1. Preface to Wang Tengting-[Tang] Wang Bo
Zhang Yu old county, Hongdu new home. The stars are divided into wings, and the ground is connected with Lu Heng. Three rivers and five lakes in Jin, controlling barbarians and attracting Ouyue. Wuhua Tianbao, the dragon lamp shoots the bull fighting market; Outstanding people, Xu Ru got off Chen Fan's couch. Xing Chi Cai Jun Xiongzhou fog column. At the turn of summer, the host and guest are all in the southeast.
The commander-in-chief Gong Yanyi is elegant, and the halberd is in the distance; Fan Yi of Yuwen Xinzhou is temporarily stationed. Ten-day holiday, friends like clouds, thousands of miles to meet, wedding. Teng Jiao, a poet of Meng; Purple electric paste is General Wang's armory. Home is slaughter, Tao is name; What does a boy know? Bows always win!
When Wei is in September, the sequence belongs to Sanqiu. The water is cold and the pool is clear, and the smoke is purple. Yan Yan likes to walk on the road and watch the scenery to worship Afghanistan. Close to Emperor Cheung Chau, you will see the old pavilion where heaven and man are integrated. Terraces are green and the sky is heavy; Feiting, Xiangdan, there is no land under the ground. He Ting Zhu Fu, into the badlands, Ghost Hall Blue Palace, Lieshan.
Embroidered and carved, Yamahara is full of vision, and Kawasawa is bold and unrestrained. Yan Lu, the hometown of Zhong Mingding's delicious food; Ge boat maze, green finch Huanglong axis. Clouds selling rain Ji, colorful. Sunset and lonely Qi Fei, autumn waters * * * the sky. Fishing boats sing late, the coastal sound is poor, the array is cold, and the sound breaks Hengyang Pu.
Appreciate:
Preface to Wang Tengting is a narrative written by Wang Bo, a writer in the Tang Dynasty. In his article, Wang Bo described the beautiful scenery and humanistic customs of Hongdu's new house, an old county town in Zhang Yu, with heroic brushstrokes, and also showed his profound understanding and unique views on history and culture.
The article begins with "Zhang Yu's old county, Hongdu's new home", expressing the praise and admiration for this city. Then, Wang Bo described the city's prosperity and cultural heritage with words such as "Birds of a feather flock together", "Dragon lanterns shoot cows" and "outstanding people". Later, he showed the political and cultural atmosphere of the city through the descriptions of Gong Yan, Yuwen Xinzhou and others.
At the end of the article, Wang Bo begins with "September belongs to Sanqiu", expressing his feelings about the passage of time and his reverence for history. He used "Teng Jiao, whose word is Zong Meng; At the end, "Zi Dian, General Wang's armory" is a double affirmation of history, culture and talents, showing the love and pride of Chinese culture.
Generally speaking, Wang Bo's Preface to Wang Tengting shows his profound understanding and unique views on Chinese civilization through the description of historical culture and human landscape. His writing style is heroic and magnificent, and it is a classic in China's ancient writings.
2. Song of Eternal Sorrow-[Tang] Bai Juyi
The emperor of China, eager to shake the beauty of an empire, has been in office for many years, searching and never finding it. Until a child of the Yang family grew up in the inner room, almost before she grew up, and no one knew her.
However, due to the gift of heaven and no concealment, it was finally elected royal one day. If she just turned her head and smiled, there were a hundred spells, and the powder and paint of six palaces disappeared without a trace.
It was early spring. They let her bathe in a pure pool to warm and smooth her creamy skin. Because she was tired, a maid lifted her up, when the emperor noticed her for the first time and chose her as his bride.
On the night of spring, the warm hibiscus curtains covered her fluttering hair, petals on her cheeks and golden ripples on her head. But the night in spring is short and the sun rises too fast. Since then, the emperor has given up his early hearing.
He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night. There are other ladies in his court, 3,000 of whom are stunning beauties, but his love for 3,000 is concentrated on one person.
The golden house is dressed up to serve the night. When the table in the jade tower is cleaned, she will wander around and drink wine slowly. Sisters and brothers are in this country because she illuminates and glorifies her family.
When a girl is born instead of a boy, she brings happiness to every father and mother in the empire. ... high rose plum palace, into the blue clouds, and the wide breeze carries magical notes.
Singing and dancing slowly, the emperor's eyes can't stare at her enough. Until the sound of drums came from Yuyang, which shook the earth and broke the tune of rainbow skirts and feather clothes.
The Forbidden City, a nine-story palace, is hidden in the dust and travels southwest from thousands of chariots and horses. The imperial flag opened the way, suddenly moving and stopping, 30 miles from the capital and passing the west gate.
People in the army stop, and no one will move until they are under their hooves. They may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird.
The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, there was blood and tears. Hidden in the yellow dust blown by the cold wind, they crossed a cloud line at the crack in the path of the dagger tower.
Under Emei Mountain. The last few came, and the flags and banners lost their colors in the fading sun. But the water in Shu is always green and the mountains are always blue, so your majesty's love is constant and deeper than the sky.
He stared at the desolate moon from his temporary palace, and he heard the rain at dusk, cutting his chest. Heaven and earth in last contact, the dragon car comes home, and the emperor never leaves.
The memory and pain are buried in the soil of Maweipo. Where is her white face? . Rulers and lords, when their eyes met, cried on their coats. They rode horses, loosened the reins and slowly returned to the capital.
Pond, garden, palace, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But the petals are like her face, and the willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? .
Peach and plum trees are in bloom. In the spring wind, after the autumn rain, the leaves fall to the ground. The palaces in the west and south are scattered with evening grass, and the steps are piled with red leaves that are not swept.
