Everyone can interpret and define beauty from different angles. During the ancient Tang Dynasty in China, people regarded abundance as beauty, and Yang Yuhuan came into being, attracting many people's envious eyes and sitting on the throne of the imperial concubine.
The ancient Greeks advocated the harmony created by 0.6 18, and firmly believed that only harmonious things were beautiful and everything was different. But the beauty in my eyes was born in the ordinary.
Wind, frost, rain and snow are natural phenomena, but "the spring breeze is green in Jiang Nanan", can you say that the wind is not beautiful? "Frost leaves are redder than February flowers", can you say that frost leaves are not beautiful? "Spring rain moistens like crisp", can you say that rain is not beautiful? "Mountain dancing is like a snake like wax", can you still say that snow is not beautiful? So is the beauty of nature, and so is the beauty of human nature. Don't you think it's beautiful when you see the innocent smile on the face of a child with a hundred papers, when you see your mother busy for you at the bedside, and when you see the white hair shaking at the temples when our teacher is working at his desk? Wang Guowei said: "The most important thing is that the world can't stay. Zhu Yan's words are beautiful in the mirror."
Indeed, the beauty of appearance will never stop. Just like a kite, it has gorgeous colors and a gorgeous appearance that everyone sighs, but it will eventually turn to ashes in the relentless rain. And the beauty from the inside out will not be lost by time. Although they come from the ordinary, they shine with extraordinary brilliance.
Maybe you will say: The Great Wall is extraordinary, but it is equally brilliant, even unparalleled. There is no doubt about this, but have we ever thought that in the vast world, after all, there are a few brilliant and gorgeous, and most of them are always ordinary and silent.
Therefore, the beauty produced in the ordinary also constitutes the main body of beauty. Aren't all those splendid and gorgeous things based on the ordinary things? Just like if there are no people with a sense of justice in their hearts, it is impossible to emerge one outstanding and brave hero after another. The beauty born of glory is amazing and convincing; The beauty born from the ordinary is thought-provoking and enlightening.
Rodin once said: "Life is full of beauty, but we just lack discovery". Then let's be a willing heart and look for the most beautiful self in our eyes in the ordinary.
2.5 When reading The Analects of Confucius in classical Chinese, I once said that "I am not tired of learning, but I am not tired of teaching", "I forget my food when I am angry, and I don't know how old I am when I am happy", and I also said that "nine times out of ten I am determined to learn".
Confucius lived to be seventy-two years old. His 57-year-old experience made him both virtuous and knowledgeable, making him a great scholar and a great thinker, which was earth-shattering and made him cry (I dare not say that there was no one after him, at least it was unprecedented). In this capacity, when his tall feet asked him, his answer turned out to be "I died at night when I heard the news, which was incredible." As a great scholar with enough capital to show off himself, is it necessary for Confucius to devote his limited life to infinite learning and exploration? The answer is yes.
Confucius' characteristic is not to explore the specific nature of the universe, but to explore the specific temperament of society and life. Because the objective laws of everything in the world may be limited, but people's specific feelings are infinite.
As a limited "man", he explored infinite "man", which is why Confucius felt that learning was endless. People's temperament and behavior are constantly changing. Every time new content is explored, old rules are broken.
"If you don't know what others don't know, you don't know what people are." Confucius has made it very clear that human nature is the most difficult to understand.
Confucius' most incisive exposition naturally embodies his profound views on human nature. Tao Xingzhi said that thousands of teachers in Qian Qian taught people to seek truth, and thousands of students in Qian Qian learned to be human.
At this point, it coincides with the concept of "benevolence" put forward by Confucius thousands of years ago. They are all great educators. Why are the views put forward thousands of years later strikingly similar? Undoubtedly, it is inevitable that both of them regard "benevolence, righteousness and morality" as their goal of continuous efforts and continuous learning to improve their self-cultivation and moral level. In order to learn, you don't have to know the taste of March meat, which is enough to show Confucius' diligence, but if he is only diligent, I am afraid that Confucius will not be so respected by the world.
