good * * * effect. Second, the surging emotions are surging. Li Bai's poems and songs are full of surging emotions. Even in the same work, his emotions are not straight, but ups and downs. For example, when he wrote "Into the Wine", he first wrote "You don't know how the water of the Yellow River moved out of heaven", and then he said, "Since it is a gift, let it be hired!" , spin a thousand silver, and return it all! " Then he went to "Garima, Hsi Chin, and gave them to the boys for good wine", which shows that his feelings in the whole article are not bland, but full of twists and turns. Third, colorful artistic realm. Li Bai's poems and songs are mainly heroic and elegant, but there are also many fresh, delicate and euphemistic works. For example, in The Sage in the Moon, facing the Yue Palace, it was written from the Man Chun Temple that "only partridges are flying", which described the helplessness of the ladies-in-waiting deeply and poetically. Another example is "Going to Changsha to play the flute and looking at Chang 'an in the west" in Listening to the Yellow Crane Tower.