1. Original text information
1. Title of poem: Visiting Autumn
2. Author: Li Shangyin
3. Original text:
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(1) I am still awake after drinking too much wine, but I am in dire straits and I am already exhausted. When the sun sets in Jiang Gao, the sail mat sees the returning wind.
(2) The smoke is white when the dragon's pond is white, and when the clouds separate, the bird's path is red. Report the autumn mood diligently, but there are red maples.
2. Appreciation
1. The neck couplet uses the technique of contrast
Jiang Gao (sound gāo, shore) When the sun sets, the sail mat sees the returning wind." The poet looked around and saw the afterglow of the setting sun shining on the river bank. The sails of the returning boat in the river were filled with the west wind and it was sailing back briskly. Seeing this scene, the poet thought that his hometown was thousands of miles away and he didn't know when he would be able to return. Go, when the west wind sets, your wife and children at home may be eagerly looking forward to you, and you can't help but feel the melancholy of visiting a foreign land. Through contrast, the homesickness is expressed in a tortuous and strong way.
2. Ending couplet:
(1) “Reporting autumn diligently, but with red maples. "In response to the title "Visiting Autumn", it implicitly expresses the eagerness of homesickness. Because the poet is homesick, even the autumn colors in the north are lovely, so he wants to go upstairs to look for autumn. However, because "the ground in Guizhou is warm and there are no autumn colors" ("Guizhou Road") "Zhongzhu"), I went up to the building to visit, but I couldn't see the usual northern autumn colors. How could I not feel particularly sad?
(2) But here and now, there is only one tree that diligently reports the mood of autumn. The fiery red maple trees give people a little bit of rare comfort. The poet uses "diligence" and "repay" to personify the red maple. In the vast desolation, he especially reports how much the autumn mood makes people remember and look for. Full of affection! The word "just", on the one hand, truly describes the natural characteristics of Guizhou's floor heating;
(3) On the other hand, it also expresses the author's loneliness and loneliness in Guizhou tactfully. The feelings of loneliness and the distance between people are far less close than the seemingly ruthless but sentimental Dan Feng. The author's hardship in a foreign land and the resulting homesickness are expressed here in a more tortuous and tortuous way. Deep. The last couplet is soaked in the author's tears of homesickness, and the fiery red maple leaves room for imagination and is endlessly memorable.
3. Author information:
p>1. Li Shangyin (about 813-about 858), whose courtesy name was Yishan, also named Yuxi (Xi) Sheng, and also Fan Nansheng, was born in Hanoi, Huaizhou (now Qinyang, Jiaozuo, Henan), and was born in Xingyang, Zhengzhou (now Xingyang, Zhengzhou) Xingyang City, Zhengzhou, Henan), a famous poet in the late Tang Dynasty. Together with Du Mu, he is known as "Little Li Du", and together with Wen Tingyun, he is known as "Wen Li". Li Shangyin, together with Li He and Li Bai, is known as "Three Lis". "Wen Li" is also called "Thirty-sixth Style" because his poetry is similar to that of Duan Chengshi and Wen Tingyun of the same period, and all three of them were ranked sixteenth in the family.
2. Li Shangyin was one of the few poets in the late Tang Dynasty and even the entire Tang Dynasty who deliberately pursued poetic beauty. He was good at poetry writing, and his parallel prose had high literary value. His poems had novel ideas and beautiful styles, especially some love poems and untitled poems. The poems are sentimental, beautiful and moving, and are widely recited. However, some poems (represented by "Jin Se") are too obscure and confusing to understand, so much so that "poets always love Xikun, but they hate that no one writes Zheng Jian."
3. In the second year of Kaicheng reign of Emperor Wenzong of Tang Dynasty (837), Li Shangyin became a Jinshi and served as Secretary, Provincial Secretary, Hongnong Wei, etc. He was involved in the "Niu-Li Party Conflict". He was marginalized by the political whirlpool and struggled throughout his life. In the last years of Emperor Xuanzong's reign (around 858), Li Shangyin died of illness in Zhengzhou. Some people say that he was buried in his hometown of Xingyang (now Yongdian, Huaizhou). Qinyangshan Wangzhuang Town) at the foot of Qinghua Beishan in the east plain.