His eagerness to learn is manifested in various aspects: a threesome must have my teacher, which is modesty; I am not as good as the old farmer or the old nursery. This is seeking truth from facts. Learning from time to time is a pleasure, which is an optimism. His learning spirit is not limited to our ordinary people's thinking: this is learning, and that is inappropriate.
Confucius will accept everything in the world with the broadest mind, which is beyond our reach. Two thousand years ago, Confucius was a philosopher and educator with various skills to make a living and profound insights into the meaning of life.
On the one hand, he has various professional knowledge such as etiquette, music, shooting, imperial examination, calligraphy, mathematics, etc., and also has the concept of management politics, and has a clear direction for the goal of education. Because of his numerous knowledge and abilities, he became the most important educator in the history of China civilization. Although many details of his life skills have not been preserved, his life wisdom talk has become a treasure house for China intellectuals who have lived in the world for two thousand years. This is the knowledge of Confucius! This is the study of saints! Maybe we mortals will never understand the connotation of the eternal paradigm, but everyone may find a new self from it.
2. After reading "University", I feel that the university has summed up the mode of realizing lofty ideals and ambitions in one's life, that is, "self-cultivation, keeping the family in order, governing the country and leveling the world", and put "self-cultivation" in the first place as the first major knowledge in life. "Self-cultivation" is what we call "being a man".
Only when a person learns to be a man first can he manage his family well, can he manage a country well, and can the world be at peace and the people live and work in peace. If a person doesn't learn to be a man and can't even manage his own affairs and family affairs well, then he is not qualified to be an official and govern the country, otherwise it will do harm to others and society.
Therefore, if a person doesn't know how to be a man, no matter how well educated he is and how rich he is, his life will eventually be a failure. The ancients said, "Official quality is character. Be an official first." .
On the other hand, people who know how to be a man and have noble personality charm will always be remembered and studied. Therefore, the ancients said: "Wisdom is the capital of virtue; Virtue is a gifted teacher. "
Flying in the wild south is a process of teamwork, a process in which a group of like-minded partners cooperate and encourage each other until victory. They always like to fly in herringbone. In this structure, the flapping of each goose's wings will add an upward force to the companions who follow closely, and support them to successfully complete the long journey.
Some people sum up that the vitality of a team is not technology, talent or capital, but the same belief and the pace of unity. Like Bethune Yiping, "be a noble person, a pure person, a moral person, a person who is free from low tastes and beneficial to the people."
Love and dedication, willing to contribute. We all came to this group for a common goal.
This is a kind of fate, but also an opportunity, an opportunity to realize personal value in fulfilling management responsibilities. Collectivity is the stage for each of us to display our talents and ambitions, and it is the carrier for success. The two are interdependent and mutually reinforcing.
Constantly enhance the sense of pride, responsibility and mission; You can consciously integrate individuals into the collective family, share joys and sorrows with them, make selfless dedication and contribute all your strength. Practice with your own hands.
According to my daily reflection and revision plan, I will put it into action without delay, and quickly apply my little understanding of being a man to my actual work and life, learn from it and experience it in practice. I believe there will be obvious gains. The biggest enemy in life is yourself; The biggest failure in life is arrogance; The biggest ignorance in life is cheating; The greatest sorrow in life is jealousy; The biggest mistake in life is to give up on yourself; The greatest magic weapon in life is diligence; The greatest gift in life is forgiveness; The greatest sin in life is self-deception.
I hope we can all become noble people, pure people, moral people and human beings.
3. The benefits of reading classical Chinese composition 600 Since primary school, we have been exposed to classical Chinese, but at that time we just shook our heads like "young monks chanting scriptures". Only after I really started learning classical Chinese did I feel deeply.
In classical Chinese, I saw the back of Tao Yuanming's "picking chrysanthemums under the hedge and seeing Nanshan leisurely". I didn't go along with the secular, but kept my inner peace and yearned for a paradise where I enjoyed myself, which made people's hearts fade again and again and indulged in "the fairy capital of desire". Ancient literati also left many beautiful scenery in their pen and ink. Li Daoyuan's "Three Gorges" and Tao Hongjing's "Thank China Book" truly reproduce those thrilling beauty for us. Clear water and clear pools, towering mountains, all seemingly beautiful beyond words, but really printed on white paper. Classical Chinese is a picture with words, and all the pictures are also displayed in words. Complement each other, so that the original dull heart is immediately set off by a sentence of "painting with words."
