For example:
"West Building" Ceng Gong
The waves turned over the clouds and returned, and the north wind blew several thunder.
Zhu Lou is surrounded by hooks and thin foil, lying and watching the shower in Qian Shan.
This poem depicts the magnificent scene of the coming storm by the sea. The first sentence and the second sentence of the poem describe the waves rolling, clouds surging, wind blowing and thunder from two aspects, respectively, and render the majestic momentum of "rain is coming". Expressed the poet's broad mind and inner pride. It is common sense to take advantage of the scenery to express emotion. The storm is coming, and it is necessary to close the door to shelter from the rain. However, in order to appreciate the spectacular "Qian Shan Torrential Rain", the poet hangs the curtains high and opens the windows.
Poetry appreciation:
"West Building" is the "Zhu Building" in the text, so it is called "West Building", which is afraid to be relative to the east sea. It is located near the mountains and the sea. The first sentence describes the scenery in front of the West Building, and directly intercepts the climax moment of the changeable situation: the dark clouds are low, the water and the sky are the same, and I see the waves lapping on the shore, just like a galloping horse, showing a magnificent dynamic and majestic.
The second sentence describes the coming thunderstorm from the perspective of hearing: suddenly, the north wind rolled by, with "a few deafening thunder", adding an impressive momentum and showing a magnificent feeling. The word "blow" can be described as a strong one, which fully shows the power of arrogance. In this magnificent drama, "North Wind" is a "best supporting role". The wind is the messenger of rain, and the poet keenly captured this natural feature before the thunderstorm and rendered it, which is amazing.
"Zhu Lou wai hook thin foil", "foil" is a curtain woven with reeds. This sentence plays an important role in the structure of the whole poem and plays a buffering role. With this sentence, the whole poem avoids ups and downs. The West Building is located between seamounts, and the poetic scenery is in the order of sea (in front of the building)-building side-building-mountain (behind the building). Writing "Bamboo House" in this sentence is not only a point, but also a bridge from the sea view in front of the building to the mountain view behind the building, and it is also a transition from scenery description to lyricism. Look at the poem, this building stands on the green hill near the sea, with a wide view and can look back at the front mountain. "Four-sided hook foil" refers to the people upstairs, that is, poets, who use hooks to roll up the scattered curtains hanging on the windows around the building. According to common sense, when a storm is coming, you should close the window. However, the poet made up his mind to open four windows at this moment, which was quite unexpected and seemed counterintuitive. When "the rain is coming, the wind is full of buildings", he only hangs curtains, and generally does not hang them. But this is precisely the true feelings. The poet's longing for "lying and watching the torrential rain in Qian Shan" has reached the point of infatuation, which can make people think deeply and have fun. This is the same as Li Yi's "If I had known that the tide is more regular, it would be better to choose a river boy", Zhang Xian's "Peach and apricot are better to marry Dongfeng" and Li Bai's "shovel Junshan well and tile the river", which is "the more unreasonable the better" (Ci Sui).
"Lying and watching the shower in Qian Shan", the poet expressed his inner pride in the last sentence, and also relieved the reader's doubts. The first two sentences are about the wind blowing clouds and the waves rolling thunder. This is a magnificent overture, and what the poet wants to appreciate most is the wonderful performance of "Heavy Rain on Qianshan Mountain" as the "protagonist". He wants to see the fresh realm of "urgent rain" in order to break the dreary situation before the rain and broaden his mind. This pursuit of aesthetic realm embodies the poet's ideological realm of striving for progress and making a difference. The word "lie" in the poem is also thought-provoking, which vividly shows the poet's graceful bearing, contains quietness in movement, and shows the beauty of ups and downs with quietness as the background.