Poetry expresses ambition" and "Poetry expresses emotions" are important propositions in the history of Chinese literature and Chinese literary theory. The connotation of the two and their evolving relationship due to different times have attracted considerable attention from the academic community. , the discussion about the "ambition" of "poetry expresses ambition" and the "emotion" of "poetry's relationship" has greatly enriched people's understanding of the nature of poetry. However, there is still an important issue that has not been fully discussed by people. Pay attention to and discuss it. This is the "poetry" in the two concepts of "poetry expressing ambition" and "poem expressing emotion". In fact, the "poetry" of "poetry expressing ambition" and the "poetry" of "poetry relating to emotion" are proposed. Different backgrounds have different connotations. Clarifying the different historical backgrounds and different interpretation objects faced by the two "poems" will help deepen the study of traditional poetics. In pre-Qin poetry theory, "poetry expresses ambition". It is a theory that guides the reading of poetry, including the two main aspects of reading function and reading form, and has formed the tradition of composing "poetry" to express "ambition"; in the poetry theory of Wei and Jin Dynasties, "poetry is about beauty" and "poem is about emotion". "Qi Mi" is the theory that guides poetry creation. Therefore, when we discuss the division, integration and transformation of "ambition" and "emotion" between "ambition" and "romantic emotion", we should also transform the academic community's analysis of the content differences in the relationship between the two. It is an explanation of the division, combination and transformation of the two styles and uses.
When thinking about poetic theory and poetic form from the perspective of cultural genetics, some issues cannot be easily avoided: the pre-Qin and Han Dynasties. What kind of poetic connotation does the poetic theory revolve around? How can the "poetic expression ambition" of the pre-Qin and Han dynasties and the "poetic affection" of the Wei and Jin Dynasties be cleverly combined into one by different value orientations and connotation regulations, and form the basis of new poetry? To pave the way for development? For this reason, we will ask: Chinese mature poetry was born as early as the early Western Zhou Dynasty, why did the literati's five-character poetry mature until the end of the Eastern Han Dynasty? This article attempts to discuss two related issues: "Poetic Expression" "Poetry" is not the "poetry" of "Poetry Yuanqing", the reasons for the slow formation of five-character poetry and the production process of five-character poetry.