I. Original text
Sleeping sickness in spring unconsciously broke the morning, and the chirping of birds disturbed my sleep.
How many flowers fall after a stormy night.
Second, translation.
I don't know when I slept soundly in the spring night, but I heard birds singing everywhere when I woke up.
Remember last night when the wind was tight and the rain was heavy, I don't know how many flowers I knocked down?
Third, the appreciation of "Spring Dawn" works:
The poem "Spring Dawn" seems bland at first reading, but after repeated reading, I feel that there is a world in the poem. Its artistic charm lies not in gorgeous rhetoric and fantastic artistic techniques, but in its charm. The style of the whole poem is as simple and natural as running water, but it is profound and unique.
For thousands of years, people have read it and discussed it, as if there were inexhaustible artistic treasures in this short four-line poem. Nature without rhythm is superficial; If there are no ups and downs, it is flat. "Spring Dawn" has both beautiful charm and ups and downs of writing, so the poem is mellow and eternal.
Meng Haoran (689-740), whose real name is Haoran, was born in Xiangyang, Xiangzhou (now Xiangyang, Hubei), a famous pastoral poet in the Tang Dynasty, and was known as "Meng Xiangyang" in the world. Because he has never been an official, he is also called Monsanto.
Meng Haoran's poems have unique artistic attainments. Later generations called Meng Haoran and Wang Wei, another landscape poet in the prosperous Tang Dynasty, "Wang Meng". Meng Haoran's collected works handed down from generation to generation have three volumes.
Poetry achievement
The poetic school represented by Wang Wei and Meng Haoran formed in the prosperous Tang Dynasty is also called pastoral school. In order to highlight its outstanding role in the pastoral poetry school, later generations also called it "Wang Meng Poetry School". This school is as long as the poems of Tao Yuanming and Schell (Xie Lingyun and Xie Tiao), with pastoral scenery and secluded life as the main theme, and its style dilutes nature.
Meng Haoran's poems got rid of the narrow realm of chanting things in the early Tang Dynasty, expressed more personal hugs, brought fresh breath to Kaiyuan poetry circle, and won people's admiration at that time. Meng Haoran was the first poet who wrote landscape poems in the Tang Dynasty and the forerunner of Wang Wei. His travels are vividly described, and Dongting Lake's letter to Premier Zhang is magnificent.