However, no matter how exquisite the language of classical Chinese is and how profound the artistic conception is, it still makes people feel difficult to learn.
Perhaps in order to accumulate, almost every article in the textbook has to be memorized. After all, the writing rules and usage of classical Chinese are different from those of vernacular Chinese, and sometimes it is very difficult to read, let alone recite. One more thing, although there is a saying of "essence and concentration", there are too many things to be expressed in "short and pithy" classical Chinese. After reading it several times, I still don't know whether it is lyrical, depicting scenery or belittling the times.
Whether it is beautiful or difficult, it is also interesting. Sometimes I see a word "zhi" here, which means "something", but it doesn't make sense in another place, so I immediately think of another explanation. After repeated several times, I realized several laws. Sometimes I can read a classical Chinese by myself, alas! Very interesting. The thinking of prose focuses on appreciating emotion; Try to figure out the novel from the details; The interpretation of drama focuses on contradiction analysis; The thinking of poetry focuses on artistic conception. Although the ideological connotation of classical Chinese is difficult to understand, you can find the beauty of the text with a little inspiration, and you will also sigh: the beauty of ancient Chinese and the elegance of ancient rhyme are beyond your reach. There are also many anecdotes about pastoral interests. As long as you use three or five strokes, you can vividly draw a colorful historical picture, either humorous, profound, simple or bold. In short, classical Chinese can make people gather more in the nursery of words, and sometimes even linger.
Classical Chinese, "Let me rejoice and let me worry". When I study classical Chinese, I feel much more pleasure than confusion. Five thousand years of splendid culture is embodied in these words, which are meaningful and often make people feel deeply.
4. How to deeply understand classical Chinese 1? Analysis on the necessity of creating a good atmosphere for learning classical Chinese.
The new Chinese curriculum standard emphasizes: "Reading simple classical Chinese can help you understand the basic content with notes and reference books." It can be said that the new Chinese curriculum standard reduces the requirements for learning classical Chinese, and the items of the classical Chinese examination in the senior high school entrance examination are limited to textbooks. Theoretically, there should be a fairly ideal result, but the result is quite unexpected. The author investigated more than 50 Chinese teachers in middle schools, and found that in the process of classical Chinese teaching, most teachers pay great attention to sentence translation, memory and targeted exercises, and the teaching process is rigorous.
However, in the process of learning classical Chinese, most students think that the process of learning classical Chinese in this way is boring and inefficient, just like learning another foreign language. They even think that teaching classical Chinese well is teachers' wishful thinking, and students can only "roll with the punches". The reasons for the low learning efficiency of classical Chinese are: 1. Students leave the situation of understanding classical Chinese.
Classical Chinese is really not like modern Chinese, which makes students read fluently and understand the meaning. It is difficult for students to accept the complexity of translation, to understand the expression of stubborn teeth in classical Chinese and to understand the true and rich expression of ancient people's feelings.
For example, in Zou Ji satirizes the King of Qi, Zou Ji asks his wife, concubine and guests the same question: "Who am I, Xu Hongmei in the north of the city?" The wife said, "Your Majesty is very beautiful. How can Xu Can Palace compare with you?" The princess said, how can I compare with you? The guest said, "Xu Gong is not equal to your beauty." They replied with one voice, with the same meaning but different sentence patterns, and slightly changed words, but expressed different tones and different psychology of different characters.
When students understand the above content, they often start with words and sentence patterns, and then rush to answer the teacher's question "Why is the tone different?" Instead of experiencing it in a specific story situation. This understanding of classical Chinese is superficial, dull, vivid and not profound, and the mastery is hasty, hasty, unstable and firm.
2. Students leave the situation of using classical Chinese. Zhao Pu's Half Analects of Confucius Governing the World illustrates the importance of applying what you have learned.
