Year: Tang Author: Li Bai
Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers.
Sailing alone in the blue sky, only the Yangtze River flows in the sky.
[Analysis] This is a farewell poem. Meng Haoran went to Guangling from Hubei, and Li Bai saw him off at the Yellow Crane Tower. This poem was written by Li Bai after he left Sichuan. During the nearly ten years from the age of 27 to 35, although Li Bai wandered around, he lived quite regularly outside Anlu, Hubei. At this time, he met Meng Haoran, a famous poet at that time. Meng Haoran is older than him 1 1 year. Originally from Xiangyang (now Hubei), he lived in seclusion at Lushan Gate and often roamed in Wu, Yue, Hunan, Fujian and other places. At this time, he was about to travel around wuyue. Two great poets left famous poems in the Yellow Crane Tower. The word "Zhi" in the title of the poem "Guang Zhi Mausoleum" means "Zhi".
Step 2 ask and answer in the mountains
Year: Tang Author: Li Bai
I asked what I meant by living in the blue mountains, but I laughed without answering my heart.
Peach blossoms are opening, and it is another world.
[Analysis] This is a seven-character quatrain, which expresses the author's interest in comfortable and natural seclusion in the form of questions and answers, and secretly uses allusions, which also reflects the author's ambivalence. Although there are only four sentences and twenty-eight characters in the whole poem, there are questions and answers, descriptions and discussions, and the tone sandhi is lively and smooth. Poetry and painting seem close and far away, and poetry seems light and strong. The pen is virtual and real, the description image of the real place can be felt, and the pen in the virtual place can stop at touching, and the contrast between the virtual and the real is profound. Poetry is balanced in phonology, adopting ancient and unique informal forms, simple and natural, leisurely and soothing, which is helpful to convey the phonology of poetry.
3. Early Baidu City
Year: Tang Author: Li Bai
Early in the morning, I bid farewell to Jiangling city, which is high into the sky, thousands of miles away, and the boat is only one day away.
The cries of apes on both sides of the strait are still unconsciously crowing in their ears, and the canoe has passed the heavy green hills.
[Brief Analysis] In the spring of the second year of Gan Yuan, Tang Suzong (759), Li Bai was exiled to Yelang because of the case of Li Lin, Emperor Yongli, and arrived in the relegated place through Sichuan. When I went to Baidi City, I suddenly received the news of pardon, and I was pleasantly surprised. Then I went to Jiangling by boat. This poem was written when the ship returned to Jiangling, so it is called Xiajiangling. The whole poem gives people a feeling of straightforwardness and ethereal. But we can't fully understand the whole poem only by looking at the bold momentum and elegant brushwork. The whole poem is permeated with a sudden passion after hard years, so there is pride and joy in grandeur and quickness. The pleasure of the clippers left a broad imagination space for readers.
4. Flute in Los Angeles in spring night
Year: Tang Author: Li Bai
Yu Di's dark flying sound scattered into the spring breeze in Los Angeles. ?
In this nocturne, the willow is broken, and no one can afford to be homesick.
[Analysis] This poem was written by Li Bai when he visited Los Angeles (Luoyang) in the 23rd year of Emperor Xuanzong of the Tang Dynasty (735). Luoyang was a very prosperous city in the Tang Dynasty, and it was called the East Capital. At that time, Li Bai was living in Los Angeles, probably in an inn. He wrote this poem because he accidentally heard the sound of the flute, which triggered his homesickness. This poem is about homesickness, and the title is "Smelling the flute in Los Angeles on a Spring Night". Obviously, this poem was aroused by the flute. In the title, "Los Angeles" indicates the place of residence, and "Spring Night" indicates the season and specific time. Start by playing the flute, and then write. It is already late at night, and it is difficult for the poet to fall asleep. Suddenly, there were several intermittent flutes. The sound of the flute immediately touched the poet's wandering feelings. Li Bai's hometown is in Sichuan. He traveled away from home in his twenties and then lived in Hubei, Shandong and other places for a long time. It is only natural that he heard the flute "Folding Willow" on a spring night, which caused deep homesickness. Therefore, it is sincere and exciting, which has aroused strong voices in the hearts of travelers for thousands of years.
