But Paris is not a monotonous comedy. The beautiful image of the Louvre is hidden in the gentle waves of the Seine, and it also hides the last breath of many frustrated people. Flowing and gentle waves; Flowing, lingering grievance cafe: Laugh heartily with soft words, and there is a sad thought of a unkempt young man sitting in the corner of the room with self-destruction. Dance floor: With the roaring music and intoxicating wine smell, the young woman who is alone wants to go to the track. What floats on the next floor is bright, cheerful, sweet and harmonious; But what is deposited at the bottom is the essence of personnel experience, and the sun can't shine: it is sad to say it is heavy, and it is melancholy to say it is light: who doesn't want to be in the optical flow forever, you must pay attention to what you look deep into!
-"The Balance of Paris"
"Paris" is a charming word in itself. Generations of artists hurried through the broad stage of Paris; Countless touching deeds and eternal romance are solidified in every brick and tile of the Louvre and reflected in the soft waves of the Rhine. What city can combine life and art so perfectly like Paris? What city can bring this shore and the other shore so close like Paris? How did Xu Can Zhimo, who was deeply influenced by European and American romanticism and aestheticism poets, go to Paris without emotion? A person who thinks about the capital of art is like a wanderer looking for a loving mother.
"When I returned to Paris from London, I flew back to the forest many times than the long-lost sparrow. I have a smile in my eyes and spring scenery on my face. Not only do I feel much better, but even my childhood hopes are revived in my heart. /kloc-the experience of getting married in 0/934 made me hate Western Europe, and I was more fascinated by the East. The East, the romantic and affectionate East! I often miss it. " This is a Parisian written in the scale of Paris, more like Xu Zhimo himself, who has a lot of thoughts on his native land and foreign land.
Scales of Paris, written in 1925, has become the representative work of Xu Zhimo's prose, which fully embodies the artistic style of "too thick to melt away".
This style is a poetic artistic conception and the charm of poetic language. This style comes from the traces of life and literature across the East and West.
Influenced by China's traditional culture since childhood, Xu Zhimo gained a good understanding of British and American culture after traveling in the West. He can absorb and draw lessons from western culture, and integrate the China cultural tradition that has infiltrated into the blood, which makes his poetry creation glow with the brilliance of blending Chinese and western cultures. These experiences determine his unique position in cross-cultural studies and form a unique writing style. Articles full of contradictions and tensions can be profound, chewy and memorable. Because only such poems are not static, but "moving in silence".
Paris, Parisian, Paris lives like a full bow in his works. Although still, it is full of energy and strength that can erupt at any time, which is shocking. From "Farewell to Cambridge" to "Qiu Si in the Indian Ocean", Xu Zhimo painted elegant and graceful words with delicate but powerful pens, without sudden resentment or crowned smile. Just like this Paris, it makes Xu Zhimo's soul mellow. Everyone who travels in Paris, after reading Xu Zhimo, is fascinated by the scale of Paris.
Xu Zhimo's poems, his love life, his exotic feelings and his pursuit of independent personality fascinated a generation. I have read his poems, but I don't understand them enough. Reading a collection of essays can be equally hazy. Maybe it's because we are too young, but all this was created by Xu Zhimo when he was young, so it's time for us to let go of the stupidity and confusion when we were young. Start reading at night and start to feel, there is always something between the lines that moves you.