However, in daily life, students' communication is not deliberately expressed in classical Chinese, and they think it is a rather pedantic performance. Kong Yiji's "Too much is too little, too much" is a proof. In the teaching class, our teachers may also ignore the particularity of the flexible use of classic sentences in different situations.
For example, teachers often describe it as a high-profile performance of the United States singing bad human rights at the United Nations, which is interpreted as ulterior motives. But at this time, "The Drunken Pavilion" should not be understood in this way.
In fact, the use of classical Chinese also requires students to have a certain cultural taste. Due to the limitation of students' cultural quality, students have a special liking for the emerging and simple network language, but ignore the use of classical Chinese.
3. Students leave the classical Chinese humanistic situation. Classical Chinese is rich in poetry and painting, exudes unique cultural charm and embodies profound national feelings.
However, students seem unable to understand the subtleties of classical Chinese. For example, in the article Born in Worry and Died in Happiness, students understand the important knowledge of "sense of worry" and "success in adversity". However, when asked about the modern significance of their sense of hardship and how to make themselves talents, students are at a loss.
The key lies in the lack of humanistic situation. The creation of humanistic situation in classical Chinese requires students to pay attention to contemporary social and cultural life, pay attention to the cultivation of their own quality, and strive to be well cultivated in the study of classical Chinese, improve their life quality and cultivate healthy personality.
For example, the creation of the humanistic situation of "anxiety consciousness" makes students worry about the war in peacetime, the environment of developing society, and the incurable diseases in a better life ... Let students learn from the broad mind of the ancients, shoulder the responsibility of inheriting excellent civilization, and establish a correct outlook on life and values. It can be seen that it is very necessary to create a good atmosphere for learning classical Chinese.
2. Strategic thinking on creating a good atmosphere for learning classical Chinese. Since learning classical Chinese requires a good situation and it is so important to create a good atmosphere for learning classical Chinese, we should think strategically.
1, intonation, irony and intonation is to ask students to read aloud, read correctly and fluently, visualize the language in cadence, beautify and deepen their emotions. Let the students immerse themselves in it, understand the taste of the article and gain something.
"Old books are never tired of reading, and children know themselves when they are familiar with them." "They are familiar with 300 Tang poems, and they can sing even if they can't write poems." This is a subtle presentation of chanting. For example, the repeated reading of "sending 900 people to guard Yuyang and stay in osawa Township" in Chen She Family is different from "sending 900 people to stay in osawa Township", which deeply understands the history of Qin Xing's corvee and people's garrison.
After Zou Ji satirized the King of Qi as a "capable minister", Qi Weiwang said "goodness". Concise and just right, it reflects Qi Weiwang's affirmation of Zou Ji and shows that he is an enterprising and enlightened monarch.
Therefore, when reading the word "goodness", we should read the majesty and wisdom in short notes and the heroic mind in high notes. Such a generation of wise men can be said to have both form and spirit to force Xiao. 2, taste perception, rebuilding the body's teaching of classical Chinese, Mr. Ye Shengtao believes: "When reciting, we should not only rationally understand what we have learned, but also sincerely experience it. Unconsciously, the content and truth become the readers' own things, which is the most precious realm. "
A good example is Tao Yuanming's reading, "appreciating anecdotes and analyzing doubts" and "the governor forgets to eat". When we recite Fan Zhongyan's great political ambition of "worrying about the world first, and enjoying the world later" in Yueyang Tower, we should realize the practical significance of "enjoying the world first and enjoying the world later".
When we sing the sacredness of "sacrifice one's life for righteousness" in "I want fish", we should feel the will of people with lofty ideals to sacrifice their lives for the country and go to disaster generously throughout the ages. Through the feeling of taste, let students have a cordial experience and make classical Chinese learning interesting; Students' unique aesthetic taste also makes the connotation of classical Chinese shine.
At the same time, students also internalized the excellent cultural essence, achieved perfection, and improved their cultural literacy to varying degrees. 3. Accumulate knowledge and apply it to Ouyang Xiu's poem: "Learning is accumulated in the heart, and it is better to use wood.