5. Guan Shanyue
Year: Tang Author: Li Bai
A bright moon rises from Qilian Mountain and crosses the vast sea of clouds.
The mighty wind blew Wan Li and crossed Yumen Pass.
At that time, Han soldiers pointed at the mountain road, and Tubo coveted the vast territory of Qinghai.
This is a land of wars in past dynasties, and few soldiers can survive.
The garrison soldier looked at the remote border town, and his hometown could not help but look sad.
The soldier's wife looked at the tower and lamented when she would see her relatives far away.
[Analysis] This poem describes the scenery of the frontier fortress, the experience of the garrison soldiers, and the homesickness of the garrison soldiers and women. The description at the beginning is for rendering, paving the way for the back, and the focus is on the feelings caused by the moon. The feeling of leaving others and thinking about women is often delicate and too sad in the works of ordinary poets, and correspondingly, the realm is often narrow. But Li Bai used "the bright moon hanging high in the sky, the vast sea of clouds." The wind, thousands of miles, blowing Yumenguan battlements "Wan Li frontier fortress figure caused this feeling. Only a broad-minded person like Li Bai can write like this. These words are not limited to a certain moment, but have broader and quieter thinking. Taking the vast space-time as the background, and combining the homesickness and parting feelings in this kind of thinking, it develops a far-reaching artistic conception, which is beyond the reach of other poets.
Li Bai (70 1-762), a poet in the Tang Dynasty, was named Taibai, a violet layman.
His ancestral home was in Ji Cheng, Longxi (now southwest of Jingning, Gansu), and his ancestors broke leaves at the end of Sui Dynasty (now near tokmak, northern Kyrgyzstan). When I was a child, I moved to Qinglian Township, Changlong County, Mianzhou (now Jiangyou, Sichuan) with my father. At the age of twenty-five, he left his relatives to travel far away and went out of Shu with his sword. At the beginning of Tianbao's offering to Hanlin, he was slandered by powerful people and left Chang 'an in just over a year. He was Wang Yong's chief of staff during the An Shi Rebellion. Because he was defeated in Xunyang prison, he was exiled to Yelang, but he was pardoned halfway. In his later years, he went to his uncle Dangtu to make Li, then died in Dangtu and was buried in Longshan. In the 12th year of Tang Yuanhe (8 17), the observation of Xuanzang Pool made Fan move the tomb to Qingshan according to Li Bai's wishes. There are thirty volumes of Li Taibai's collected works.
In his youth, Li Bai studied in a wide range. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed hundreds of books and became a "good swordsman". Believing in Taoism, having the idea of transcending the secular; At the same time, he has the political ambition to make contributions. The poems he wrote in Shu as a teenager are rarely preserved, but they show outstanding talent. Li Bai traveled in eastern Sichuan when he was about twenty-five or six years old. In the next ten years, he roamed many places in the middle and lower reaches of the Yangtze River and the Yellow River. In the 18th year of Kaiyuan (730), he once arrived in Chang 'an to strive for a political way out, but failed. In the first year of Tianbao (742), he was called by Xuanzong to worship Hanlin in Chang 'an as a minister of civil affairs and participated in drafting documents. Less than two years later, he was forced to resign and leave Beijing. During this period, Li Bai's poetry and song creation tends to be mature. 1 1 years later, continue to wander in the middle and lower reaches of the Yellow River and the Yangtze River. "Wandering around the world, it is suitable for poetry and wine." He still cares about state affairs and hopes to be re-appointed by the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became good friends. They didn't meet again after breaking up the next year. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai lived in seclusion in Xuancheng (now Anhui) and Lushan Mountain. In the second year1February, he was invited to the Lee Shogunate in Wang Yong, hoping to eliminate the rebellion and restore national unity. After Wang Yong angered Su Zong and was killed, Li Bai was also found guilty, imprisoned in Xunyang (now Jiujiang, Jiangxi) and soon exiled to Yelang (now Tongzi, Guizhou). On the way, I was forgiven and came back. I was 59 years old. Living in Jiangnan area in his later years. At the age of 6 1, I heard that Qiu Li Guangbi led an army out of the city to attack the Anshi rebels and went north to join the army to kill the enemy. He turned back halfway due to illness. The following year, he died in the apartment of his uncle Dangtu (now Anhui) county magistrate Li.