Walking on the Mountain is a poem written by Du Mu, a poet in the Tang Dynasty. This poem depicts the scenery seen when traveling in the mountains in autumn and shows a touching autumn color map of the mountains. Mountain roads, people, white clouds and red leaves form a harmonious and unified picture, which shows the prosperity and lofty thoughts of Gao Huai in the author's works.
The author controls the scene with emotion, quickly and accurately captures the image that can reflect the natural beauty, and integrates his own emotions into it, so that the emotional beauty and the natural beauty are integrated and the scene is blended. The whole poem is novel in conception and exquisite in layout. It absorbs gorgeous autumn colors in the bleak autumn wind, competing with spring, pleasing to the eye and making people more energetic.
Extended data
This poem depicts the colors of autumn and shows a colorful autumn color map of mountains and forests. The poem describes mountain roads, people, white clouds and red leaves, forming a harmonious and unified picture. These scenes are not side by side in the same position, but are organically linked, with master and slave, some in the center of the picture and some in the background. To put it simply, the first three sentences are the object, the fourth sentence is the subject, and the first three sentences are the fourth sentence to describe the background, create an atmosphere, and play a role in paving the way and setting off the atmosphere.
"Far away from the cold mountain, the stone path is inclined", writing about mountains and writing about mountain roads. A winding path winds to the top of the mountain. The word "far" describes the length of the mountain road, and the word "oblique" echoes the word "up" to write a high and gentle mountain.
In this way, from the perspective of the title, it describes the characteristics of "walking", while from the perspective of composition, by outlining the characteristics of Panshan Highway, people's eyes are naturally attracted to people's homes in Bai Yunsheng, which is deep and gentle.
Someone in Bai Yunsheng is about clouds and people. The poet's eyes have been looking up along this mountain road. Where the white clouds float, there are several stone houses with walls made of stone. The "people" here take care of the "stone path" in the previous sentence, which is the channel for those families to go up and down.
In this way, the two landscapes are organically linked. White clouds seem to be born from the mountains and float around, which can not only show the height of the mountains, but also show the pale white and bright colors of the clouds against the green background of the mountains. The poet used the technique of crossing the clouds and breaking the mountains, so that these white clouds covered the reader's sight, but left room for imagination: above the white clouds, there are mountains outside the clouds, and there must be different scenery.
The poet is only describing these scenery objectively. Although the word "cold" is used, the following words such as "late" and "frost" are just sorted out, which does not show the poet's emotional tendency. After all, it only prepares for the following description-an overview of LAM Raymond's environment. "Stop and sit late in the maple forest" is different, and this tendency is very obvious and strong.
Mountain roads, white clouds and others did not impress the poet, but the evening scenery of Fenglin surprised him. In order to stop and enjoy the scenery of this mountain forest, I don't care to continue driving. The scenery written in the first two sentences is already beautiful, but the poet loves the maple forest. Through the background, I have made a good preparation for describing the maple forest, so it comes naturally and leads to the fourth sentence, pointing out the reasons for loving the maple forest.