In the poem "Spring", the poet is not concerned about the external things that flourish in spring. The poet is more devoted and focused on his own intuition and intelligence. Of course, this kind of Intuition is closely combined with intellectual speculation, that is, the intuition of thinking intelligence.
"The green flame is swaying on the grass, / He is eager to embrace you, flower. / Resisting the earth, the flower stretches out, / When the warm wind blows trouble, or joy." This cannot help but make People are reminded of another poet Dylan Thomas's poem "The power of blooming flowers through the green fuse." The vigorous growth of spring grass is regarded by the poet as the swaying green flame, the inner tenacious life force of plants and flames. Thereby illuminating each other in one dimension and obtaining the same connotation. The first four lines of the poem unfold a unique picture of life for us. The growth process of spring grass and plants is condensed with super intensity and completed in an instant. The sizzling upward gesture is like a burning and trembling flame. This also seems to imply the tension and helplessness deep in the poet's heart - the process of any individual life is destined to be short-lived, maybe it was once so young and full of vigorous vitality.
Spring is the carnival season of life. The longing for the release of natural things, the gushing desire and the swagger of life are all deep expressions and highlights of the poet's subjective sensibility and the ontology of his youthful body.
"Resisting the land, the flowers stretch out." The plant that only drifted in the cold wind and snow finally welcomed the first ray of warm spring sunshine. The green palms that had just awakened and swayed in the wind made people rarely aware of the arduous process and bleak experience of "resistance" and "childbirth" that had just ended. When the stiff and hardened land in winter begins to be opened by grass, and the green vitality and resistance "stretch out", spring has really arrived. As you can imagine, this is not a purely objective spring of natural vegetation, nor is it a dull picture captured by a machine. This is the awakening spring of human being's ontological existence and youthful body and surging passion, the spring of life, the burning spring, the spring of desire, the spring of mankind. This is the essential expression and trace of the spiritual and intellectual brilliance of life under all things in nature.
"If you wake up, open the window and see how beautiful this garden is full of desire." The connotation of this simple sentence "If you wake up" is quite complicated. The awakening of you, the living individual, is such an exciting and exciting thing. But the assumptions and limitations of the word "if" contain another dimension of connotation - some people will always just sleep, the sleep of the spirit and soul. How terrible! In these two lines of poetry, "desire" and the context form a tense relationship, tense but harmonious. The word "desire" is extremely abstract, but the subject of viewing "you" is extremely concrete and real. In fact, "The Garden Full of Desire" is another confirmation and praise of the above four sentences. The growing passion and vigorous life on the earth are exactly the "joy" ignited by "desire". The image "window" should be the window that desire and soul finally open after years of dust. It allows the existence of life to stretch, show off and look into the distance in the vast space.
“Under the blue sky, what is bewitched by the eternal mystery/is our twenty-year-old closed body,/just like the song of the bird made of clay,/you are ignited, curled and curled, But there is nowhere to turn to." The growth of natural external objects in the outside world and the opening of life and the "closed body" of "our" young life constitute a polyphonic dialogue structure and a contradictory field threshold. The turbulent and lustful spring makes the inner conflicts of life "bewitched by eternal mysteries" more intense. The natural spring and the youth of human beings constitute such a strong contrast and entangled embarrassing situation. Even the weak flowers are fighting and venting their desires, but what about people? What about the so-called primate of all things? At the moment when life is born, desire must be "closed", just like a bird made of clay. How can its wings fly? How to express the song? A hopeless life with only impulses and difficulty in being "happy" can only be a fateful "nowhere to turn to".
But the poet is not hopelessly depressed. "Oh, light, shadow, sound, and color are all naked, / in pain, waiting to be stretched into new combinations." In the hopeless place of hesitation, depression, and depression, the poet has to "painfully" "wait" and wait. The true spring of life bursting out, this is the perseverance and tenacious unremitting struggle, and it is the spring of growth on another level of meaning. This is also the deep meaning of this poem.