It's very sad, the old rabbit and the old toad are moaning in a low voice, the moonlight is off, and the cloud floor and cloud house are pale.
The jade wheel rolled with dew and wet the surrounding light and shadow. Mo Yan in Guihua Lane once met the fairy of Lu 'an-E.
Looking at the three sacred mountains under the vast sea, things are changing like horses.
Looking at China's nine points and nine points, the water in Na Pianhai is as shallow as pouring out of a cup.
This is a poem that shows the poet's wonderful imagination. The "sky" in the eyes of the ancients is not a heartless and hateful cosmic celestial body, but a dust-free and vulgar celestial body, so it is difficult to dream of the sky.
The poem is divided into two layers, the first half is what I saw in the dream of the heavenly palace, and the second half is what I saw on earth. Many poems begin with strange sentences, and the first sentence "old rabbit and cold toad" refers to the moon. The words "old" and "cold" bear the psychological characteristics of the poet. It does not rely on careful observation of things to shape the image, but on tossing and turning: over time, the rabbit in the moon is "old"; The mountain is high and cold, and the toad is cold in the middle of the month. "Weeping", the night sky is hazy and the stars are shining, like rabbits and toads sobbing. Most Tang poems are full of vitality, but Li He likes the gloomy atmosphere of "cold", "death", "ghost", "weeping" and "blood". The first sentence of this poem changed from strange to strange, but the second sentence suddenly changed from dark to bright. The "cloud tower" is virtual, but the "half-opened wall is inclined to be white" turns the virtual into reality, and it is repaired both inside and outside, which is full of three-dimensional sense. The moon emerged from the cracks in the clouds, and the light shone on the clouds, as if the wall of a pavilion was inclined to the moonlight. Three sentences are like the halo of moonlight, like a jade wheel running on water vapor, forming a charming gas field. Very novel, slightly carved. Four sentences are about the fairies on the sweet-scented osmanthus road in the Moon Palace. "Luan Pei" is a couple-shaped Yu Pei around the waist of a fairy, which refers to a fairy.
In the second half, it was fun to be in the Heavenly Palace and look down on the world. The two sentences in Huang Chen are written in a staggered way. According to the prose order, it is said that under the Three Immortals Mountain, the yellow land and green sea change repeatedly. Although the world has felt for thousands of years, the immortals only see the speed of horse racing and try their best to highlight the speed of world change. Looking at the world from the sky, Kyushu is nothing more than "nine cigarettes" and the sea is nothing more than "a glass of water" ("diarrhea in a cup" means "diarrhea in a cup"). Since the world is so small and changing so fast, how will the world live? In poetry, readers think for themselves. The dream in the dream shows the internal conflict of pursuing infinity because of the limited life.
I am exhausted, but I can swim in vain, and I can cheat the world with my dreams. Penglai fairyland, still worried; Besides, dust, not vicissitudes? The last two sentences clearly say that the sky is small and overlooking the world. It is appropriate to look at it for a lifetime! (Yao's "Long Valley Notes")
Penglai, abbot and Yingzhou are all in the sea. At present, it sometimes turns into yellow dust and sometimes into clear water. During the Millennium, there have been changes from time to time, but from the sky, it is still like flowing water.
(Looking at qi zhou from afar) Kyushu is vast, and the whole world is vast, but it just falls from the sky like a cigarette and a glass of water. Dream trip is really extravagant! (Wang Qi's Poems and Songs of Li Changji)