5. Who can give me a short passage of classical Chinese and my feelings after reading it? I think the classical Chinese "Thank you for writing a book in Chinese" is short and pithy, which is good.
Text: The beauty of mountains and rivers has been discussed since ancient times. The mountain peaks soar into the sky and the streams are crystal clear. The stone walls on both sides are colorful and set each other off. Green Woods, green bamboo clusters, four. The fog will rest at dawn, and apes and birds will sing wildly. Night is coming and the scales are sinking. This is really a fairyland on earth. Lingyun in Kasper? in the Southern Dynasties, so far no one can appreciate its wonders.
There are many versions, and I chose the best two: (1) The beauty of mountains and rivers has been admired by people since ancient times. Towering peaks soar into the sky, clear streams are crystal clear, and colorful stone walls on both sides complement each other. Lush Woods, green bamboo forests and evergreen seasons. When the night fog was about to dissipate in the morning, there were songs of apes and birds. At sunset in the evening, the fish swimming in the water scrambled to jump out of the water. This is really a fairyland on earth! In Lingyun, Kasper? in the Southern Dynasties, no one has been able to enjoy this wonderful scenery.
(2) The mountains and mountains go straight into the sky, and the clear springs are clear and clean. On the stone walls on both sides of the Taiwan Strait, the colors complement each other. You can see green jungles and green bamboos all year round. When the morning mist is about to dissipate, the cries of apes and birds are intertwined; When the sun is about to set, the fish in the diving water are jumping. This is really a fairyland on earth. Kasper? Lingyun, no one can appreciate this wonderful landscape.
Feeling after reading it (casually written, you can change it again): Although this classical Chinese is very short, I am deeply attracted by the beautiful scenery and clever words it describes. At the beginning of the article, the author starts with people's attitude towards mountains and rivers: Throughout the ages, no one has not praised the mountains and rivers, especially the mountains and rivers in the south of the Yangtze River, which are gentle, charming, beautiful, delicate and elegant. Then it describes the landscape, stone walls, jungles, bamboo forests and the scenes in the morning and evening, expressing the author's admiration for the landscape. Finally, the author lamented: After Xie Lingyun, who can enjoy such beautiful scenery? Looking around the world, all the noise is fame and fortune, and how many people can devote themselves to nature? A gloomy feeling, quietly revealed.
The whole article is sixty-eight characters, with mountains and rivers, bamboo forests, misty clouds, apes and birds, metaphors, exaggerations, personification, positive descriptions, side descriptions, etc ... It is full of endless interest and vitality, making people feel like they are in a fairyland on earth. Wei, Jin and Six Dynasties "Poetry is metaphysics, and writing style is parallel", which is unique. After reading it, I have no mortal heart, and my heart is clear.
In my opinion, this description of natural scenery in classical Chinese itself makes it constitute a beautiful artistic conception. The author arouses readers' interest with his unique artistic feelings and emotional language, thus forming the artistic conception of literary works. The beauty of mountains and rivers, the beauty of color matching, the beauty of change in the morning and evening, and the beauty of dynamic and static contrast interact to form a pleasing landscape painting. The full text is only 68 words, which summarizes the ancient and modern times, including the four seasons, taking into account the morning and evening, mountains and rivers, birds and animals, lyric comments and all kinds of things. It begins with emotion, then depicts beautiful mountains and rivers with clear strokes, and finally ends with emotion. The full text expresses the author's feeling of being intoxicated by the pleasant sunshine of mountains and rivers and enjoying the beautiful scenery with friends from ancient and modern times. There are straightforward sentences in this article. The article begins with "the beauty of mountains and rivers has existed since ancient times". This word "beauty" is the objective form of landscape, and it is also the author's aesthetic feeling of landscape-pleasure, "the fairy capital of desire", which will undoubtedly show his pride in landscape. "entertain yourself, there is no wonder." No one can appreciate the beauty of Kasper? Lingyun, but the author can find endless fun from it, and he has a sense of pride, which is beyond words.
The author found endless pleasure in enjoying the scenery. At the same time, I can share the same ambition with Lin Shi like Xie Lingyun. I feel extremely proud and express the author's love and affection for nature.