Bai Fuxin, a disciple of Li Yuan, and eunuchs in her pepper yard. . Fireflies were flying on the throne, and he was meditating in the twilight. , he will extend the wick to its end and still never fall asleep. ..
Bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear. And the porcelain mandarin ducks on the roof grow thick morning frost, and the jade is cold, so who and who * * *.
The distance between life and death is year after year, but no beloved soul has visited his dream. There lived a Taoist priest in Lingqiong. He was a guest in the sky and could summon the gods through his concentration.
People were moved by the emperor's constant meditation, and they begged the Taoist priest to see if he could find her. He opened a path in space, like lightning, cut through the sky, up and down, looking for it everywhere.
Above, he looked for the green void, below, the yellow spring, but he didn't find the one he was looking for in two places. Then he heard a narrative about the magical island at sea, and the mountains were in nothingness.
There are pavilions in the five-color sky, and exquisite immortals walk back and forth. And one of them, they call it forever true, has a face like her snow and flowers.
So he went to the golden gate of the West Hall, knocked on the Jasper Gate, and asked a girl named Small jade to tell Shuang Perfect. This lady, after hearing the news of Emperor China's envoy, woke up from her dream in her canopy.
She pushed open the pillow, got dressed, shook off her drowsiness, opened the pearly curtain, and then opened the silver screen. Because she left in such a hurry, her muddy hair ornaments hung aside, and when she came along the platform, her flowered hat was loose.
A breeze blew her cloak and fluttered with her movements, as if she were dancing with a rainbow skirt and feather coat. Tears fell from her sad pale face, just like the spring rain on pear flowers.
But when she asked him to thank her monarch, her eyes shone with love. Since they separated, her form and voice were unfamiliar to her. Because happiness ends in the courtyard of the sun, the moon and dawn become long in the palace of Xianshan.
But when she turned to look down at the earth and tried to see the capital, there was only fog and dust. He expressed his love for the old man and sent him back a shell box and gold hairpin through his special envoy.
However, one branch of the hairpin and one side of the box were kept, and the gold of the hairpin and the shell of the box were broken. "Our souls belong to each other," she said, "just like this gold and this shell." Somewhere, at some time, on earth or in heaven, we will be together.
She sent him a message through his messenger, reminding him that only the hearts of the two of them knew the oath. On the seventh day of July, in the Palace of Eternal Life, we secretly told each other in the quiet midnight world.
Appreciate:
Song of Eternal Sorrow is a long narrative poem by Bai Juyi, a writer in the Tang Dynasty. Based on the love between Yang Yuhuan and Emperor Xuanzong of Tang Dynasty, this poem tells the story of meeting, falling in love and parting with Yang Yuhuan after Emperor Xuanzong moved to Chang 'an.
The structure of the whole poem is very rigorous, with more than 80 sentences, each with seven quatrains, and the writing technique of neat antithesis and beautiful rhyme is adopted. Poetry begins with Yang Yuhuan's growing experience, and then depicts a prosperous scene of Tang Dynasty through her meeting and love with Xuanzong of Tang Dynasty.
In the plot of Yang Yuhuan being forced to leave Chang 'an, Bai Juyi shows the weakness and helplessness of women through the description of her heart, and also expresses her feelings about love and fate. Finally, the poem ends with a scene in which Emperor Xuanzong of the Tang Dynasty was heartbroken because of Song of Eternal Sorrow, expressing the author's nostalgia for the prosperous Tang Dynasty and cherishing love.
Generally speaking, Bai Juyi's Song of Eternal Sorrow shows the prosperity and cultural background of the prosperous Tang Dynasty by describing the prosperous Tang Dynasty and the love story between Xuanzong and Yang Yuhuan, and also expresses his feelings and treasures of love and fate. His poems, with beautiful rhythm and sincere feelings, are classics in China's ancient literature.
3. "Li Sao"-[Warring States] Qu Yuan
Emperor Levin is a descendant of Miao nationality, and I am the emperor Kao Boyong. I went to Meng Xi with my virginity, but Geng Yin and I surrendered.
The emperor looked at Yu Chu-and Zhao Xiyu had a good name: Yu Zhengzi and Yu Yueling.
Fenwu has both inner beauty and self-cultivation. Hu Jiang left with Bi, thinking that she was admirable.
If I am not as good as me, I am afraid that my age is not with me. Mulan Xi in the morning and maize in the evening.
The sun and the moon suddenly don't flood, and the spring and autumn have successively. But the vegetation is scattered, and I am afraid that the beauty will come late.
Do not cherish the strong, abandon filth, why not change this degree? Take the horse galloping, come to my way first!
Appreciate:
Li Sao is a lyric poem with strong philosophy written by Qu Yuan, a doctor of Chu State in the Warring States Period. The poem takes Qu Yuan's ambition to leave Sao as the main line and expresses his thoughts and feelings about life, politics and love.
The style of the whole poem is impassioned, heroic and magnificent, and it uses various rhetorical devices such as antithesis, metaphor and parallelism, which is more musical and appealing. In his poems, Qu Yuan expressed his concern for the whole world and his pursuit of ideals by lamenting and reflecting on himself and criticizing and thinking about the political chaos at that time.
In the fifth chapter of the poem, Qu Yuan describes his feelings of parting from his wife, and expresses his love and understanding of life.
Generally speaking, Qu Yuan's Li Sao is a classic in the history of China literature, which is of great literary, philosophical and political significance. Its unique ideology and attraction make it a treasure of China culture.